検索キーワード： アジア系アメリカ人・太平洋諸島系

A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body.

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys". Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

Twelve-year-old Bird lives a quiet existence with his loving but broken father, a former linguist. He knows not to ask many questions, stand out too much, stray too far. For a decade, their lives have been governed by laws written to preserve 'American culture' in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic—including the work of Bird's mother.

An excellent student from a poor, traditional family in Seoul, the narrator has absorbed the same message her whole life: Only a boy can provide the family with dignity and wealth. Not her. Not her three sisters. Receiving approval only for uncomplaining sacrifice, she has resolved to take on her family’s troubles. She is a good girl. And she knows what good girls must do.

On a university campus in rural Qixian, Lin and Liz make an improbable pair: Lin, a Chinese student closer to her menagerie of pets than to her peers, and Liz, a Chinese American teacher grieving her mother’s sudden death. They’re each met with hostility—Lin by her classmates, who mock her for dating a white foreigner; Liz by her fellow English teachers, who exploit their privilege—and forge an unlikely friendship. After a startling betrayal that results in Lin’s expulsion, they swap places. Lin becomes convinced to pursue her degree at a community college near Liz’s Ohio hometown.

Willa Chen has never quite fit in. Growing up as a biracial Chinese American girl in New Jersey, Willa felt both hypervisible and unseen, too Asian to fit in at her mostly White school, and too White to speak to the few Asian kids around. After her parents’ early divorce, they both remarried and started new families, and Willa grew up feeling outside of their new lives, too.

A long-married couple is forced to confront their friend's painful past when a church revival comes to a nearby town ... A woman in an arranged marriage struggles to connect with the son she hid from her husband for years ... A well-meaning sister unwittingly reunites an abuser with his victims. Through an indelible array of lives, Yoon Choi explores where first and second generations either clash or find common ground,

Ingrid Yung's life is full of firsts. A first-generation Chinese American, the first lawyer in her family, she's about to collect the holy grail of 'firsts' and become the first minority woman to make partner at the venerable old law firm Parsons Valentine & Hunt. Ingrid has perfected the art of "passing" and seamlessly blends into the old-boy corporate culture. But when an offensive incident at the summer outing threatens the firm's reputation, Ingrid's outsider status is suddenly thrown into sharp relief.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

Opal Chen reunites with her Chinese sisters after forty years; newly cosmopolitan Lulu Koo wonders why Americans “like to walk around in the woods with the mosquitoes”; Hong Kong parents go to extreme lengths to reestablish contact with their “number-one daughter” in New York; and Betty Koo, brought up on “no politics, just make money,” finds she must reassess her mother’s philosophy. With their profound compassion and equally profound humor, these eleven linked stories trace the intimate ways in which humans make and are made by history.

Born just fifteen months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up. But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan—charismatic and impulsive—finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes.

In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned - from the layout of the winding roads to the colors of the houses to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules. Enter Mia Warren - an enigmatic artist and single mother - who arrives in this idyllic bubble with her teenage daughter, Pearl, and rents a house from the Richardsons.

Twelve American tourists join an art expedition that begins in the Himalayan foothills of China - dubbed the true Shangri-La - and heads south into the jungles of Burma. But after the mysterious death of their tour leader, the carefully laid plans fall apart, and disharmony breaks out among the pleasure-seekers.

Two sisters follow a trail of pictures that caused their father to fall ill, but will they be able to piece together the clues without sacrificing their father's love?

With the rapidly cascading Asian Financial Crisis threatening to go global and Korea in imminent meltdown, investment banker Dae Joon finds himself back in his native Seoul as part of an international team brought in to rescue the country from sovereign default. For Dae Joon - also known by his American name of Shane, after the cowboy movie his father so loved - the stakes are personal. Raised in the US and Harvard Business School - educated, Dae Joon is a jangnam, a firstborn son, bound by tradition to follow in the footsteps of his forebears.

Nicholas Young's grandmother Su Yi is on her deathbed. While he rushes to be by her bedside, he's not the only one. The entire Shang-Young clan has convened from all corners of the globe to stake claim on their matriarch's massive fortune. With all parties vying to inherit a trophy estate in the heart of Singapore, Nicholas' childhood home turns into a hotbed of sabotage and scandal.

Ever since a man was found dead in Vera's teahouse, life has been good. For Vera that is. She’s surrounded by loved ones, her shop is bustling, and best of all, her son, Tilly, has a girlfriend! All thanks to Vera, because Tilly's girlfriend is none other than Officer Selena Gray. The very same Officer Gray that she had harassed while investigating the teahouse murder. Still, Vera wishes more dead bodies would pop up in her shop, but one mustn't be ungrateful, even if one is slightly...bored.

Vinh Doan has a problem. Ten million of them, in fact. He’s a high-level fixer for global conglomerates, which means big money…and big troubles. When ten million dollars go missing from one of his accounts, he needs a top-notch hacker to find it. His first thought? Emily MacDonald, his high school ex. While Vinh has been taking the financial world by storm, Emily has been struggling. After her dad died, she dropped out of college and put her dreams aside. Her job in tech support has seriously tested her sunny disposition and her finances.

Emma-Jade and Louis are born into the havoc of the Vietnam War. Orphaned, saved and cared for by adults coping with the chaos of Saigon in free-fall, they become children of the Vietnamese diaspora. Em is not a romance in any usual sense of the word, but it is a word whose homonym—aimer, to love—resonates in every minute, a book powered by love in the larger sense. A portrait of Vietnamese identity emerges that is wholly remarkable, honed in wartime violence that borders on genocide, and then by the ingenuity, sheer grit, and intelligence of Vietnamese people.

Hiromi Goto’s acclaimed debut novel is a feminist examination of the Japanese Canadian immigrant experience. Focusing on the lives of three generations of women in modern day Alberta, Goto uses their stories to examine the impacts of privilege and cultural identity on Asian Canadian immigrants.