検索キーワード： ナレーター "Lucy Paterson" すべてのカテゴリー

Gary and I have always been happy. Our fridge is covered in the love notes I leave him every morning, we always start the day on the doorstep with a goodbye kiss, and I make sure we never, ever fight. But since Gary’s sister Lisa moved in, things have been different… The day Lisa arrived at the school where I work, asking for help, I knew we had to welcome her into our home. Gary hasn’t spoken to his parents in years, and his childhood was far from perfect. But now every time Lisa enters a room, I watch him sneak out the door.

ME: Staring down at the sweet baby in my arms, I feel panic instead of love. Because this isn’t the child I gave birth to. My husband whispers to the midwife. They all think I’m going crazy. But the tiny boy in my arms is crying again. I’m certain: he knows I’m not his mummy. And I’ll do whatever it takes to get my son back.

May Day should mark the start of spring. But this year, it means murder... Fortunately antique store owner and amateur detective Bella Winter is on the case! Everyone in Hope Eaton climbs the hill to Sweet Agnes’ Spring on May Day, to greet the dawn and leave tokens among the flowers. Antique store owner Bella Winter grumbles about the early start, but she has to admit that watching the sun rise over the flower-strewn grove is worth it.

I’ve been married to my kind, loving husband Lachlan for over twenty years. He’s my everything. We have two teenage children, a beautiful home and I feel so lucky to live this perfect life. Until my best friend says something that makes me doubt everything… She whispers it’s strange Lachlan has lived nearby to two unsolved murder cases. First, the murder of the woman in the small, Scottish village where he grew up and more recently the shocking death of a woman who lived round the corner from us. The thought makes my head spin. It’s just a coincidence, surely?

Shifting Sands is about that other Sahara, not the empty wasteland of the romantic imagination but the vast and highly differentiated space in which Saharan peoples and, increasingly, new arrivals from other parts of Africa live, work, and move. It takes us from the ancient Roman Empire through the bloody colonial era to the geopolitics of the present, questioning easy clichés and exposing fascinating truths along the way.

This sweeping account confronts and upends old fantasies, revealing the far more startling reality of our world's largest hot desert. Drawing on decades of research, and years spent living in the region, anthropologist Judith Scheele takes us from Libya to Mali, Algeria to Chad, from the ancient Roman Empire to the bloody colonial era to contemporary regional battles and fraught international diplomacy, questioning every easy cliché and exposing fascinating truths along the way.

The divorce went surprisingly smoothly. Pedantic lawyer Max and impulsive painter Lola just weren't a good match, that is one thing they agree on. But the ink on the divorce papers has barely dried, when circumstances force them to move back in together. They soon find out that living with your ex isn't exactly great for your dating life...

For years, Aidan Cullen has dreamed of becoming a successful crime writer. When his hard work finally pays off and his first book is published, what should have been a night of celebration unravels into an evening of horror. Left for dead after a brutal attack, trauma leaves him paranoid and reclusive, and he retreats to the remote countryside with only his dog Nanook for company. With the world kept at arm’s length, he begins to feel safe. That is, until a woman is murdered at the end of his road.

Esther is nearing thirty, with a great job and a flat she shares with her two best friends, Bibi and Louise. But her life is missing that special someone. Tired of being single and sick of bad date after bad date, she thinks she’s found the answer to her romance problem in an old women's magazine. According to the magazine’s dating column, there are seven archetypes a woman will date before finding Mr. Right.

Esther is out with her two friends, bemoaning her lack of relationship, when she finds a magazine from the noughties. Seeking comfort – and a laugh – she turns to the dating advice only to find an article that feels a little too close to home. According to the journalist, there are seven people a woman will date before finding the one: The First Love, The Work Mistake, The Friend with Benefits, The Overlap, The Missed Chance, The Bastard and The Serious One. Her friends laugh but Esther realises each of her exes fits these roles perfectly.

Mary has raised a family in this house. Watched her children play and laugh and bicker in this house. Today she is getting married in this house, with all her family in attendance. The wedding celebrations have brought fractured family together for the first time in years: there's Phoebe and her husband Michael, children in tow. The young and sensitive Rosie, with her new partner. Irene, Mary's ex-mother-in-law. Even Emma, Mary's eldest, is back for the wedding - despite being at odds with everyone else.

It seemed, at times, an act of profound selfishness, to have a child so that I might become a parent; but selfish, too, to have a child and stay the same, or not to have one - unless the only honest choice would have been to try to become this kinder version of myself without the need to bring another into it.

Meet Bella Winter. She loves vintage clothes, antiques and… solving crimes? Bella Winter moved to charming Hope Eaton for some peace and quiet after quitting her busy city job. She delights in spending time in her little antique store on top of the hill, hunting for bargains at auctions, and getting to know everybody–because if there’s one thing Bella’s good at, it’s solving other people’s problems. But her peaceful life is overturned when she finds eccentric local historian Professor Oliver Barton dead in the ruins of Raven Hall, a trowel lying near his outstretched hand.

Forget scrolling through the latest parenting websites and getting sucked in by the latest fads on Instagram - using an engaging mix of expertise and experience, this book will help you understand what it means to be a 'good enough' parent to your children from babyhood to adulthood. In return, you'll help instil that feeling of being 'good enough' in your child - a mindset that will give them the best chance of navigating the ups and downs of modern life.

On the 25th anniversary of the Scottish Parliament, this book captures an important moment in contemporary history: how a grassroots women's movement, harking back to the suffragettes and second wave feminists of the 1970s and 1980s, took on the political establishment - and changed the course of history. Through a collection of over thirty essays and photographs, some of the women involved tell the story of the five-year campaign to protect women's sex-based rights.

Phoebe, an eight-year-old girl, lies comatose following a car accident. She is a body without a spirit, a stolen child. Ceres, her mother, can only sit by her bedside and read aloud to Phoebe the fairy stories she loves in the hope they might summon her back to this world. But it is hard to keep faith, so very hard. Now an old house on the hospital grounds, a property connected to a book written by a vanished author, is calling to Ceres. Something wants her to enter, and to journey - to a land coloured by the memories of Ceres's childhood, and the folklore beloved of her father.

In today's connection economy, the most successful leaders inspire their people with purpose and meaning. Powerful corporate storytelling can mobilise people around an organisational objective in a way that a focus on market share never will. Be it a digital transformation or a diversity and inclusion initiative, corporate change needs the support of the people in that organisation in order to stick. Yet, while all stories can move people to take action, storytelling isn't a one size fits all.

In this “dark fairy tale” (Kirkus Reviews), Phoebe, an eight-year-old girl, lies comatose following a car accident—a body without a spirit. Ceres, her mother, can only sit by her bedside and read aloud the fairy stories Phoebe loves in the hope they might summon her back to this world. But an old house on the hospital grounds, a property connected to a book written by a vanished author, is calling to Ceres.

Anna and Zoe are identical in appearance, absolutely opposite in personality. They are so close that nothing—and no one—can come between them. When Anna meets the charismatic Nick through online dating, her heart tells her she's found the one. Zoe, however, is concerned. She's seen her sister betrayed before and she's sure Nick is just another man in a long line of liars. As Anna's romance blossoms, the relationship between the sisters becomes strained.