検索キーワード： ナレーター "Christopher Grove" すべてのカテゴリー

Fleeing a smashed rebellion and near execution by their supposed allies, Dirk, Gavin, Dena, and Ana abandon Scruggs and Lee during battle. When local medical treatment isn't enough, Lee surrenders to the Imperials and arranges to surrender to Devin's ship to save Scruggs's life.

Dirk Friedel used to be an Imperial Duke, now he's a washed up freighter captain. When a shady broker offers him easy money to steal some obsolete cargo and transport it off-planet, he and his crew of amateur thieves jump at the chance. Who'll miss a few crates of worthless supplies and some broken down trucks? But when the supplies turn out to be something more than imagined, they end up dodging the Imperial navy and enlisting as unwilling mercenaries in civil war.

In Mythologies Without End, Jerome Slater argues that US policies in the region are largely a product of mythologies that are often flatly wrong. For example, the Israelis' treatment of Palestinians after 1948 undermined its claim that it was a true democracy, and the argument that Arab states refused to negotiate with Israel for decades is simply untrue. Because of widespread acceptance of these myths in both the US and Israel, the consequences have been devastating to all of the involved parties.

When Frank Morris and brothers John and Clarence Anglin boldly escaped from Alcatraz prison on June 11, 1962, it is widely believed that they succumbed to the waters of San Francisco Bay, though no trace of the men has ever been found, only their makeshift raft.

In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television’s narrative inventiveness, emotional resonance, and artistic ambition. Just as the Big Novel had in the 1960s and the subversive films of New Hollywood had in 1970s, television shows became the place to go to see stories of the triumph and betrayals of the American Dream.

The definitive book on the TV show Ted Lasso, written by New York Times journalist and editor Jeremy Egner, celebrating the show’s improbable rise and cultural impact while never losing sight of the heart, friendship, and passion that have made it an enduring favorite for the ages.

No one asks for restless moments. No one wants to feel irritated, unsettled, or stuck. When pressed into restless seasons in our relationships, work, or faith, we feel the hum: You can't go back, but you can't stay here. But what if restlessness is normal, healthy, and even holy? What if spiritual questions are not problems to be solved but invitations of the soul? And what if spiritual maturity inspires restlessness rather than inoculating us against it?

What is gratitude? Where does it come from? Why do we need it? How does it change us? In Gratitude, award-winning author Cornelius Plantinga explores these questions and more. Celebrating the role of gratitude in our lives, Plantinga makes the case that it is the very key to understanding our relationships with one another, the world around us, and God. Going deeper than mindfulness and positive psychology, Plantinga explores gratitude in a theologically informed and pastorally sensitive way.

Escaped Imperial officer Dirk doesn't care his crew are runaways, revolutionaries, and alleged criminals, as long as they're adequately competent and don't kill each other too often. When a smuggling job goes badly wrong and they improvise, he'll trade competency for just non-suicidal. If one crime causes problems, a second should fix it. But after a botched heist lands them in the freezing woods of a frozen planet, they need a new plan.

Through a rich discussion of literature and case studies, he shows that there are compelling reasons to think that the police's widespread use of proactive deception and dishonesty is inconsistent with fundamental norms of political morality—especially norms regarding fraud and the rule of law. Although there are times and places for dishonesty and deception in policing, Hunt evocatively illustrates why those times and places should be much more limited than current practices suggest.