• Episode 1 - Tituba's Journey

  • 2020/09/29
  • 再生時間: 26 分
  • ポッドキャスト

Episode 1 - Tituba's Journey

  • サマリー

  • https://www.patreon.com/Witch_Hunt

    This is the story of an Arawak woman called Tituba: how she was kidnapped by the English from South America when she was just a young girl and enslaved. Growing up on a plantation in Barbados, she absorbed multiple cultural influences from her fellow enslaved Africans and her English mistress. Her inner world becomes a confluence of Arawak, West African, and English myths and magic. We follow her as she is taken by a frustrated and angry young Puritan man named Samuel Parris to a new life in Massachusetts. They arrive first in Boston and then move to Salem Village, a small frontier community infested with jealousy and rivalry, and haunted by fear and suspicion.

    All music written by Brian O'Connell except "Old Oxford Tune (Psalm 4)" adapted from the Bay Psalm Book, 1698.

    Episode 1 Parts:

    Part I - Witch Hunt Theme
    Part II - Oxford Tune
    Part III - Captured and Enslaved
    Part IV - The Cunning Tradition
    Part V - Parris, Boston, and Salem
    Part VI - Witch Hunt Theme (reprise)

    Variation on the Oxford Tune
    (Music adapted from The Bay Psalm Book, published in Boston in 1698)

    Do you know of the coming storm?

    The people gone astray

    Their sins break free Satan from his chains

    Stars fall, moon turns to blood

    Fear, greed, and gossip rule the day

    Old rivalries reborn

    Blame cast upon thy neighbor’s home

    The Beast is free to roam

    Brian O'Connell - voice, bass guitar, fretless bass, touch guitar, 12-string acoustic guitar, keyboards, synthesizers, sintir, percussion

    Mike Harmon - drums, cymbals, percussion

    Recorded at Studio Vinniechops and Wachusett Recording

    https://www.patreon.com/Witch_Hunt

    History Book Sources

    "
    Tituba - Reluctant Witch of Salem - Devilish Indians and Puritan Fantasies"
    by Elaine G. Breslaw, New York University Press, 1996

    "The Devil's Dominion - Magic and Religion in Early New England"
    by Richard Godbeer, Cambridge University Press, 1992








    Support the show

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あらすじ・解説

https://www.patreon.com/Witch_Hunt

This is the story of an Arawak woman called Tituba: how she was kidnapped by the English from South America when she was just a young girl and enslaved. Growing up on a plantation in Barbados, she absorbed multiple cultural influences from her fellow enslaved Africans and her English mistress. Her inner world becomes a confluence of Arawak, West African, and English myths and magic. We follow her as she is taken by a frustrated and angry young Puritan man named Samuel Parris to a new life in Massachusetts. They arrive first in Boston and then move to Salem Village, a small frontier community infested with jealousy and rivalry, and haunted by fear and suspicion.

All music written by Brian O'Connell except "Old Oxford Tune (Psalm 4)" adapted from the Bay Psalm Book, 1698.

Episode 1 Parts:

Part I - Witch Hunt Theme
Part II - Oxford Tune
Part III - Captured and Enslaved
Part IV - The Cunning Tradition
Part V - Parris, Boston, and Salem
Part VI - Witch Hunt Theme (reprise)

Variation on the Oxford Tune
(Music adapted from The Bay Psalm Book, published in Boston in 1698)

Do you know of the coming storm?

The people gone astray

Their sins break free Satan from his chains

Stars fall, moon turns to blood

Fear, greed, and gossip rule the day

Old rivalries reborn

Blame cast upon thy neighbor’s home

The Beast is free to roam

Brian O'Connell - voice, bass guitar, fretless bass, touch guitar, 12-string acoustic guitar, keyboards, synthesizers, sintir, percussion

Mike Harmon - drums, cymbals, percussion

Recorded at Studio Vinniechops and Wachusett Recording

https://www.patreon.com/Witch_Hunt

History Book Sources

"
Tituba - Reluctant Witch of Salem - Devilish Indians and Puritan Fantasies"
by Elaine G. Breslaw, New York University Press, 1996

"The Devil's Dominion - Magic and Religion in Early New England"
by Richard Godbeer, Cambridge University Press, 1992








Support the show

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