検索キーワード： ナレーター "A A Maynard" すべてのカテゴリー

The Civil War left Clete Slater with three things: a price on his head for a crime he didn't commit, his new assumed name of Slate Creed, and a savage thirst for vengeance. To follow the trail of his brother's killers, he left his family, the girl he intended to marry, and his ravaged Texas hometown behind. The Union Army wants Creed, dead or alive. But even far from Texas in the wide-open gambling dens of New Orleans, the bluecoats are just a hoofbeat behind. With luck, Creed might escape the bloodthirsty bluecoats.

Creed was willing to risk his life by going home to the girl and the land he loved. Texada and Texas. Both represented his future and as long as he could breathe he would determine his own destiny. But the road home lay through Victoria County, a place that many considered to be lawless and wild even before the War. He knew he was inviting trouble, but he was in a hurry. Riding into the town of Victoria, Creed finds himself caught in a standoff between the angry townsfolk and the company of Union soldiers sent to occupy the town.

The Civil War was hell for Captain Clete Slater, a forgotten hero of the Confederacy, and the Texas Reconstruction's even worse. His Texas home-town is overrun with carpetbaggers and bluecoats. He's hunted by the law for a crime he didn't commit. He rides south to Mexico with a new name, Slate Creed, to hide his real identity. Riding across the Rio Grande, Creed expects to find frontier justice for the real culprits. Instead he finds another country torn apart by its own civil war.

The Union nearly killed him in the Civil War. Then the bluecoats and carpetbaggers stole his Texas plantation and turned what was left of his family against him. His Texas home-town became an armed camp, full of corrupt, greedy Yankees anxious to wipe out any veteran that showed up in tattered Confederate gray. Any other man would have just drifted on, but not Confederate Captain Clete Slater.

Which horse is fastest, Wildfire or Sage King? No one in the Colorado River Valley knew, until a raging range fire trapped both horses and riders into a race against death.

Here is an arm's length sequel to Riders of the Purple Sage. It answers the question most often asked: What finally happened to Lassiter and Jane Withersteen?

Drinking cost Helen her marriage and custody of her seven-year-old son, Ollie. Once an aspiring art photographer, she now makes ends meet by taking portraits of schoolchildren and working for a caterer. Recovering from her addiction, she spends lonely evenings checking out profiles on an online dating site. Weekend visits with her son are awkward. He's drifting away from her fast.

Summer, 1979: A dry, hot Northern California school vacation stretches before Rachel and her younger sister, Patty - the daughters of a larger-than-life, irresistibly handsome (and chronically unfaithful) detective father and the mother whose heart he broke. When we first meet her, Patty is 11 - a gangly kid who loves basketball and dogs and would do anything for her older sister, Rachel.

They were born on the same day, in the same small New Hampshire hospital, into families that could hardly have been less alike. Ruth Plank is an artist and a romantic with a rich, passionate, imaginative life. The last of five girls born to a gentle, caring farmer and his stolid wife, she yearns to soar beyond the confines of the land that has been her family's birthright for generations. Dana Dickerson is a scientist and realist whose faith is firmly planted in the natural world.

Lenny Marks is good at not remembering. She has spent the last twenty years not thinking about the day her mother left her when she was still a child. Her stepfather's parting words, however, remain annoyingly unforgettable: 'You did this.' Now thirty-seven, Lenny prefers contentment and order over the unreliability of happiness and the messiness of relationships. She fills her days teaching at the local primary school, and her nights playing Scrabble with her pretend housemate, watching reruns of Friends and rearranging her thirty-six copies of The Hobbit.

I hate Ripley Brewer. So, why am I cuddling on his lap, peering into his ocean-blue eyes while cameras record our every move? My best friend needs my help to save her career, and I would do anything for her. Besides, filming a reality show sounds fun … until Ripley shows up to play the role of my fake boyfriend. As always, we nearly come to blows within minutes of seeing each other. The playboy billionaire accuses me of a setup, but I insist I’d rather live in a world without carbs than spend a minute with him.

Local weather reporter Suzanne Maretto craves nothing more than to transcend life at her suburban cable television news station and follow in the footsteps of her idol: Barbara Walters. When she concludes that her unglamorous husband is getting in the way of her dream of stardom, the solution seems obvious: Get rid of him. She seduces a 15-year-old admirer, Jimmy, and persuades him to do her dirty work. Mission accomplished, Suzanne takes to the airwaves in her new role as grieving widow, in search of a TV deal. If that means selling Jimmy down the river, she’s ready.

After a childhood filled with heartbreak, Irene, a talented artist, finds herself in a small Central American village where she checks into a beautiful but decaying lakefront hotel called La Llorona at the base of a volcano.

Following the death of her former husband, Cam, fifty-four-year-old Eleanor has moved back to the New Hampshire farm where they raised three children to care for their brain-injured son, Toby, now an adult. Toby’s older brother, Al, is married and living in Seattle with his wife; their sister, Ursula, lives in Vermont with her husband and two children. Although all appears stable, old resentments, anger, and bitterness simmer just beneath the surface. How the Light Gets In follows Eleanor and her family through fifteen years (2010 to 2024).

When I took a job at the Monster Relations Bureau, the last thing I wanted was to stand out. There's just one problem—a grumpy, unapproachable dragon shifter who can't keep his golden eyes off me. Getting involved with Ewan Blair is the definition of a bad idea. Not only is he completely off-limits as the Bureau's Director, but the way he looks at me—like he'd devour me one moment, and wishes he never met me the next—should be enough warning to stay far away. But I've always had a reckless streak.

When the Monster Relations Bureau tells me I've been identified as a kraken shifter's mate, my first instinct is to run. I learned the hard way what it means to be treated like someone's possession, and I'm not about to make the same mistake twice. Only, Elias is… different. Patient and careful with me, willing to wait as long as it takes for me to let him in. The more I learn to trust him, and the more he draws me under with the dark temptation of his touch, the more the defenses I've held onto for so long start to crumble.

For much of their lives, Joy has been telling Cassie and Andie one big, fat lie: that they are from the future, and that when they turn 21 they will travel back to the year 2050. What started as a colourful tale to explain how the girls came to live with her has now become a decade's-long deception. Worse still, Joy has started to believe it herself. The big lie is certainly preferable to the truth she just can't face - about what happened to the girls' real mother, Britney; and how far Joy's gone to keep them 'safe'...

Losing my job was bad, but ending up on my witch of an aunt's doorstep as a last resort was even worse. Her offer? Embrace the magic I've always denied and come work for her at our family's haunted manor. The one staffed by monsters who aren't just people in costumes, including two in particular who draw me in immediately.