検索キーワード： 著者 "George Eliot" すべてのカテゴリー

Praised by Virginia Woolf as one of the only novels "written for grown-up people", Middlemarch is a highly accomplished story, whose characters are involving and intriguing. Dorothea's story interlinks powerfully and tantalisingly with that of Lydgate's, a doctor, who joins her for a some of her journey towards making sense of her role in the world, both as a woman and as an idealist.

The Mill on the Floss is one of the great works of English literature. It is perhaps the most autobiographical of all Eliot's novels. The relationship between its heroine, Maggie Tulliver, and her brother, Tom, closely resembles that of George Eliot and her own brother, Isaac. The subject of sibling affection was clearly a deeply poignant one for George Eliot - she also wrote a series of beautiful and evocative sonnets entitled 'Brother and Sister'.

One of the great novels of nineteenth-century England, Middlemarch is concerned with the blighted marriage of a young idealistic woman, but also presents a vivid portrait of England during the 1830s.

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away?

Here is a tale straight from the fireside. We are compelled to follow the humble and mysterious figure of the linen weaver Silas Marner on his journey from solitude and exile to the warmth and joy of family life. His path is a strange one - and from desolate misery comes triumphant joy.

Maggie Tulliver has two lovers: Philip Wakem, son of her father's enemy; and Stephen Guest, already promised to her cousin; but the love she wants most in the world is that of her brother Tom. Maggie's struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy.

George Eliots mest ambitiösa roman Middlemarch är en komplex berättelse om idealism, lojalitet och uppslitande kärlek. I en engelsk småstad under 1800-talets första hälft får vi följa den unga idealisten Dorothea Brooke som är olyckligt gift, och den charmige men taktlöse Dr Tertius Lydgate som även han har problem på det äktenskapliga planet.

George Eliot è lo pseudonimo di Marie Anne Evans. Fu iniziato nel 1869, e poi ripreso ne 1871 fondendo tra loro diverse storie che presero l'aspetto di un romanzo a puntate. La prima edizione in un unico volume venne pubblicata nel 1874, ottenendo un'ampia diffusione.

Silas Marner: The Weaver of Raveloe, published in 1861, is the third novel by George Eliot, the pen name of Mary Anne Evans. The seemingly simple story of the weaver Silas Marner deals with issues like community, industrialization, and positive transformation in sophisticated and engaging ways. Silas, a weaver in a city in the north of England, is falsely accused of theft and cast out by his circle of friends. He moves to a city in the Midlands where he lives as a loner for many years. His hoarded wealth is stolen but he soon finds a far greater treasure.

"Brother Jacob" is a short story by George Eliot in which she explores the relationship between the selfish, self-centered, and ambitious David Faux and his simple-hearted and naif brother, Jacob.

"It’s a woman. She’s dead, I think--dead in the snow at the Stone-pits--not far from my door." Since his arrival in the small village of Raveloe, Silas Marner has been an outsider. Nobody knows where he came from, nobody understands him, nobody dares to invite him in. All of this changes when a little girl wanders through his door one snowy night. What feelings will she stir in Silas’ lonely heart? How will she draw Silas closer to the heart of Raveloe?

Why is this feeling of regret so familiar to her? Why must she always wish she had done something different? Maggie Tulliver and her brother, Tom, grow up in the mill on the River Floss. Although Maggie adores Tom, she often finds him cruel and cold. All she wants is for life to be full and warm.The Tulliver family’s traditional way of living is threatened by changes beyond their control. Will the educated world of lawyers and lawsuits destroy what generations have enjoyed?

Emily Watson, star of the BBC adaptation, reads this classic story of Tom and Maggie Tulliver: brother and sister torn apart by the ignorance of one and the spirit of the other.

Here is a tale straight from the fireside. We are compelled to follow the humble and mysterious figure of the linen weaver Silas Marner, on his journey from solitude and exile to the warmth and joy of family life. His path is a strange one; when he loses his hoard of hard-earned coins all seems to be lost, but in place of the golden guineas come the golden curls of a child - and from desolate misery comes triumphant joy.

Maggie Tulliver has two lovers: Philip Wakem, son of her father’s enemy, and Stephen Guest, already promised to her cousin. But the love she wants most in the world is that of her brother Tom. Maggie’s struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy

Bright, willful Maggie Tulliver longs for acceptance from Tom, her obstinately responsible brother whom she cherishes above all. As their father falls ill and loses Dorlcote Mill in a lawsuit, Maggie and Tom are forced down two divergent paths in life, each dictated by familial and societal expectations. Wasting away in the Tullivers' home, Maggie is soon inspired to follow her heart and lead a life of passion and impulse, which results in her brother renouncing her. As the siblings drift apart, only tragedy along the River Floss can bring them together again.

Young, ardent Dorothea Brooke defies her sister by wedding the much older Reverend Edward Casaubon, blindly hoping to assist in his scholarly pursuits. Tertius Lydgate, a progressive doctor, new and unwelcome in provincial Middlemarch, is charmed into marriage with the selfish and shallow Rosamond Vincy, a disastrous mismatch of his own. Soon blatant stubbornness, unruly jealousy, blind idealism, and calculated blackmail threaten to upend the Midlands village and lay waste to happy endings.

For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses often protest otherwise. The contribution of women in these earlier centuries is immense, and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written. And remember these words, these telling lines, have been written against the grain of society's male bias. With their remembered words these female poets have given us a history that we can all now share.

Set in the turbulent years following the death of Lorenzo de' Medici, George Eliot's fourth novel, Romola, moves the stage from the English countryside of the 19th century to an Italy four centuries before her time. It tells the tale of a young Florentine woman, Romola de' Bardi, and her coming of age through her troubled marriage to the suave and self-absorbed Greek Tito. Slowly Tito's true character begins to unfurl, and his lies and treachery push Romola toward a more spiritual path, where she transcends into a majestic, Madonna-like role.

The is the heart-rending tale of carpenter Adam Bede's love for pretty, superficial Hetty Sorrel, her trial for the murder of her ilegitimate child, the plight of her seducer, and Adam's growing affection for Dinah Morris, a Methodist preacher. Eliot's comments on pastoral life and the wisdom and candor of Mrs. Poyser add zest and humor.