検索キーワード： 女性

Venerada tanto por su espíritu salvaje, como por su arte, Frida Kahlo es un símbolo de creatividad arriesgada.Durante décadas sus pinturas han permanecido atemporales, cautivando admiradores de distintas generaciones alrededor del mundo.

Hannah Arendt was a polarizing cultural theorist—extolled by her peers as a visionary and berated by her critics as a poseur and a fraud. Born in Prussia to assimilated Jewish parents, she escaped from Hitler’s Germany in 1933. Arendt is now best remembered for the storm of controversy that surrounded her 1963 New Yorker series on the trial of Adolf Eichmann, a kidnapped Nazi war criminal. In this comprehensive biography, Anne C. Heller tracks the source of Arendt’s contradictions and achievements to her sense of being a “conscious pariah”.

Robin Hood, Dick Turpin, Ronnie Biggs, the Krays.... All have become folk heroes, glamorised and romanticised, even when they killed. But where are their female equivalents? Where are the street robbers, gang leaders, diamond thieves, gold smugglers and bank robbers? Queens of the Underworld reveals the incredible story of female crooks from the 17th century to the present.

Brunhild was a Visigothic princess, raised to be married off for the sake of alliance-building. Her sister-in-law, Fredegund, started out as a lowly palace slave. And yet - in sixth-century Merovingian France, where women were excluded from noble succession and royal politics was a blood sport - these two iron-willed strategists reigned over vast realms for decades, changing the face of Europe. The two queens commanded armies, developed taxation policies, established infrastructure and negotiated with emperors and popes.

Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others.

Ellen Ann Willmott was a remarkable woman whose achievements in horticulture, botany, landscape architecture, photography and more should have made her one of the most well-known trailblazers of her age. Yet, both posthumously and within her lifetime, she instead became known as a bitter, cantankerous and eccentric miser, and her reputation has been forever stained by the image of her maliciously seeding other people's gardens with thorns.

Histories of the United States often overlook the women who shaped the nation. Museums, textbooks, historical sites, and even documentaries omit essential parts of the whole because they leave out her story. Join Allison K. Lange, historian and professor, as she guides you through the fascinating lives of 12 early Americans, all of them women.

What does it mean to be a “woman” in America? Award-winning gender and sexuality scholar Lillian Faderman traces the evolution of the meaning from Puritan ideas of God’s plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement.

This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space.

Un relato emocionante, profundo y divertido de la historia de la humanidad en clave femenina. Juana de Arco, Malinche, Sofonisba Anguissola, Mary Wollstonecraft, Victoria Kent, Jane Austen, Marie Curie, Simone Weil o Rosa Parks también estuvieron ahí. Con brillantez y elegancia, Cristina Oñoro construye un fascinante relato que desmonta las narraciones sobre la humanidad y derriba los discursos misóginos heredados.

Only the Clothes on Her Back uncovers practices, commonly known then, but now long forgotten, which made textiles - clothing, cloth, bedding, and accessories, such as shoes and hats - a unique form of property that people without rights could own and exchange. The value of textiles depended on law, and it was law that turned these goods into a secure form of property for marginalized people, who not only used these textiles as currency, credit, and capital, but also as entree into the new republic's economy and governing institutions.

When Germany invaded Holland in May 1940, Sabine Zuur joined the resistance movement without a moment’s hesitation aged just 22. Helping to hide those avoiding the German authorities, she was soon betrayed and subjected to repeated violent interrogations. Many of her friends were executed, but Sabine was instead sent to the Mauthausen concentration camp, via the Amersfoort and Ravensbrück camps. Enduring gruelling conditions and backbreaking forced manual labour, she survived through a combination of guile and good fortune.

Esta Historia de las mujeres responde a la necesidad de ceder la palabra a las mujeres. Alejadas, desde la Antigüedad, del escenario donde se enfrentan a los dueños del destino, reconstruir su historia significa describir su lento acceso a los medios de expresión y su conversión en persona que asume un papel protagonista. Este análisis implica, asimismo, que las relaciones entre los sexos condicionan los acontecimientos, o la evolución de las sociedades. No se buscan conclusiones tajantes sino que las mujeres encuentren, al fin, su espacio propio.

La conquista de la igualdad es un proceso en marcha. En pleno siglo XXI, esa igualdad se acepta con normalidad en los países democráticos, pero aún quedan obstáculos que salvar, como la violencia de género y la creciente ola reaccionaria que pone en duda los avances y ambiciones del feminismo.

The Latin term for the female genitalia, pudendum, means “parts for which you should be ashamed”. Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men. Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they’re looking at the organs traditionally bound up in reproduction—the uterus, ovaries, vagina—and seeing within them a new biology of change and resilience.

Le protagoniste di questo libro sono trentaquattro donne, intraprendenti, controcorrente, spesso perseguitate, a volte incomprese ma forti e generose, sempre pronte a lottare per raggiungere traguardi che sembravano inarrivabili, se non addirittura impensabili: da Ilaria Alpi, la giornalista uccisa mentre indagava su scomode verità, a Kathrine Switzer, la prima donna a correre la maratona di Boston; da Ipazia, che nel IV secolo, contro i divieti ecclesiastici, osò scrutare il cielo per rivelare il movimento dei pianeti, a Olympe de Gouges.

1542. A French noblewoman is left abandoned on a small island north of Nova Scotia. She has a crossbow, arquebuses and gunpowder. The island is populated only by wild beasts. She may be pregnant at this time. Centuries later, whilst mothering her young children, a woman begins writing what she believes to be a television script about the life of Marguerite de la Rocque and her incredible story of survival against the odds. As she draws closer to the nature of Marguerite, the woman begins to question her ability to tell this story.

From Cartimandua, the forgotten Iron Age Queen of the North, to Woodbine-smoking football player Lily Parr, Kate, with her trademark wit and sense of fun, shows how these astonishing trailblazers laid the ground for modern stars from Victoria Wood to Little Mix. Nicola Adams, Betty Boothroyd and Helen Sharman all have these unsung northern champions to thank for paving their way.

At her execution Mary, Queen of Scots wore red. Widely known as the colour of strength and passion, it was in fact worn by Mary as the Catholic symbol of martyrdom. In 16th-century Europe, women's voices were suppressed and silenced. Even for a queen like Mary, her prime duty was to bear sons. In an age when textiles expressed power, Mary exploited them to emphasise her female agency.

Esta Historia de las mujeres responde a la necesidad de ceder la palabra a las mujeres. Alejadas, desde la Antigüedad, del escenario donde se enfrentan a los dueños del destino, reconstruir su historia significa describir su lento acceso a los medios de expresión y su conversión en persona que asume un papel protagonista. Este análisis implica, asimismo, que las relaciones entre los sexos condicionan los acontecimientos, o la evolución de las sociedades. No se buscan conclusiones tajantes sino que las mujeres encuentren, al fin, su espacio propio.