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If you're looking for an old-fashioned honest chapbook about the experience of being an amateur tap dancer, look no further. Welcome to the world's first and only tap book written by a student of the art—not a teacher, a studio owner, or an expert. Delve into these real-life tap adventures and let them inspire you to bring the magic of the dance into your own life. This humble chapbook will open your mind to the world of this unique form of dance in ways that only a student of the art could.

Whether you’re looking to boost your happiness, advance your career or manifest your big life goals, Janette’s delightful blend of advice, inspiration and life lessons from her time on stage and screen is just what you need. Divided into four key pillars: Acceptance, Reflection, The Work and Discovery, her tried-and-true life advice centres around learning to love yourself. Each chapter offers hard-won wisdom alongside practical techniques to apply that wisdom to your own life, complete with all the steps to take to make your goals a reality.

Discover what it takes to make your own sunshine with Freed by Flamenco, the captivating story of one woman's journey to discover happiness and freedom through flamenco dancing. This true story will show you how to persevere, find purpose, and take control of your own life. By listening to this book, you can reclaim your freedom and gain the confidence to take charge of your life, achieve a deep sense of joy and fulfillment through self-expression, and transform your life with the power of a passion that brings you joy, whether it is flamenco or some other art form or perhaps sport.

When World War II was over, a young bomber pilot with an itch for movement and action hung up his cap and learned another way to fly. Onstage with Martha Graham is the story of Stuart Hodes, a versatile and influential dancer who got his start with Martha Graham, an icon of modern dance. His memoir is a rare firsthand view of the dance world in the 1940s and through the end of the twentieth century. One of the few male dancers in Graham’s company—and in the New York dance scene at the time—Hodes offers a unique perspective and a one-of-a-kind narrative.

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells. The Swans of Harlem is a riveting account of these five accomplished women.

From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.

A Syria-born dancer offers his deeply personal story of war, statelessness, and the pursuit of the art of dance in this inspirational memoir.

Time magazine called her “the Dancer of the Century.” Her technique, used by dance companies throughout the world, became the first long-lasting alternative to the idiom of classical ballet. Her pioneering movements—powerful, dynamic, jagged, edgy, forthright—combined with her distinctive system of training, were the epitome of American modernism, performance as art. Neil Baldwin, author of admired biographies, gives us the artist and performer, the dance monument who led a cult of dance worshippers as well as the woman herself in all of her complexity.

September 1940. As the skies split apart and bombs rain down on London, it's all the staff at the famed Buckingham Hotel can do to keep their guests in the luxury they're accustomed to, and evoke the magic of the Grand ballroom for them each night. Home on leave and still reeling from the tragic events at Dunkirk, the dashing Raymond de Guise struggles to define his role in this new world, and to do his duty both to his country, and his beloved wife Nancy- who needs him now more than ever.

In this unique audiobook, which became the most translated tango book in the world, Dimitris takes you on a journey of exploring connection, awareness, and meaning in tango.

Le divinità del Paese di Dio attesta il ricordo di una cultura dimenticata e delle comunità che la circondano. Il Theyyam è una forma d'arte rituale dravidica del Kerala, in India, il Paese di Dio. Questo libro fornisce informazioni dettagliate sul Theyyam, bellissime immagini e centinaia di storie. Dedichiamo questo libro agli artisti che eseguono il Theyyam, veri e propri dei "del popolo, dal popolo, per il popolo.

Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age fifteen, she had to face the reality that she would never meet the impossibly high standards of the hyper-competitive ballet world. After she quit, she tried to avoid ballet—only to realize, years later, that she was still haunted by the lessons she had absorbed in the mirror-lined studios of Lincoln Center, and that they had served her well in the wider world. The traits ballet takes to an extreme—stoicism, silence, submission—are valued in girls and women everywhere.

Thalia Mara's story spans the history of dance in the twentieth century and the rise of the arts in her adopted city of Jackson, Mississippi. As an adolescent Mara (1911–2003) studied with renowned Russian teacher Adolph Bolm, who recommended she go at age sixteen to Paris for further study. During a tour in Europe and South America, she met her partner in dance and life, Arthur Mahoney, and they dazzled the world with their breathtaking performances during the 1930s and '40s. The two were named codirectors of Jacob's Pillow in 1947, gracing the cover of Life magazine that year.

"Als gäbe es keine Schwerkraft" ist nicht nur eine Hommage an das Tanzen - sondern vor allem an das wertschätzende Führen von Menschen. Denn je mehr es, gerade in modernen digitalen Zeiten, um das Erreichen von kreativen und innovativen Spitzenleistungen geht, desto offensichtlicher werden die Parallelen zwischen Kunst als Leistungssport und Performance im Management. Ein erfolgreiches Agieren in einer sich permanent verändernden, von Technologie getriebenen Welt stellt neue Anforderungen an Führungskräfte und fordert sie mehr als je zuvor als Mensch und Persönlichkeit.

Para algunas personas, el tango es simplemente una actividad social. No posee un significado más profundo, ni constituye un camino. Solo se trata de unos cuantos pasos, mezclados y reciclados. Este libro no es para aquellas personas.

Sound interesting? The author thinks so too! Listen to The Art of Stage Dancing and learn about a unique profession and its history.

Harlem 1969; it's the height of the Civil Rights era and the community is still reeling from the assassination of Martin Luther King. Arthur Mitchell, the first Black principal dancer at the New York City Ballet, takes his protest to the stage and establishes the Dance Theatre of Harlem. Here begins the story of the five extraordinary women at the heart of this book. This is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be.

Before Ratmansky was the artistic director of the Bolshoi Ballet, the resident choreographer at American Ballet Theatre, the artist in residence at New York City Ballet, and generally, as The New Yorker has it, "the most sought-after man in ballet," he was just a boy from Kyiv, sneaking into the ballet at night, concocting his own juvenile adaptations of novels and stories, and dreaming up new possibilities for bodies in motion.

Vincent Paterson began his professional dancing career late in life. It would take an exceptional turn when he became one of the lead dancers in Michael Jackson's Beat It music video. Through hard work, he rises to the rank of choreographer and director for the world's greatest singers, but also for cinema and musical comedy. He tells with humility the fascinating universe of film sets, the rehearsal sessions where he had to orchestrate and synchronize dozens of dancers, and life backstage, where it is sometimes necessary to manage a few whims of the stars.

John W. Bubbles was the ultimate song-and-dance man. A groundbreaking tap dancer, he provided inspiration to Fred Astaire, Eleanor Powell, and the Nicholas Brothers. His vaudeville team Buck and Bubbles captivated theater audiences for more than thirty years. Most memorably, in the role of Sportin' Life he stole the show in the original production of Gershwin's Porgy and Bess, in the process crafting a devilish alter ego that would follow him through life.