検索キーワード： ナレーター "Eve Karpf" すべてのカテゴリー

In the seaside town of Temple Regis, seagulls are wheeling overhead and the holidays are getting close. And then the body of political candidate Odile Clifford is discovered on the balcony of the lighthouse. Fearless Riviera Express reporter Judy Dimont goes in search of the killer - but who is it? And where will they strike next?

For holidaymakers it’s a glorious time of breathtaking scenery, picnics on beaches, and flocks of tourists on their summertime holidays. But for Miss Judy Dimont, this is all a trifle dull. As a reporter for local rag, The Riviera Express, she needs scandal and intrigue - and one morning, as the clock strikes the quarter hour, she gets it. A woman has been shot dead in one of Buntorama’s upmarket holiday huts, the toffee-nosed rival hotelier next door is rubbing his hands with glee, and Judy and her trusty moped, Herbert, are off like a shot to survey the scene of the crime.

'There you have it -' Miss Dimont smiled and, lifting her dark glasses, turned to face the trainee reporter '- in a nutshell. A mystery death. Needs looking into, wouldn't you say?' Death stalks the beaches of Devon. With its pale, aquamarine waters and golden sands, the shoreline at Temple Regis was a sight to behold. But when an unidentifiable body is found there one morning, the most beautiful beach in Devon is turned into a crime scene.

From the best-selling author of My Dear, I Wanted to Tell You and The Heroes' Welcome, Louisa Young's Devotion is a novel of family, love, race and politics set during the electric change of the 1930s. Tom loves Nenna. Nenna loves her father. Her father loves Mussolini. Ideals and convictions are not always so clear in the murky years between the end of the First World War and the beginning of the second.

From Britain's leading social historian, a lyrical look at the changes to women's lives since 1940, told with examples from her own life. The audiobook provides an intimate, brilliant account of feminism over the last six decades. 'A young woman wearing a navy-blue duffle coat stood shivering in the vaulted Victorian booking hall of Temple Meads station in Bristol looking uncertainly around her. It was 1st January 1960, and the woman was me. I was 16 years old, and I had run away from home.'

"In a German Pension" is a collection of short stories by Katherine Mansfield, a New Zealand writer and critic who was an important figure in the modernist movement and widely considered one of the greatest short story writers of all time. Focusing on the lives and interactions of a diverse group of guests staying at a German spa-town pension, where the narrative explores themes of social norms, cultural differences, and the complexities of human relationships.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Imogen has been taking a step back from penguin activities since she started her new school, leaving her brother, Arthur, in charge of visiting their feathered friends. But when penguins start to go missing from the wild, she knows she has to spring into action. Could old adversaries be behind the random disappearances? With the help of their old friend, Einstein, it’s time for Imogen and Arthur to turn detective again.

The inevitable is understood by each and every one of us who faces the final calling. So too are the effects on those left behind. The memories are there but the empty space, the void can never be refilled. It remains a dark, unreliable pit of loneliness. The sadness and often depression, the lack of will to continue may swamp us all. Unquenchable, undeniable. But loss can, after mourning, give the opportunity to reappraise the lost and how we can each move forward. In the literary world an accessible balance can be given.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Francis Edward Ledwidge was born on 19th August, 1887, in the small village of Janeville in Slane, County Meath, in Ireland to parents that believed strongly in education. At the age of 5 his father died and the entire family, already desperately poor, were forced into work and by 13 the young Ledwidge took whatever job was to hand—from farm hand to road labourer. Throughout this time he applied himself to his poetry writing whenever and wherever he could. His poems were published on a regular basis from the age of 14 in the Drogheda Independent, his local paper.

Silence is rare in Nature. When we really listen, Nature is conducting symphonies of sound as her world goes about the day and night. Her invisible heartbeat is everywhere, for everyone. Our eyes are constantly bathed in the wonder of her ways, the soft drizzle of rain from soft grey clouds, the bleached harsh desert sand of a noon day, a wave caressing the shore, to the ravenous colours of a departing sunset. Indeed, whenever we look and listen to the vastness of our world Nature’s beauty is always there for us. In these 60 minutes Nature takes us through her world of wonder.

Along the centuries numerous interpretations and definitions of Sufism have waxed and waned but the undeniable beauty of their verse in its myriad of forms including the musical Ghazal (love song), Masnavi (narrative) and Rubai (quatrain) always remains. Our chronological volume of the classic Sufi poets helps us understand the spiritual direction of Sufism, starting with Rabia in the 8th century through to Khwaja Ghulam Farid over a thousand years later.

In this volume of fifty poems our classic poets delve with storied verse into every facet of this institution. From the good, the bad and even the ugly, from the Wedding day to the realisation that divorce and separation maybe the better path. Between these two frontiers other avenues and facets are explored by the pens of many including Shakespeare, Khalil Gibran, Emily Dickinson and the Rossetti’s.

This century unfolds with a fast-changing world riven by immense wars and glutton hungry Empires. Women strive to win the most basic of rights, the right to vote. Their literary testament is now a vital part of our cultural world. They write on all manner of subjects with truth, with imagination and with undeniable talent. We are all the richer for their words.