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Graysen Foxx is no stranger to the mysteries hidden in Ordinary Elementary—the bat-filled tunnels, the secret passageways, the underground chambers, and the sticky spiderwebs—and he’s on the hunt for a creepy old painting that will guarantee his victory in the school’s Halloween room contest. But finding and claiming the painting is only the beginning of a wild adventure filled with puzzles that will put Graysen’s treasure-hunting skills to the test. When Graysen finds a mysterious symbol on the back of a dusty spelling bee medal, the discovery spreads like creamy peanut butter.

Something is wrong with Liam. He collapses during soccer practice, he can’t stay awake in class, and he’s starting to see a ghostly white fox that disappears into smoke. His parents and teachers accuse him of being lazy and staying up too late, but he knows it’s something worse. He feels like he’s disappearing bit by bit: his strength, his skills, his mind. No one believes him except for Alaina, a friend and self-proclaimed expert in fantasy and fairy tales. She’s seen this sort of thing before and believes Liam has been cursed with a powerful sleeping spell.

Grand Master of the Science Fiction Writers of America and winner of countless awards—including the Hugo, Nebula, Edgar Allan Poe, and Bram Stoker—Harlan Ellison proved once more that he was both unpredictable and irrepressible in this second collection of innovative science fiction. Again, Dangerous Visions—the middle installment in a planned three anthology series—includes award-winning stories from incomparable writers such as Ursula K. Le Guin, Gene Wolfe, Ray Bradbury, Kurt Vonnegut, Piers Anthony, Dean Koontz, and James Tiptree, among many others.

Between 1920 and 1950, America saw an unprecedented expansion of wealth and power underwritten by technological innovation, cultural confidence, and victory in war. American elites won World War II, rebuilt the world order with America at its head, inaugurated the jet age, and put a man on the moon. The boom led to a larger, richer middle class that confirmed America’s best ideals. By the early 1970s, that ended. American elites have captured a disproportionate share of the social and economic rewards over the last fifty years.

James sells toys. He’s a workaholic and he’s made a very good living, even if his wife and four children don’t appreciate it. Truth is, his marriage is falling apart and he barely recognizes his kids. So when James’s youngest daughter, seven-year-old Reba, asks God for a Christmas miracle to “fix” her family, something most unexpected happens—unexpected and horrible. The Christmas tree catches fire and the house burns down, taking with it all of their possessions.

Assemble Artifacts: A short story magazine that assembles a thrilling new mix of stories from genres including horror, science-fiction, comedy, and suspense. Buried at the heart of every story in the magazine is a unique artifact, an object that has inspired our storytellers to create a big idea, an irresistible question, a new immersive world, or a sense of wonder. Includes “Nothing Was Already Here” by April Wolfe, “Labyrinth Loop” by Isabel J. Kim, “Divine” by Michael Griffo, “Dismantle” by Joshua Sky, “The Twelve Gates Barber Shop” by K.T. Jayne, and “Refrain” by Gretchen McNeil.

Garbage comes to life as animated creatures called junklets, wreaking havoc in elementary schools. Specially trained kids from the magical School of Garbage are sent to stop the rise of the trash monsters. With the school’s magical janitorial supplies—brooms that can fly, toilet plungers that can reverse gravity, and mops that can capture anything in their strings—the ordinary becomes extraordinary.

A lush and elegant collection of tales—many having appeared in various “Best Of” anthologies—teeming with frightful and tragic events, yet profoundly and intimately human. These chilling tales will engross and enthrall. For listeners of Kelly Link, Carmen Maria Machado, and Angela Carter, this is a must have collection of ghostly tales set to deliver a frisson of terror and glee.