検索キーワード： ナレーター "John Rubinstein" すべてのカテゴリー

Hard Times is the name of a town in the barren hills of the Dakota Territory. To this town there comes one day one of the reckless sociopaths who wander the West to kill and rape and pillage. By the time he is through and has ridden off, Hard Times is a smoking ruin. The de facto mayor, Blue, takes in two survivors of the carnage - a boy, Jimmy, and a prostitute, Molly, who has suffered unspeakably - and makes them his provisional family.

The astonishing novel of a young boy's life in the New York City of the 1930s, a stunning recreation of the sights, sounds, aromas and emotions of a time when the streets were safe, families stuck together through thick and thin, and all the promises of a generation culminate in a single great World's Fair.

In his workbook, a New York City novelist records the contents of his teeming brain - sketches for stories, accounts of his love affairs, riffs on the meanings of popular songs.... He is a virtual repository of the predominant ideas and historical disasters of the age. But now he has found a story he thinks may become his next novel: The large brass cross that hung behind the altar of St. Timothy's, a run-down Episcopal church in lower Manhattan, has disappeared...and even more mysteriously reappeared on the roof of the Synagogue for Evolutionary Judaism, on the Upper West Side.

Bound by blood but divided by troubles as old as Cain and Abel, Moses Reed and Aaron Fox were first introduced in Kellerman’s bestselling Bones. They are sons of the same strong-willed mother, and their respective fathers were cops, partners, and friends. Their turbulent family history has set them at odds, despite their shared calling. Moses—part Boy Scout, part bulldog, man of few words—is a no-frills LAPD detective.

In Jonathan Kellerman’s gripping novels, the city of Los Angeles is as much a living, breathing character as the heroes and villains who roam its labyrinthine streets. Sunny on the surface but shadowy beneath, this world of privilege and pleasure has a dark core and a dangerous edge. In True Detectives, Kellerman skillfully brings his renowned gifts for breathless suspense and sharp psychological insight to a tale that resonates on every level and satisfies at every turn.

The City of Angels has more than its share of psychopaths, and no one recognizes that more acutely than the brilliant psychologist and police consultant Dr. Alex Delaware. Despite that, Constance Sykes, a sophisticated, successful physician, hardly seems like someone Alex needs to fear. Then, at the behest of the court, he becomes embroiled in a bizarre child custody dispute initiated by Connie against her sister and begins to realize that there is much about the siblings he has failed to comprehend.

The anonymous caller has an ominous tone and an unnerving message about something "real dead...buried in your marsh." The eco-volunteer on the other end of the phone thinks it's a prank, but when a young woman's body turns up in LA's Bird Marsh preserve no one's laughing. And when the bones of more victims surface, homicide Detective Milo Sturgis realizes the city's under siege to an insidious killer. Milo's first move: calling in psychologist Alex Delaware.

Veteran CIA officer Max Waller has long been obsessed with the abduction and murder of his Agency mentor. Though years of digging yield the name of a suspect—an Iranian math genius turned terrorist—the trail seems too cold to justify further effort. Then Max turns up a photograph of the man standing alongside Osama bin Laden and a mysterious westerner whose face has been cut out, feeding Max’s suspicion. 

Husband and wife Jonathan and Faye Kellerman, both internationally best-selling authors, team up for a powerful one-two punch with Capital Crimes, a pair of original thrillers set in two cities rich in atmosphere: Berkeley and Nashville.

A tipsy young woman seeking aid on a desolate highway disappears into the inky black night. A retired schoolteacher is stabbed to death in broad daylight. Two women are butchered after closing time in a small-town beauty parlor. The ultimate whodunits, these crimes demand the attention of LAPD detective Milo Sturgis and his collaborator on the crime beat, psychologist Alex Delaware.

Jonathan Kellerman has distinguished himself as the master of the psychological thriller. Now L.A. psychologist-detective Alex Delaware confronts a long-unsolved murder of unspeakable brutality - an ice-cold case whose resolution threatens his survival, and that of longtime friend, homicide detective, Milo Sturgis. 

"I’ve got a weird one, so naturally I thought of you,” says Milo Sturgis, summoning his friend Alex to the trendy gallery where a promising young artist has been brutally garroted on the night of her first major showing. What makes it “a weird one” is the lack of any obvious motive, and the luridly careful staging of the murder scene - which immediately suggests to Alex not an impulsive crime of passion...but the meticulous and taunting modus operandi of a serial killer.

Detective Jacob Lev wakes one morning, dazed and confused: He seems to have picked up a beautiful woman in a bar the night before, but he can’t remember anything about the encounter, and before he knows it, she has gone. But this mystery pales in comparison to the one he’s about to be called on to solve. Newly reassigned to a Special Projects squad he didn’t even know existed, he’s sent to a murder scene far up in the hills of Hollywood Division. There is no body, only an unidentified head lying on the floor of a house.

LAPD Lieutenant Milo Sturgis is a fine homicide detective, but when he needs to get into the mind of a killer, he leans on the expertise of his best friend, the brilliant psychologist Dr. Alex Delaware. While Sturgis has a knack for piecing together the details of a crime, Delaware can decipher the darkest intents driving the most vicious of perpetrators. And there’s no better place for the doctor’s analytical skills to shine than a rowdy hall full of young men and women intoxicated on life and lust...and suddenly faced with the specter of death.

Jonathan Kellerman's LA is evil, seductive, erotic, and unforgiving, and Flesh and Blood is mind-opening in its drama of a driven man's personal quest, breathtaking in its ingenious plot, filled with unforgettable characters, and topped off by a terrifying climax. This is suspense fiction as its best. 

For more than 25 years, Charles Schwab has been passionate about demystifying investing. In a user-friendly style, You're Fifty - Now What? offers a mix of clear and workable advice about how to accumulate and grow your money.

Someone has murdered euthanasia champion Dr. Eldon Mate - a self-styled Dr. Death responsible for scores of assisted suicides. In a burst of bloody irony, the killer chooses to dispatch the doctor in the back of Mate's own suicide van, hooking him up to the killing apparatus dubbed "the Humanitron" - and adding some butchering touches of his own. The case is assigned to veteran LAPD homicide detective Milo Sturgis, who turns, once again, to his friend Dr. Alex Delaware. But working this case raises a conflict of interest for Alex so profound that he can't even discuss it with Milo.

As big and exciting as the next century, this is a novel of real life at our giddy, feverish, topsy-turvy edge of the millennium. Turn of the Century is a good old-fashioned novel about the day after tomorrow—an uproarious, exquisitely observed panorama of our world as the twentieth century morphs into the twenty-first, transforming family, marriage, and friendship and propelled by the supercharged global businesses and new technologies that make everyone's lives shake and spin a little faster.

A cynical Hollywood moviemaker confronts his dead wife’s lover and abruptly realizes the depth of his own passion. As his parents’ marriage disintegrates, a precocious fifth-grader distracts himself with meditations on baseball, spaghetti, and his place in the universe. And in the title story, an elderly nun enters a college creative writing class and plays havoc with its tidy notions of fact and fiction. The Whore’s Child is further proof that Russo is one of the finest writers we have.

Doctorow returns with an enthralling collection of brilliant, startling short fiction about people who, as the author notes in his Preface, are somehow “distinct from their surroundings—people in some sort of contest with the prevailing world”.