検索キーワード： ナレーター "Patricia Gallimore" すべてのカテゴリー

A new generation of the Pengarron family enters centre stage as Lady Kerensa and Sir Oliver depart for London. Kelynen, the youngest daughter, is left resentful and upset by her father's treatment of her. She had been looking forward to running the estate single handedly, but Sir Oliver has unexpectedly forbidden it. Instead, he's ordered her brother Luke to forget his play-writing career and return to Pengarron.

Jessica Trenchard is a spirited and, at times, wayward girl - to the point that her father, Clem, is considering remarrying, just to provide her with a suitable role model. But Jessica's tender care of the distressed and speechless girl she discovers in a field shows that she isn't just a fun-loving tomboy. Her compassion touches the heart of Kane Pengerran, eldest son of the Trenchards' landlord, who has reasons for his own for desiring the love of a sensitive woman.

Eight years after being forcibly wed to Sir Oliver Pengarron, Kerensa Trelynne is the established lady of the manor, happy in the arms of the man she loves and the devoted mother of three children. But she never forgets her roots, maintaining the friendships of her youth, including that of Jenifer Dranncock, a local fisherman's wife. But on seeing her friend's son, Bartholomew, Kerensa is horrified by his resemblance to her husband and suspects the worst.

Coroner Martha Gunn is among the first to be called to the scene when a man's body is found in a small cottage fronting the river. Floating face-down in the rising water, it appears to have been raised from the cellar by the flood.

Callum Hughes has been labelled a killer and a psycho - by the press, by his classmates and by the family of the boy he stabbed. Roger Gough has been labelled a victim. He is described by everyone as a sporty, funny, and popular boy who was brutally murdered by Callum. But things are rarely so black and white.

For the record, the word "parlour" is not used, nor is the relatively recent insidious "lounge", except about airports, hotels and liners.' 'Boys should be taught at a very early age - six or seven - to say "Sir" to an older man.' 'When there are servants, the plates for the first course are never put on the table until everyone is seated.''I cannot stress too often that on every formal occasion, whether it is Luncheon, a Bazaar or a Meeting, a hat should be worn.'

Modern notions were all well and good - but where did one find a man to share them? Though Frederica chafes at the restricted life she lives as the adopted daughter of an infamous bluestocking, she does agree with the philosophy: until men learn to appreciate women as intellectual equals, Frederica is better off without them! But her sister’s recent elopement sparks fires of romance in Frederica’s well-educated head.

1942, and the war is not going well. As part of the war effort the Ashworth Grammar School for Girls signs up for the Merchant Navy's Ship Adoption Scheme. The headmistress, who lost her lover in the First World War, believes the project will broaden the horizons of her girls, especially Polly and Jen, bright sixth formers eager to live and love despite it all. Then Josh Percival, captain of the adopted ship, the SS Treverran, comes with his men to visit Ashworth.

Actress Vena Burford is 'resting' between jobs. But needs must, and with few voice-over jobs in the pipeline, Vena takes on a few jobs for friends and family around the idyllic Stratford-Upon-Avon. But interior design leads her to violent threats and showing prospective buyers around houses ushers in a drug-smuggling ring. Vena comes to know all too well that the countryside is far from quiet.

Warring staff. 'Accidental' poisonings. Topiary of dubious intent. Throw in the full complement of the Toot Hansell Women's Institute and dragons doing yoga, and DI Adams is starting to wonder if she might have made a small misjudgement signing up for this particular spa weekend. And that's before the dead body in the sauna and the storm that cuts them off from the rest of the world. Now she's dealing with a houseful of guests (and staff) who're looking more suspicious by the moment, fending off protesters, and trying to keep everyone safe as the storm closes in.

Cambridge, 1952. When Ellen Kingsley embarks upon an exciting career in scientific research she soon finds herself caught in a bitter world of rivalry and ambition. Resisting the advances of charismatic Mark Pharaoh, who will stop at nothing in his pursuit of success, she moves to London and falls in love with dashing Alec Hunter. Then a chance encounter introduces Pharaoh to Ellen's old school friend, the captivating India Mayhew, and they embark upon a passionate love affair that leaves destruction in its wake.

Gina Knight is looking forward to the prospect of retirement with her husband of forty-three years. Until, to her surprise, said husband decides he needs to 'find himself' – alone – and disappears to Santa Fe, leaving a Dear John letter in his wake. Now Gina needs a new role in life, not to mention somewhere to live, so she applies for the position of Companion to elderly Dorothy Reed. At eighty-nine, ‘Dot’ needs someone to help her around the house – or at least, her family seems to think so. Her companion’s first role would be to accompany Dot for a week-long extravagant wedding party.

It’s the late 1960s and Nico Gachet is a young French student on the run in England. After making some terrible mistakes he must take drastic measures if he is to save his life and the lives of those he loves. Hoping to make amends for a terrible crime, Nico plans a dangerous liaison in the heart of the city.

Rebellious Christmas wreaths. Mysterious welly-dwelling eggs. A plague of irate water fowl. And ten ladies of a certain age who are by no means the least troublesome of Toot Hansell's residents, as far as Detective Inspector Adams is concerned. She's entirely certain her training never covered dealing with the Women's Institute, dragons, or festive magic spills. Not to mention invisible dogs with caffeine dependencies. But Christmas is almost here. Things can't go too wrong. . . can they? Well. It is Toot Hansell.

There's a fine line between 'eccentric' and 'a danger to oneself and others'. That's certainly what DI Adams is thinking when a body turns up in Rose's freezer. Rose might not look like an octogenarian black widow, but it's the inspector's job to follow the evidence. Alice and the Toot Hansell Women's Institute couldn't disagree more. Certain that Rose is responsible for nothing worse than a little forgetfulness, they're not going to let her be sent to jail or an old folk's home.

Suspicious deaths on the Skipton city council don't sound as though they should have anything at all to do with the Toot Hansell Women's Institute, and DI Adams would rather like to keep it that way. But when the councillor for Toot Hansell becomes the latest victim, Alice Martin, chair of the W.I. and RAF Wing Commander (ret.), steps straight in to take his place.

A dragon is missing. DI Adams' missing person is human, not dragon, but the trails of both lead to the village of Eldmere, where glimpses of a mysterious Beast have drawn in the nation's monster hunters. And where the Toot Hansell Women's Institute and the Cloverly dragons are in hot pursuit of Gilbert. A valley full of weekend Yeti hunters and cryptozoologists won't stand between them and the young dragon. But something strange is happening in Eldmere, and the dragons, Beast, and ladies of the Women's Institute are at the heart of it.

Miriam has never exactly seen eye-to-eye with her sister. But when a body's dumped on the doorstep of a Women's Institute meeting and all signs point to Rainbow, Miriam knows her sister's being framed. Going to the police would be the smart move, but Rainbow's got her own reasons for avoiding them. Before long she's on the run, trusting to Miriam and the W.I. to clear her name. The killer's left nothing to chance, though, and Rainbow's in more danger than she realises - and she's dragging the others right in with her.