検索キーワード： ナレーター "Jeanette Illidge" すべてのカテゴリー

Seventeen-year-old Kiva Meridan is a survivor. For ten years, she has worked as the healer in the notorious death prison, Zalindov, making herself indispensable. Kept afloat by messages of hope from her family, Kiva has one goal and one goal only: stay alive. Then one day the infamous Rebel Queen arrives at the prison on death's door and Kiva receives a new message: Don't let her die. We are coming.

It begins quietly on a balmy Southern night as some locals gather at Bo Peep’s, one of the town’s favorite watering holes. Within an hour, however, a man will be murdered and his companion will be “disappeared.” An unlikely detective, Morgana Musgrove, doyenne of Savannah society, is called upon to unravel the mystery of these crimes. Morgana is an imperious, demanding, and conniving woman, whose four grown children are weary of her schemes. But one by one she inveigles them into helping with her investigation, and soon the family uncovers some terrifying truths.

Like gravity, sowing and reaping is a natural law of life—you simply reap what you sow. It naturally plays and pays out, until it DOESN’T. Time and again, history has shown that until society learns and positively changes from the past with its deeply rooted thought patterns and norms, we are condemned to repeat its many trappings, stereotypes, and shortcomings. Never Get Their Coffee is a call to action and underscores the glass ceiling disparities of gender equity in the marketplace.

The last thing I ever expected was to insult a colleague before I even started a new job. But here I am, already on thin ice after I mistook a fellow doctor for a patient on a bad drug trip. Oops. No matter how handsome or infuriatingly aloof he is, Grant Gao isn’t going to spoil my fresh start. Instead, I’m going to keep myself (maybe too) busy with my roommates, work, and passion: starting a new program to improve pregnancy care in the community.

John F. Kennedy said he needed sex every three days or he got a headache. In the White House, he never had a headache. Kennedy met Mary Pinchot in 1935, when he was eighteen and she was sixteen. Twenty years later, when she was living in Virginia and married to Cord Meyer, a high-ranking CIA official, she was Jack and Jackie Kennedy’s next-door neighbor. In 1962, she was an artist, divorced, living in Washington—and Kennedy’s first serious romance. Mary Pinchot Meyer was more than a bedmate. She was Kennedy’s beacon light: his sole female adviser.

Frustrated by a day full of teachers and classmates mispronouncing her beautiful name, a little girl tells her mother she never wants to come back to school. In response, the girl's mother teaches her about the musicality of African, Asian, Black-American, Latinx, and Middle Eastern names on their lyrical walk home through the city. Empowered by this newfound understanding, the young girl is ready to return the next day to share her knowledge with her class. Your Name Is a Song is a celebration to remind all of us about the beauty, history, and magic behind names.

Two years ago, Kennedy Mitchell was plucked from the reception desk and placed in the corporate boardroom in the name of diversity. Rather than play along, she and her best friend founded Token, a boutique PR agency that helps “diversity-challenged” companies and celebrities. With corporate America diversifying workplaces and famous people getting into reputation-damaging controversies, Token is in high demand.

Kiva Meridan is a survivor. She survived not only Zalindov prison, but also the deadly Trial by Ordeal. Now Kiva's purpose goes beyond survival to vengeance. For the past ten years, her only goal has been to reunite with her family and destroy the people responsible for ruining their lives. But now that she has escaped Zalindov, her mission has become more complicated than ever. As Kiva settles into her new life in the capital, she discovers she wasn't the only one who suffered while she was in Zalindov. It's not just her enemies she's keeping secrets from, but her own family as well.

After what happened at the palace, Kiva is desperate to know if her friends and family are safe, and whether those she wronged can ever forgive her. But with the kingdoms closer to the brink of war than they've ever been, and Kiva far away from the conflict, more is at stake than her own broken heart. A fresh start will mean a perilous quest, forcing mortal enemies and uneasy allies together in a race against the clock to save not just Evalon, but all of Wenderall. With her loyalties now set, Kiva can no longer just survive - she must fight for what she believes in.

It begins quietly on a balmy Southern night in Savannah as some locals gather at Bo Peep's, one of the town's favourite watering holes. Within an hour, a man will be murdered and his companion will have 'disappeared'. An unlikely detective, Morgana Musgrove, doyenne of Savannah society, is called upon to unravel the mystery of these crimes. Morgana is an imperious, demanding, and conniving woman, whose four grown children are weary of her schemes. But one by one she inveigles them into helping with her investigation, and soon the family uncovers some terrifying truths.

Marion Shaw has been raised in the slums, where want and deprivation are all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a strange advertisement in the newspaper, seeking a 'bloodmaid'. Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery.

This book spotlights John Lewis, known for his role in the Civil Rights Movement, having helped organize the March on Washington and the Selma Voting Rights March, and for his lifelong dedication to public service as a member of the House of Representatives. John Lewis was never afraid to get in good trouble.

From nineteenth-century abolitionism to Black Lives Matter today, progressive social movements have been at the forefront of social change. Yet it is seldom recognized that such movements have not only engaged in political action but also posed crucial philosophical questions about the meaning of justice and about how the demands of justice can be met. Michele Moody-Adams argues that anyone who is concerned with the theory or the practice of justice—or both—must ask what can be learned from social movements.

Triumph. Tragedy. The empyreal. The infernal. Even the mundane, filtered through the fantastical. Superheroes are, appropriately enough, a sort of super-genre, encompassing all other story types. This YA anthology features thirteen short stories that creatively turn superhero tropes on their head, while still paying homage to the genre that has found fans for more than eight decades. And there will be no mistake—superheroes don’t have to just be generic handsome white dudes.

Everyone wants a ticket to Futureland, where you can literally live out your wildest dreams. Want to step inside your favorite video game? Go pro in a sports arena? Perform at a real live concert? Grab your ticket and come right in.

Offering new stories from some of the biggest names in horror as well as some of the hottest up-and-coming talents, Other Terrors will provide the ultimate listening experience for horror fans who want to examine fear of “the other.” Be they of a different culture, a different background, a different sexual orientation or gender identity, a different belief system, or a different skin color, some people simply aren’t part of the community’s majority—and are perceived as scary.

This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space.

Marion Shaw has been raised in the slums, where want and deprivation are all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid. Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery.

Blood spilled long ago between the Republic of Mareen and the armies of the Blood Emperor, ending all blood magic. Now there is peace in the Republic—but there is also a strict class system, misogyny and racism. Her world is not perfect, but Ikenna survived in it. With the murder of her grandfather, Ikenna spirals out of control. Though she is an initiate for the Republic’s deadly elite military force, Ikenna has a secret only her grandfather knew: she possesses the blood magic of the Republic’s enemies.

Kiva thought she knew what she wanted—revenge. But feelings change, people change . . . everything has changed. After what happened at the palace, Kiva is desperate to know if her friends and family are safe, and whether those she wronged can ever forgive her. But with the kingdoms closer to the brink of war than they’ve ever been, and Kiva far away from the conflict, more is at stake than her own broken heart.