検索キーワード： ナレーター "Liam Gerrard" すべてのカテゴリー

Before she left she carved a number in blood on his chest. But why the number 2, if this was her first murder? A woman stalks London. She kills at will. Her targets are men who have wronged her, or have they? What is behind her hatred and why is she keeping count? DCI Cook and his team know who she is, at least after she has killed the first four, but the woman disappears in plain sight. The pressure's on to stop her, but she's always one step ahead.

A corpse in the fireplace of an old house. It's been there for thirty years, but who is it? The main suspects are all old and dying, or already dead. There's a motive, but what is it? Isaac Cook and his team have their work cut out trying to put the pieces together. Those who know are not talking out of an old-fashioned belief that a family's dirty laundry is not to be aired in public, and certainly not to a policeman—even if that means the murderer is never brought to justice!

Mussolini has rarely been taken seriously as a totalitarian dictator; Hitler and Stalin have always cast too long a shadow. But what was a negative judgement on the Duce, considered innocuous and ineffective, has begun to work to his advantage. As has occurred with many other European dictators, present-day popular memory of Mussolini is increasingly indulgent; in Italy and elsewhere he is remembered as a strong, decisive leader. Mussolini in Myth and Memory argues against this rehabilitation.

The influence of the comic book has never been greater, from movies to streaming and beyond, but the journey comics took from little-regarded kids' magazines to literary prize-winning books and global franchises turned on a highly unusual group of writers and artists. Few would have expected a small gathering of British comic book fans and creators in the early 'seventies to be a global cultural pivot-point, but this was the start of a disparate movement of punks, dropouts, and disaffected youths who reinvented a medium and became the imaginative heart of a global success story.

An early-morning jogger is murdered in Hyde Park. It's the center of London, but no one saw him enter the park, no one saw him die. He carries no identification, only a water-logged phone. As the pieces unravel, it's clear that the dead man had a history of deception. Is the murderer one of those that loved him? Or was it someone with a vengeance? It's proving difficult for DCI Isaac Cook and his team at Challis Street Homicide to find the guilty person—not that they'll cease to search for the truth, not even after one suspect confesses.

During the early 1960s, just as Beatlemania was exploding throughout the United Kingdom, a pair of psychopathic British killers began preying on the very young, innocent, and helpless of Greater Manchester. Between 1963 and 1965, Ian Brady and his lover and partner, Myra Hindley, were responsible for the abduction, rape, torture, and murder of five young victims, ranging in age from ten to seventeen years old. The English press dubbed the grisly series of homicides "the Moors Murders," named for the desolate landscape where three of the corpses were eventually discovered.

A mass shooting. An amoral Romanian gangster. A Russian oligarch who claims to be an honest businessman, but isn't. No one knows who was the target or why, but there are eight dead. The men seem the most likely, or could have it been one of the two women, the attractive Gillian Dickenson, or even the celebrity-obsessed Sal Maynard?

No one gave much credence to the man when he was alive. In fact, most people never knew who he was, although those who had lived in the area for many years recognized the tired-looking and shabbily dressed man as he shuffled along, regular as clockwork on Thursdays at seven in the evening to the local off-license. Apart from the three-story mansion where he lived, no one would have regarded him as any other than homeless and destitute. Just a harmless eccentric, until the morning when he was found dead in his front garden.