検索キーワード： ナレーター "Ghizela Rowe" すべてのカテゴリー

Women's Short Stories - Volume 4. The art of writing a short story can be barely noticed by a reader such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline but for those who master it the rewards is many.

Two Gentlemen of Verona is believed to be one of Shakespeare's early comedies and as a result provides us with the first examples of a number of themes and devices that are further explored in many of his plays. These include loyalty, friendship and the nature of love.

Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings. Forget the idea of classic poetry being somehow dull and boring and best kept to children's textbooks. It still has life, vibrancy, and relevance to our lives today. Where to start? How to do that? Poetry can be difficult. We've put together some very eclectic Poetry Hours, with a broad range of poets and themes, to entice you and seduce you with all manner of temptations.

The English language has grown into the world’s pre-dominant spoken language, containing over one million words. Its sources are rich and diverse, having absorbed words from other cultures and times without hesitation. With such talents as Shakespeare, Keats, Shelley, Kipling, Blake, and many other classic poets using this most flexible language to render their thoughts and visions, it is no wonder that the beauty and reach of English entrances us.

Andrew Marvell was born in Winestead-in-Holderness, in the East Riding of Yorkshire on March 31st, 1621. He was educated at Hull Grammar School, and at the age of 13 he attended Trinity College, Cambridge, and eventually received his BA degree. It is thought that in 1642 Marvell travelled in Europe and, while England was embroiled in its civil war, remained there until 1647, mastering several languages including French, Italian and Spanish.

The short stories written during and about World War I are often overshadowed by the excellent verse of the War Poets. Yet the short story is perhaps their equal in other ways. Within these succinct little time capsules of words are captured ideas, attitudes, feelings and life that are expressed in a few minutes just as movingly, imaginatively and tellingly as in any other form. Some of these stories will be familiar, but some may not. From Virginia Woolf to Katharine Mansfield and John Buchan to C. E. Montague, various writing styles try to make sense of this world at war.

The short stories written during and about World War I are often overshadowed by the excellent verse of the War Poets. Yet the short story is perhaps their equal in other ways. Within these succinct little time capsules of words are captured ideas, attitudes, feelings and life that are expressed in a few minutes just as movingly, imaginatively and tellingly as in any other form. Some of these stories will be familiar, but some may not. From Virginia Woolf to Katharine Mansfield and John Buchan to C. E. Montague, various writing styles try to make sense of this world at war.

In the war a great volume of poetry was written, produced and published in books, periodicals, newspapers or letters back to home. We often think of war as a necessity. We fight for a more just and better world. We often fail. But in our poets we gain a truth and a morality that shocks us, consoles us and holds our values to the light. In this volume we hear poems from the front, from home, from soldiers, from auxiliaries, from friend and from foe.

Charlotte Mary Mew was born on 15th November, 1869 in London to professional parents her father was responsible for the design of Hampstead Town Hall. Charlotte, one of seven children, three of whom died in early childhood, was educated at Lucy Harrison's School for Girls and attended lectures at University College, London.

Richard Horatio Edgar Wallace was born on the 1st April 1875 in Greenwich, London. Leaving school at 12 because of truancy, by the age of 15 he had experience selling newspapers, as a worker in a rubber factory, as a shoe shop assistant, as a milk delivery boy and as a ship’s cook. By 1894 he was engaged but broke it off to join the infantry; he was posted to South Africa. He also changed his name to Edgar Wallace, which he took from Lew Wallace, the author of Ben-Hur. In Cape Town in 1898 he met Rudyard Kipling and was inspired to begin writing.

The church building has been pivotal to man’s spiritual and religious life for centuries. For many the interior of a church is literally their one to one with God. The interiors, whether soaring or simple, ornate or minimal, are built for communion, for worship. Outside and surrounding our many churches is the churchyard; the burial ground, the repository for faithful souls. An all-weather idyll of calm around where many a poet has sat and contemplated the surrounding world.

George Meredith, OM, was born in Portsmouth, England on February 12th, 1828. His mother died when he was five. As a 14-year-old he was sent to a Moravian School in Neuwied, Germany, staying there for two years. After reading law he was articled as a solicitor but quickly abandoned that career path for journalism and poetry. He collaborated with Edward Gryffydh Peacock, son of Thomas Love Peacock, in publishing a privately circulated literary magazine, the Monthly Observer.

Night. The day has gone. Departed. And the dark embrace, the inky shadows of night descend. For many a time to unwind and slumber. For some a nagging doubt that all is not well. That some primeval and primordial happening may yet go bump in the night. But for our poets the night is a time of wonder and imagination as well as many other emotions and feelings. Among our ranks of gloried talents are Keats, Coleridge, William Morris, DH Lawrence, Whitman, Longfellow and many more besides. Their descriptions capture what they see and feel as perhaps only a poet can.

Keats. A short life but a legacy of works that few, if any, can rival. And of course his end was to be tragically Romantic. Keats was returning one night to his home in Hampstead when he coughed. He coughed a single drop of blue blood upon his hand and said, ‘I know the colour of that blood, it is arterial blood, it is my death warrant, I must die’. And so it was that tuberculosis took its slow, devastating hold.

English law is a pinnacle of human society. The phrase 'Be you ever so high the law is above you' inspires us all to believe that before it all are treated equally. But in the imposing wood-panelled courts, in front of the beady eyes of wig-decked judge, delivering justice tempered with mercy, our vision twists and falls prey to the mind.

John Galsworthy was born in Kingston Upon Thames in Surrey, on August 14th 1867. The family was wealthy and well established. John was schooled at Harrow and New College, Oxford, before training as a barrister. But law was not for him. Galsworthy first published in 1897 with a collection of short stories entitled The Four Winds. Initially he published as John Sinjohn, but after the death of his father in 1904 he published as John Galsworthy. Much of his early work was as plays for which he dealt with social issues and the class system.

For much of history women have been seen rather than heard. Their thoughts, their views, have lain too long in the shadows of our culture. Whilst this traditional view has some merit it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere.

For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses often protest otherwise. The contribution of women in these earlier centuries is immense, and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written. And remember these words, these telling lines, have been written against the grain of society's male bias. With their remembered words these female poets have given us a history that we can all now share.

For much of history women have been seen rather than heard. Their thoughts, their views, have lain too long in the shadows of our culture. Whilst this traditional view has some merit it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses, often protest otherwise.

For much of history women have been seen rather than heard. Their thoughts, their views have lain too long in the shadows of our culture. Whilst this traditional view has some merit, it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses, often protest otherwise.