• There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

  • 著者: Elise Moore and Dave
  • ポッドキャスト

There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

著者: Elise Moore and Dave
  • サマリー

  • Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other's movie-love, culminating in this podcast. Expect in-depth discussion of our old favourites (mostly studio-era Hollywood) and our latest frontiers. We like to bring attention to neglected figures and dig into little-known corners of film history and popular culture, and we hope that we can also bring new perspectives to the familiar. The podcast will be comprised of several potentially never-ending series: - Fear & Moviegoing in Toronto: Our Perspectives on Choice Local Retrospectives (PAUSED BY PANDEMIC) - Hollywood Studios – Year by Year: Deep-cut dishing on Paramount, MGM, Warner Brothers, RKO, Fox, and Universal items from 1930 to 1948. - Acteurist oeuvre-views/spotlights on worthy on-camera creatives, beginning with Jennifer Jones and Setsuko Hara. - And a big parade of special subjects hand-chosen by whichever of your hosts happens to have a handle on this buggy that week.
    Copy Us, Please!!
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あらすじ・解説

Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other's movie-love, culminating in this podcast. Expect in-depth discussion of our old favourites (mostly studio-era Hollywood) and our latest frontiers. We like to bring attention to neglected figures and dig into little-known corners of film history and popular culture, and we hope that we can also bring new perspectives to the familiar. The podcast will be comprised of several potentially never-ending series: - Fear & Moviegoing in Toronto: Our Perspectives on Choice Local Retrospectives (PAUSED BY PANDEMIC) - Hollywood Studios – Year by Year: Deep-cut dishing on Paramount, MGM, Warner Brothers, RKO, Fox, and Universal items from 1930 to 1948. - Acteurist oeuvre-views/spotlights on worthy on-camera creatives, beginning with Jennifer Jones and Setsuko Hara. - And a big parade of special subjects hand-chosen by whichever of your hosts happens to have a handle on this buggy that week.
Copy Us, Please!!
エピソード
  • Special Subject - Supported By Oscar Levant – the 1940s - RHAPSODY IN BLUE (1945); HUMORESQUE (1946); ROMANCE ON THE HIGH SEAS (1948) and THE BARKLEYS OF BROADWAY (1949)
    2024/11/22

    Part 1 of our Oscar Levant Special Subject sees us explain our very personal relationship with this singular figure of 1940s/50s Hollywood in preparation to discuss Gershwin biopic Rhapsody in Blue (1945), great Warner Bros. woman's picture/noir Humoresque (1946), Doris Day debut Romance on the High Seas (1948), and accidental Fred and Ginger reunion pic The Barkleys of Broadway (1949). Just a warning: if you're looking for an in-depth discussion for the latter two, this probably isn't the podcast episode you want. But if you're more interested in the relationship between Rhapsody in Blue and Humoresque (thanks to the contributions of screenwriter Clifford Odets), you've come to the right place. Levant adds his unique texture and authenticity to these stories of the cost of genius—for both the genius and those around them.

    Time Codes:

    0h 00m 25s: Scraping the Surface of Oscar Levant

    0h 11m 58s: RHAPSODY IN BLUE (1945) [dir. Irving Rapper]

    0h 36m 43s: HUMORESQUE (1946) [dir. Jean Negulesco]

    0h 57m 57s: ROMANCE ON THE HIGH SEAS (1948) [dir. Michael Curtiz]

    1h 11m 14s: THE BARKLEYS OF BROADWAY (1949) [dir. Charles Walters]

    +++

    * Listen to our guest episode on The Criterion Project – a discussion of Late Spring

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s piece on Gangs of New York – “Making America Strange Again”

    * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

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    1 時間 21 分
  • Acteurist Oeuvre-view – Paul Robeson – Part 5: JERICHO (1937) and THE PROUD VALLEY (1940)
    2024/11/15

    For our penultimate Paul Robeson Acteurist Oeuvre-view episode we watched Thornton Freeland's Jericho (1937), in which Robeson plays a court-martialed WWI officer who takes up a new life as the leader of a group of Saharan herders and traders, and Pen Tennyson's The Proud Valley (1940), often cited as the film Robeson was proudest of, about the struggles of a community of Welsh miners. As in our last Robeson episode, he really makes his auteur presence felt in these films, although in almost opposite ways, taking centre stage in Jericho and acting as the presiding genius of The Proud Valley, which we discuss as both Robeson's vision of socialism and a mining horror movie.

    Time Codes:

    0h 00m 25s: JERICHO (1937) [dir. Thornton Freeland]

    0h 28m 48s: THE PROUD VALLEY (1940) [dir. Pen Tennyson]

    +++

    * Listen to our guest episode on The Criterion Project – a discussion of Late Spring

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s piece on Gangs of New York – “Making America Strange Again”

    * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

    続きを読む 一部表示
    1 時間 1 分
  • Hollywood Studios Year-by-Year – Warner Brothers - 1948: THE TREASURE OF THE SIERRA MADRE & JOHNNY BELINDA
    2024/11/08

    For this 1948 Warner Bros Studios Year by Year episode, we watched a couple of the studio's most prestigious releases for the year, John Huston's The Treasure of the Sierra Madre and Jean Negulesco's Johnny Belinda. We explore some extraordinary performances by Humphrey Bogart, Walter Huston, and Jane Wyman in these tales of capitalist nihilism and rural prejudice.

    Time Codes:

    0h 00m 25s: THE TREASURE OF THE SIERRA MADRE [dir. John Huston]

    0h 44m 11s: JOHNNY BELINDA [dir. Jean Negulesco]

    Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn

    Additional studio information from: The Hollywood Story by Joe W. Finler

    +++

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.

    * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

    続きを読む 一部表示
    1 時間 26 分

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