Parker

The good guys in a new African nation were missing a treasury full of diamonds. The nation's corrupt leader had stashed the rocks somewhere in New York City. Now the good guys needed a specialist to get their diamonds back. So they came to the best in the business: Parker. Only the three mysterious tough guys came to Parker, too. They figured three hands filled with .38s could convince him to pass up this international gem game. But leaning on Parker was like pressuring a box of TNT with a short fuse.

Bank robberies should run like clockwork, right? If your name's Parker, you expect nothing less. Until, that is, one of your partners gets too greedy for his own good. The four-way split following a job leaves too small a take for George Uhl, who begins to pick off his fellow hoisters, one by one. The first mistake? That he doesn't begin things by putting a bullet in Parker. That means he won't get the chance to make a second. One of the darkest novels in the series, this caper proves the adage that no one crosses Parker and lives.

In a Midwestern city, Parker calmly tosses a firebomb through a plate-glass window, while some newfound partners in crime take down a nearby bank. Making their getaway in the confusion, the bank robbers tell him two things: that this heist was only seed money for a much gaudier one, and that Parker has to loan them his share of the take.

For Parker, the amoral super-thief extraordinaire, it will be an excellent haul. The fact that the lead came from his old partners in crime, Elkins and Wiss, is no impediment to his joining their team and going for the score. The goods are a bunch of paintings by Old Masters kept out of sight in a dot-com billionaire's Montana lodge for his personal delight.