Inspector Montalbano Mysteries

Feeling his age as his birthday rolls round once again, Inspector Montalbano decides to cheer himself up by dealing with a young driver's road rage in his own unique way. But his joy is short-lived, as at police headquarters he receives an angry phone call from a supermarket boss; there's been a robbery at his store, and Montalbano's colleague is treating him as a suspect. On arrival at the scene, Montalbano quickly agrees with Inspector Augello that this was no ordinary break-in.

On what should be a quiet Sunday morning, Inspector Montalbano is called to a murder scene on the Sicilian coast. A man has discovered his father dead in his Vigàtan beach house: his body slumped on the dining room floor, his morning coffee spilt across the table, and a single gunshot wound at the base of his skull.

It's been raining for days in Vigàta, and the persistent downpours have led to violent floods overtaking the Inspector's beloved hometown, sweeping across the land and leaving only a sea of mud behind. It is on one of these endless grey days that a man - a Mr Giuglù Nicotra - is found dead. His body discovered in a large sewage tunnel, half naked and with a bullet in his back.

After a hectic morning involving two rather irritating cases of mistaken identity, Inspector Montalbano finally arrives in his office ready find out what's troubling Vigàta this week. What he discovers is unnerving. A woman on her way home from work has been held up at gunpoint, chloroformed and kidnapped, but then released just hours later - unharmed and with all her possessions - into the open countryside. Later that day, Montalbano hears from Enzo, the owner of his favourite restaurant, that his niece has recently been the victim of the exact same crime.

In Inspector Montalbano’s coastal town of Vigàta, a surge of migrants have been coming in by boat, and all the town’s hands are on deck to help the arrivals. At the heart of the scene are the police - on the lookout for the people smugglers responsible - and long night shifts are rendering Inspector Montalbano and his officers exhausted. Then one night, while Montalbano is enduring yet another gruelling stint at the port, a separate crime is committed - unexplained, unexpected, and unpleasant. Elena, the dressmaker at the town’s famous tailors, has been found dead....

Vigàta is bustling as the new filming location for a Swedish television series set in 1950. In the production frenzy, the director asks the locals to track down movies and vintage photos to faithfully recreate the air of Vigàta at that time. Meanwhile, Montalbano is grappling with a double mystery, one that emerges from the past and another that leads him into the future.

Mimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly, he climbs out the window and into the downstairs apartment, but from one danger to another. In the dark he sees a body lying on the bed. Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all.

Two deaths - the suicide of a recently fired worker and the murder of an unscrupulous businessman - lead Inspector Montalbano to the Halcyon, a mysterious ship that visits Vigàta's port each day. With very few crewmen, no passengers and a stern large enough to land a helicopter, it piques the Inspector's interest straight away. And whilst all this is going on, a rare trip to Genoa to visit Livia ends with the Vigàta police department in disarray, and Inspector Montalbano's position as the head of the commissariat in jeopardy. It will be up to Montalbano to fix the damage done.

When Inspector Montalbano receives an early-morning phone call it proves to be the start of a very trying day. For the caller expects Montalbano to arrive imminently at a rendezvous with some friends. But before he can reply, the caller announces himself as someone called Riccardino and hangs up. Later that day, news comes in of a brutal slaying in broad daylight by an unknown assassin who makes his getaway on a motorbike. And when the Inspector learns of the victim’s identity - a man called Riccardino - his troubles are only just beginning.

From the title story, Death at Sea, in which the alleged manslaughter of an engineer upon a fishing trawler leads Inspector Montalbano to uncover an even more sinister crime, Andrea Camilleri takes his listeners through eight cunning cases from the Vigàtan police files. Starting with an arson attack on a hotel that leaves the distraught owner as the chief suspect; to the mysterious case of a woman who goes missing in an underpass with a million lira in her handbag; to a threat on Montalbano’s own life, as an anonymous motorcyclist takes a shot at the detective.