検索キーワード： ナレーター "Janet Song" すべてのカテゴリー

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law, and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her.

Here is a short, sleek novel of encounters, set in Tokyo during the witching hours between midnight and dawn, and every bit as gripping as Haruki Murakami's masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Eri, a fashion model slumbering her way into oblivion, and Mari, a young student soon led from solitary reading at an anonymous Denny's toward people whose lives are radically different from her own.

Eleven-year-old Japanese American Owen has been in Japan for his sixth-grade year. By March he finally feels like he's getting the hang of the new culture, making friends at school, and feeling at home with the "weird" food. But early one morning, everything changes - and Owen suddenly finds himself just trying to survive one of history's most devastating disasters.

A long-married couple is forced to confront their friend's painful past when a church revival comes to a nearby town ... A woman in an arranged marriage struggles to connect with the son she hid from her husband for years ... A well-meaning sister unwittingly reunites an abuser with his victims. Through an indelible array of lives, Yoon Choi explores where first and second generations either clash or find common ground,

When Communist Party leaders adopted the one-child policy in 1980, they hoped curbing birthrates would help lift China's poorest and increase the country's global stature. But at what cost? Now, as China closes the book on the policy after more than three decades, it faces a population grown too old and too male, with a vastly diminished supply of young workers. Mei Fong has spent years documenting the policy's repercussions on every sector of Chinese society.

Forty years ago in China, marriage was universal, compulsory, and a woman's only means to a livelihood. Enter the one-child policy, which despite its horrors, resulted in China's first generations of urban only-daughters - girls who were raised without brothers and pushed to study, achieve, and succeed as if they were sons. Fast forward to the present, where in an urbanized economic powerhouse, enough of these women have decided to postpone marriage - or not marry at all - to spawn a label: "leftovers". Unprecedentedly well-educated and goal-oriented, they struggle to find partners.

Two sisters follow a trail of pictures that caused their father to fall ill, but will they be able to piece together the clues without sacrificing their father's love?

Sixty-eight-year-old Hattie Kong, descendant of Confucius, daughter of an American missionary, has lived to see both her husband and her best friend die back-to-back in a single year. But two years later, it’s time for Hattie to start over. She moves to a small New England town where she is soon joined by a Cambodian American family and an ex-lover—now a retired neuroscientist—all of them looking for their own new lives.

The Commoner is the mesmerizing, moving, and surprising story of a brutally rarified and controlled existence at once hidden and exposed, and of a complex relationship between two isolated women who, despite being visible to all, are truly understood only by each other. With the unerring skill of a master storyteller, John Burnham Schwartz has written his finest novel yet.

On a clear spring day in 1995, five members of a religious cult unleashed poison gas on the Tokyo subway system. In attempt to discover why, Haruki Murakmi talks to the people who lived through the catastrophe, and in so doing lays bare the Japanese psyche. As he discerns the fundamental issues that led to the attack, Murakami paints a clear vision of an event that could occur anytime, anywhere.

In the valley of Fruitless mountain, a young girl named Minli lives in a ramshackle hut with her parents. In the evenings, her father regales her with old folktales of the Jade Dragon and the Old Man on the Moon, who knows the answers to all of life's questions. Inspired by these stories, Minli sets off on an extraordinary journey to find the Old Man on the Moon to ask him how she can change her family's fortune. She encounters an assorted cast of characters and magical creatures along the way, including a dragon who accompanies her on her quest for the ultimate answer.

Every day, three times a day, the students march in two straight lines, singing praises to Kim Jong-il and North Korea: Without you, there is no motherland. Without you, there is no us. It is a chilling scene, but gradually Suki Kim, too, learns the tune and, without noticing, begins to hum it. It is 2011, and all universities in North Korea have been shut down for an entire year, the students sent to construction fields - except for the 270 students at the all-male Pyongyang University of Science and Technology (PUST).

There are three rules in the Walled City: Run fast. Trust no one. Always carry your knife. Right now, my life depends completely on the first. Run, run, run. Jin, Mei Yee, and Dai all live in the Walled City, a lawless labyrinth run by crime lords and overrun by street gangs. Teens there traffic drugs or work in brothels - or, like Jin, hide under the radar. But when Dai offers Jin a chance to find her lost sister, Mei Yee, she begins a breathtaking race against the clock to escape the Walled City itself.

When 69-year-old So-nyo is separated from her husband among the crowds of the Seoul subway station, her family begins a desperate search to find her. Yet as long-held secrets and private sorrows begin to reveal themselves, they are forced to wonder: how well did they actually know the woman they called Mother?

Adopted when she was only days old, Ivy Hon knows little about her lineage. But when she’s stricken with a mystery illness, the results of a genetic test to identify the cause attract the FBI. According to Ivy’s DNA, she’s related to the Full Moon Killer, who has terrorized the Pacific Northwest for decades. Ivy is the FBI’s hope to stop the enigmatic predator from killing again.

A best-selling and award-winning debut collection from one of South Korea's most prominent young writers. In crisp, unembellished prose, Choi Eunyoung paints intimate portraits of the lives of young women in South Korea, balancing the personal with the political. In the title story, a fraught friendship between an exchange student and her host sister follows them from adolescence to adulthood. In 'A Song from Afar', a young woman grapples with the death of her lover, travelling to Russia to search for information about the deceased.

In crisp, unembellished prose, Eunyoung Choi paints intimate portraits of the lives of young women in South Korea, balancing the personal with the political. In the title story, a fraught friendship between an exchange student and her host sister follows them from adolescence to adulthood. In "A Song from Afar", a young woman grapples with the death of her lover, traveling to Russia to search for information about the deceased. In "Secret", the parents of a teacher killed in the Sewol ferry sinking hide the news of her death from her grandmother.

A million-plus-copy best seller in Korea - a magnificent English-language debut poised to become an international sensation - this is the stunning, deeply moving story of a family’s search for their mother, who goes missing one afternoon amid the crowds of the Seoul Station subway. Told through the piercing voices and urgent perspectives of a daughter, son, husband, and mother, Please Look After Mom is at once an authentic picture of contemporary life in Korea and a universal story of family love.

Thanks to the financial security and material comforts provided by their father’s prosperous rickshaw business, 21-year-old Pearl Chin and her younger sister, May, are having the time of their lives. Though both sisters wave off authority and tradition, they couldn’t be more different, but both are beautiful, modern, and carefree...until the day their father tells them he has gambled away their wealth and that in order to repay his debts, he must sell the girls as wives to suitors who have traveled from California to find Chinese brides.

For young Peony, betrothed to a suitor she has never met, lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, amid the scent of ginger, green tea, and jasmine, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage.