検索キーワード： ナレーター "Joanne" すべてのカテゴリー

A winning pitch is more than just data points and charts—it's a compelling story that captivates from start to finish. Yet, crafting such a pitch is an art few have mastered, leading to lackluster presentations that leave audiences unconvinced and disinterested.

Peter Whalley was Coronation Street’s longest-serving writer, scripting 601 episodes between 1979 and 2014. His other works included TV’s Albion Market and Castles, 40 radio plays and 10 novels, and in 2009 he was presented with a Special Achievement Award at the British Soap Awards. Collected here are 14 of his finest radio crime dramas and thrillers, with full casts including Lee Ingleby, Joanne Froggatt, Tracy Wiles, Robert Pickavance, Jason Done, Lyndsey Marshal, David Calder and Paula Tilbrook.

Nach einer beeindruckenden Cheerleading-Vorführung kehren die Freundinnen von Girls High zum normalen Unterricht zurück. Doch der Tag nimmt eine unerwartete Wendung: Nach dem Kunstunterricht finden sie die Cafeteria verlassen vor. Ein Besuch in der benachbarten Schulkantine endet in einer Lebensmittelvergiftung, die das Quartett heftig zu spüren bekommt.

Nach Torbens Einzug bei Cassy beginnt ein hektischer Alltag: Verspätungen und Überraschungen an der Schule folgen. Die Freundinnen planen ein Einkaufsabenteuer und bereiten sich auf die Cheerleader-Performance vor, während Torben und Cassy ihre Freizeit genießen. Am großen Spieltag zeigen Cassy und ihre Freundinnen eine beeindruckende Show, die das Publikum begeistert.

When a loved one dies, the pain of loss can feel unbearable—especially in the case of a traumatizing death that leaves us shouting, “NO!” with every fiber of our body. The process of grieving can feel wild and nonlinear—and often lasts for much longer than other people, the nonbereaved, tell us it should. Organized into fifty-two short chapters, Bearing the Unbearable is a companion for life’s most difficult times, revealing how grief can open our hearts to connection, compassion, and the very essence of our shared humanity.

Thrust into the role of a debutante, Mia Delphine Morgan, a pre-school teacher from Kentucky, must sink or swim among Manhattan’s elite. She’s not trained or refined for New York, Paris, or London high society, but the good she can do with a sizeable inheritance from her estranged Aunt Sylvia, propels her toward keeping her feet firmly planted on the ground—even though poise and polish aren’t exactly her thing.

Cassie's Vorfreude auf ein neues Kapitel mit Torben wird Wirklichkeit, als sie ihn am Flughafen herzlich begrüßt. Gemeinsame Tage im Wellnessbereich und romantische Abende stärken ihre Bindung. Der Höhepunkt ihres Abenteuers ist Torbens Entscheidung, zu Cassie zu ziehen, markiert durch ein gemeinsames Frühstück in ihrer Lieblingsbäckerei, bevor der Alltag sie wieder einholt.

Torbens überraschender Besuch im Klassenzimmer stürzt Cassy in ein Wechselbad der Gefühle, das in einem romantischen Date endet. Am nächsten Tag verschwindet Cassy jedoch und verpasst wichtige schulische Verpflichtungen. Auf der Suche nach Trost und Lösungen durchlebt sie emotionale Momente, bevor sie mit ihren Freundinnen in ein Haustiercafé und eine Spielehalle flüchtet, wo die Zeit vergessen wird.

In this series finale of historical fiction from 1864 and 1865, the spotlight shines brightest on Esther and David in the ravaged Shenandoah Valley of Virginia, while all five narrators show versions of courage, adaptation, and survival. During these closing years of the American Civil War, no human experience can be ordinary: not marriage, not enterprising work, not youthful growth.

Set against the backdrop of three major American Civil War battles at Antietam, Vicksburg, and Gettysburg, the same five narrators return to tell the stories of what happened in their communities of conscience. Members of Mennonite, Amish, and German Baptist churches choose their loyalties when their traditional belief of not participating in warfare collides with the demands of Union and Confederate forces.

Over the course of 10 lectures, Dr. Joanne Cacciatore, a research professor at Arizona State University and founder of the MISS Foundation, explores the nuances of grief and grieving, particularly within our often grief-avoidant culture.

Simple snippets of time when we are engaged mindlessly with our children seem insignificant. But are they, really? Washing clothes, playing on the playground, and driving youngsters to school are all mundane parts of being a parent, but these unassuming moments are often the places God shows up the most--and with the biggest, longest-lasting impressions.

Authentic voices shape this fresh look at a familiar story, the American Civil War, beginning with the rapid buildup of tension between North and South and continuing into early summer of 1862. But the narrative grip comes through the eyes of civilians, trapped in the conflicts of obedience to government and historic refusal to participate in warfare. Their options press with insistence (enlisting, fleeing, buying a substitute, or paying a fee) as the demands intensify.

As a successful neurosurgeon about to propose to his gorgeous girlfriend, Ryan Harper has the perfect life. When his sister and brother-in-law die in a tragic car accident, he suddenly becomes a single dad to his orphaned niece and nephews. A 60-hour workweek with a houseful of children is a lot to juggle, and he desperately needs help. When Destiny Brown finds herself out of work, she takes a job as a temporary live-in nanny. Despite her lack of experience, she’s certain she can handle four kids. Fighting her attraction to her boss, however, is going to require some extra training.

Sound interesting? The author thinks so too! Listen to Fox, a rhyming tale about a fox's nighttime adventure!

Sylvia Townsend Warner was a prolific author of novels, short stories and poetry, who also wrote a biography of T. H. White, translated Proust and was an authority on Tudor church music. A sharp, insightful storyteller, she was one of the 20th Century's most acute observers of English mores, and her work is infused with subversive themes reflecting her feminist and Marxist views. This comprehensive anthology includes dramatisations of her two best-known novels.

Merry has always wanted a family to spend Christmas with, and this year her dream comes true as she says 'I do' to father-of-two Cole. But as she juggles her rapidly growing business, wedding planning and the two new children in her life, her dream begins to unravel. Emily is desperately waiting for the New Year to begin, so she can finally have a fresh start. She has always put her family first, leaving little time for happiness and love. When her beloved father moves into a residential home, she discovers a photograph in his belongings that has the potential to change everything.

The poems in Riddim & Riddles throb with the heartbeat and drum beat of Jamaica. From the cool, majestic Blue Mountains to the hot, bloodied streets of Kingston it paints vivid and vibrant images of contemporary Jamaica. The poems in this collection move from urgent social insights about masculinity, the environment, and how the bony fingers of history reach into the present.

Career soldier Chad Whitlock doesn’t expect a victory in his life’s battles. After his wife divorced him during one of his deployments, the Army’s all he has left. But when a mysterious stranger sends packages and an inspirational note to his unit, Chad’s response enlists him in a new operation—friendship with Tessa. When a mission gone wrong brings him face to face with death, looking at Tessa’s picture is a reminder of the second chance at love he could have with her.

Twenty years ago: One rainy night, Olivia Rutherford is driving three friends home when a figure in the road causes her to swerve and crash. Regaining consciousness, she finds herself alone in the car—her friends have vanished. They are never seen again. Now: Journalist Jenna Halliday visits the close-knit community of Stafferbury to persuade Olivia to talk and solve the mystery of the girls' disappearance. But Olivia won't speak. What happened? Is Olivia hiding something? Why are the people of Stafferbury so frightened?