検索キーワード： ナレーター "Jeanette Illidge" すべてのカテゴリー

“Imparting some piece of yourself—any part—is arduous and warrants some kind of commendation,” writes guest editor Wesley Morris in his introduction. Both personal and personable, the essayists in this volume use their own vulnerability to guide listeners on excursions that unfold on uncomfortable edges. From contemplating the nuances of memory to exploring the complexities of family, romance, gender identity, illness, and death, Morris’s selection of essays presents a roundup of the thinkers who masterfully grapple with the issues of our time.

Davi has done this all before. She’s tried to be the hero and take down the all-powerful Dark Lord. A hundred times she’s rallied humanity and made the final charge. But the time loop always gets her in the end. Sometimes she’s killed quickly. Sometimes it takes a while. But she’s been defeated every time. This time? She’s done being the hero and done being stuck in this endless time loop. If the Dark Lord always wins, then maybe that’s who she needs to be. It’s Davi’s turn to play on the winning side.

It begins quietly on a balmy Southern night in Savannah as some locals gather at Bo Peep's, one of the town's favourite watering holes. Within an hour, a man will be murdered and his companion will have 'disappeared'. An unlikely detective, Morgana Musgrove, doyenne of Savannah society, is called upon to unravel the mystery of these crimes. Morgana is an imperious, demanding, and conniving woman, whose four grown children are weary of her schemes. But one by one she inveigles them into helping with her investigation, and soon the family uncovers some terrifying truths.

From nineteenth-century abolitionism to Black Lives Matter today, progressive social movements have been at the forefront of social change. Yet it is seldom recognized that such movements have not only engaged in political action but also posed crucial philosophical questions about the meaning of justice and about how the demands of justice can be met. Michele Moody-Adams argues that anyone who is concerned with the theory or the practice of justice—or both—must ask what can be learned from social movements.

After Futureland emerges from back-to-back scandals, Cam Walker and his family are ready to confront the people who keep targeting their flying park. A group called the Architects has been after them since Futureland made its Atlanta stop, and the Walkers have had enough. To settle things, the Architects propose the very first Architect Games, where the Walkers and the Architects will battle in a series of challenges. If the Walkers win, then the Architects will leave them alone once and for all.

Triumph. Tragedy. The empyreal. The infernal. Even the mundane, filtered through the fantastical. Superheroes are, appropriately enough, a sort of super-genre, encompassing all other story types. This YA anthology features thirteen short stories that creatively turn superhero tropes on their head, while still paying homage to the genre that has found fans for more than eight decades. And there will be no mistake—superheroes don’t have to just be generic handsome white dudes.

Offering new stories from some of the biggest names in horror as well as some of the hottest up-and-coming talents, Other Terrors will provide the ultimate listening experience for horror fans who want to examine fear of “the other.” Be they of a different culture, a different background, a different sexual orientation or gender identity, a different belief system, or a different skin color, some people simply aren’t part of the community’s majority—and are perceived as scary.

This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space.

Blood spilled long ago between the Republic of Mareen and the armies of the Blood Emperor, ending all blood magic. Now there is peace in the Republic—but there is also a strict class system, misogyny and racism. Her world is not perfect, but Ikenna survived in it. With the murder of her grandfather, Ikenna spirals out of control. Though she is an initiate for the Republic’s deadly elite military force, Ikenna has a secret only her grandfather knew: she possesses the blood magic of the Republic’s enemies.

Kiva thought she knew what she wanted—revenge. But feelings change, people change . . . everything has changed. After what happened at the palace, Kiva is desperate to know if her friends and family are safe, and whether those she wronged can ever forgive her. But with the kingdoms closer to the brink of war than they’ve ever been, and Kiva far away from the conflict, more is at stake than her own broken heart.

Photographer Cassie Harris loves her job - her company Buxom Boudoir makes people look beautiful and feel empowered with her modern twist on classic pinup photography. Cassie’s best friend, Dana, is about to launch her own dangerously dreamy lingerie line and wants Cassie to shoot and direct the career-changing national campaign. But company politics and Dana’s complicated pregnancy interfere, and Cassie finds herself - a proud plus-size Black woman - not behind the camera but in front of it.

Jade Fulton and Ethan Garrett are opposites in every sense of the word. Ethan is an all-American poster boy - a star athlete dating the most popular girl in school and a devout Christian. Jade keeps mostly to herself. She abhors joining “things”, hates everyone at their high school except her best friend, Gia, and considers herself agnostic. When Ethan and Jade find themselves locked in an aerobics room overnight, their confinement forces them to push past the labels they’ve given each other.

Teenager Leila’s life is full of challenges. From bouncing around the foster care system to living with seasonal affective disorder, she’s never had an easy road. Leila keeps herself busy with her passion for environmental advocacy, monitoring the Urban Ecovists message board and joining a local environmental club with her best friend, Sarika. And now that Leila has finally been adopted, she dares to hope her life will improve.

Lady Serena Wynter doesn’t mind flirting with a bit of scandal - she’s determined to ignore society’s strictures and live life on her own fiercely independent terms. These days, she chooses to pour her passions into charitable causes with the vibrant group of ladies in her Wednesday Afternoon Social Club. But there is one man who stirs Serena’s deepest emotions, one who’s irresistibly handsome, infuriatingly circumspect, and too honorable for his own good....

For years, Columbia freshman Serena has dreamed of visiting Paris - the city where her parents had their idyllic, romantic honeymoon. And since her father unexpectedly died two years ago, Serena has cooked up a plan to travel to Paris with her mother and sister as a way to celebrate and remember her dad. Unfortunately, her mom and sister are less committed to the plan - her mom backs out to attend a conference in London, and her sister makes plans in Madrid after a misunderstanding with Serena.

From 1970 to 1980, the Third World Women’s Alliance lived the dream of third world feminism. The small bicoastal organization was one of the earliest groups advocating for what came to be known as intersectional activism, arguing that women of color faced a “triple jeopardy” of race, gender, and class oppression. Interweaving oral history, scholarly and archival research, and first-person memoir, We Were There documents how the TWWA shaped and defined second wave feminism.

Four teens have dug up the time capsule that their parents buried in 1986 and never bothered to recover. But in addition to the expected ephemera of mixtapes, Walkmans, photographs, letters, toys, and assorted junk, Elayah, Liam, Marcie, and Jorja discover something sinister: a hunting knife stained with blood and wrapped with a note. “I'm sorry. I didn't mean to kill anyone."

Welcome to Niveus Private Academy, where money paves the hallways, and the students are never less than perfect. Until now. Because anonymous texter, Aces, is bringing two students' dark secrets to light. Talented musician Devon buries himself in rehearsals, but he can't escape the spotlight when his private photos go public. Head girl Chiamaka isn't afraid to get what she wants, but soon everyone will know the price she has paid for power. Someone is out to get them both. Someone who holds all the aces. And they're planning much more than a high school game.

Philippa Watson, a good-natured yet troubled 17-year-old, has just moved to Washington, DC. She’s lonely until she meets Judy Peabody, a brilliant and tempestuous classmate. The girls become unlikely friends and fashion themselves as intellectuals, drawing the notice of Christine Martins, their dazzling English teacher, who enthralls them with her passion for literature and her love of noirish detective fiction. When Philippa returns a novel Miss Martins has lent her, she interrupts a man grappling with her in the shadows.

Striking in their emotional immediacy, the stories in Before You Suffocate Your Own Fool Self are based in a world where inequality is reality but where the insecurities of adolescence and young adulthood, and the tensions within family and the community, are sometimes the biggest complicating forces in one's sense of identity and the choices one makes.