検索キーワード： ナレーター "Joel Froomkin" すべてのカテゴリー

I'm Bree, and I see dead people. Not all dead people. Only those with unfinished business. They're everywhere—I'll be eating my breakfast, and a poisoned heiress glares over my Cheerios. I've returned to my hometown of Grimdale to cat-sit for my parents while I plan my next move. I'm looking forward to raiding their fridge, hanging out with their two kittens, and staying far, far away from anything supernatural. But I forgot that I'm never alone in Grimdale. The three ghosts I used to play with as a kid are back in my life again. Only now I'm their age, and they're infuriatingly attractive.

With his peaceful life as a scholar far behind him and his ever-growing mountain of debt to the Department of Taxation hanging over him, Jonathan can't afford to play it safe. If he wants to get his castle back, he'll need to take a few risks. At least he's not facing danger alone. Whether it's his faithful butler, a former paladin, a shapeshifter who might have gotten stuck, a land-loving merman, a wandering werewolf, a huntress in disguise, or a raccoon who can remodel the landscape, Jonathan will have plenty of company as he runs (or is dragged) headlong into danger.

When the renowned and eccentric professor Otto Lidenbrock discovers a mysterious runic script in an Icelandic manuscript, he knows it’s important. But it’s only after his nephew, Axel, cracks the code that the two of them, along with their guide Hans, start on a treacherous, wonderful adventure that none of them will ever forget.

I'm Bree Mortimer, and I can bring ghosts back to life. The hot-as-Hades Roman Centurion in my bedroom is living proof that I can raise the dead. Now, all I have to do is stop him from swimming naked in the duck pond and trying to stab anyone with a man bun, and my life will be perfect. Hah. That's a joke. My life is a spooktacular failure. I've got two ghostly lovers who are desperate for me to bring them back, too, but if I don't figure out how to control my new magical powers, there could be grave consequences.

Nobody sane would promote Loki to corporate leadership—which is why he has to do it himself. All the better to oversee its downfall from within. But life at the top comes with its own set of challenges as divine tensions become public and Providence's carefully maintained circle of accountability begins to fail. Amid accelerating external threats, murky executive maneuvering, and the loss of a key asset, Loki, Lucifer, and their co-conspirators need the perfect plan. And they need it fast.

Sound interesting? The author thinks so too! Listen to David Copperfield and experience the classic novel by Charles Dickens.

Valroy will let nothing block his path to the Unseelie Crown. He is willing to stop at nothing to see both Tir n’Aill and Earth as his dominion, and he'll crush the self-righteous Seelie beneath his bootheels. He had wished for Abigail to stand beside him as his queen, but that went terribly wrong when she chose death over becoming his bride. It was a setback, certainly, but not one he could not overcome. Yet despite being wrenched from the song of life, Abigail returns to Tir n’Aill, only to be hunted by both Seelie and Unseelie alike.

Windsor, 1943. Britain is in the grip of war and treachery is afoot. The body of controversial former courtier Lord Blackwater is found in the abandoned Fort Belvedere, once the country bolthole of the King’s wayward brother. And all signs point to murder. Royal confidant Guy Harford is called in to solve the mystery quickly and quietly, before any hint of scandal reaches the public. Investigating with the help of Rodie, his roguish burglar girlfriend, his enquiries lead him into the world of the Royal Ballet, where on-stage glamour hides an undercurrent of off-stage deceit.

When the prize is death, some games are better lost than won. If she loses, she becomes his queen, and he unleashes war across Earth and Tir n’Aill alike. If she wins, he dies. The answer seems clear. But then why can’t she bring herself to want victory? The longer Abigail wanders through his Maze of Shadows, the less sure she becomes of anything—allies, enemies, wrong, right, evil, good, hate…and love. With every twist and turn, her heart is more fully trapped in his snare.

The gods are real and incorporated. Providence is a profitable global industry. For Loki, three hundred years is a long time to be trapped in divinity’s answer to crap customer service, especially when the PR machine makes him out to be the bad guy. But that’s what happens when you lose a war. All he has to do to regain his godly powers is avoid the seers, outwit the executives, and win a rematch against public perception. Easy. Too bad he's not the only one playing at espionage.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

When Alice Jones, a blue-collar woman with at least one Black parent marries Leonard “Kip” Rhinelander, the son of one of New York’s most prominent society families, the scandal rocks high society—and eventually sets the city afire when Kip later sues for an annulment, accusing Alice of having hidden her “Negro blood” and intentionally deceiving him that she was white.

The Sour Grape holds grudges for every reason under the sun. Lime never returned a scarf they borrowed? Grudge! Orange never called back? Grudge! But when a friend holds a grudge against the Sour Grape without listening to an explanation, the Sour Grape realizes how unfair grudges can be. Could a bunch of forgiveness and compassion be enough to turn a sour grape sweet?

The Cloudkiss Killer is dead. Now a true-crime podcast is hosting a contest to find his bones. Lucy was almost the serial killer’s final victim. Carolina is a true-crime fan who fears her own rage. Maggie is a psychology student with a little too much to hide. All of them are looking for answers, for a new identity, for a place to bury their secrets. But there are more than bones hiding in the shadows…sometimes the darkness inside is more frightening than anything the dead leave behind.

Richard, Lord Ramsay, has been brought up from the cradle with a consciousness of his duty to his family and his name. His sense of responsibility has led him to install two elderly aunts in the Dower House; educate his cousin Peter Ramsay and employ him as a steward; and provide a home for poor relation Jane Hawthorne, who once served as his mother's companion.

I feel like I’ve been given a place in life–expectations of me–that it’s useless fighting. So I don’t bother. I’m the guy they all think I am; fighting, smoking, drinking. Because what else is Roman Lombardi but a troubled teen? No one’s convinced I’ve got anything going for me. I take what–and who–I want when I want it, and never think about anything more than a couple of hours in the future.

Hank Weinberg is a modern day Atticus Finch, recently retired as a defense attorney in Mobile, Alabama, and a Holocaust survivor, who fled the Nazis as a young child. With his daughter in rehab, he's now taking care of his special needs grandson. Mourning his dead wife, spending mornings fishing on the pier with other octogenarians, he passes the rest of his days watching over his sweet grandson with the help of Lupita, a young Honduran babysitter.

Miss Rose Wilkinson has a secret. One she daren’t allow anyone to uncover. She and her twin sister are trapped living with their malevolent relations, forced into a life of perpetual mourning. Finally, one ray of hope enters her ill-fated existence in the form of a handsome footman.

Pissing off God comes with consequences, which should have been obvious in hindsight. For Loki and Lucifer, it’s a victory—and the least of their problems. Building an infernal army is a lot harder when trying to fit it around eight daily hours of mind-numbing labor, uncooperative fugitive deities, and competing layers of escalating sabotage. Even worse, behind its bland corporate veneer, Providence is anything but that: its deities brim with magic, secrets, and ancient scars. The career path is soul-destroying.

One king is dead, and the other is in chains. Tir n’Aill perches on the edge of a knife in the wake of a series of betrayals that has shaken the fae to the core. Abigail finds herself questioning who is friend and who is foe. When she is forced to make her decision between mercy and love, she finds her choice is one that might tear the very world apart. Forces gather to wage war and decide the fate of Tir n’Aill. In the center of it all, Abigail is nearly torn in two, caught between her desire to protect her new people and her love for Valroy. For he is now the Unseelie King.