検索キーワード： ナレーター "Janina Edwards" すべてのカテゴリー

Saving for the future can seem anywhere from daunting to downright impossible—especially for Millennials and Gen Zers, who’ve had to contend with economic setbacks, recessions, and layoffs since graduating college. But everyone—yes, even YOU—can find a way to save for your future, and Your Best Financial Life can show you exactly how.

In the wake of the attack on Pearl Harbor in December 1941, Dorothy Thom, Spelman graduate, librarian and Francophile, joins the Women’s Army Corps wanting to do her part for the war effort. Longing for adventure, she has one question for the recruiter: “Do you think I’ll get to go abroad?” As Dorothy and her sister WACs discover, life in the Army is an adventure filled with unexpected deprivations and culture shock. Women from all levels of society, secretaries, teachers, and sharecroppers, work together to navigate a military segregated by race and gender.

The kids from All Are Welcome are working together to give back to their community. How do they do it? By gathering a team to follow a dream and lending a hand when someone is in need.

The kids from All Are Welcome are heading back to school and eager to see old friends, make new friends, and learn to be readers, writers, listeners, and leaders. Three things they keep in mind: Always try. Have fun. Be kind.

Born into a "formerly untouchable manual-scavenging family in small-town India," Yashica Dutt was taught from a young age to not appear “Dalit looking.” Although prejudice against Dalits, who compose 25% of the population, has been illegal since 1950, caste-ism in India is alive and well. Blending her personal history with extensive research and reporting, Dutt provides an incriminating analysis of caste’s influence in India over everything from entertainment to judicial systems and how this discrimination has carried over to US institutions.

Created by the founder of Breathing Space Creative Literary Studio, acclaimed writer and editor Chelene Knight, Let It Go draws on personal experience and the advice of leaders from various Black communities to share hard-won tools for joy-discovery—tools such as how to say no with love; how to call back activities that feel good; how to reshape communication with those closest to you; how to revise language; and most of all, how to learn to let go in order to redefine what we think joy is.

Carole and Jeffery Boston Weatherford’s ancestors are among the founders of Maryland. Their family history there extends more than three hundred years, but as with the genealogical searches of many African Americans with roots in slavery, their family tree can only be traced back five generations before going dark. And so from scraps of history, Carole and Jeffery have conjured the voices of their kin, creating an often painful but ultimately empowering story of who their people were in a breathtaking book that is at once deeply personal yet all too universal.

Celie and Shug from The Color Purple subtly shadow the lives of the dozens of astonishing characters in The Temple of My Familiar, all of whom are dealing in some way with the legacy of the African experience in America. From recent African immigrants to a woman who grew up in the mixed-race rainforest communities of South America to Celie’s own granddaughter living in modern-day San Francisco, they must come to terms with the brutal stories of their ancestors in order to confront their own troubled lives.

When Boady Sanden first receives the case of Elijah Matthews, he’s certain there’s not much he can do. Elijah, who believes himself to be a prophet, has been locked up in a psychiatric hospital for the past four years, convicted of brutally murdering the pastor of a megachurch. But as a law professor working for the Innocence Project, Boady agrees to look into Elijah’s file. When he does, he is alarmed to find threads that lead back to the death of his colleague and friend, Ben Pruitt, a man shot to death four years earlier in Boady’s own home.

The girl group sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the 1960s. But while the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. But Will You Love Me Tomorrow?: An Oral History of 60s Girl Groups tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.

Three of the nation’s top scholars ­– known for tackling key mysteries about poverty in America – turn their attention from the country’s poorest people to its poorest places. Based on a fresh, data-driven approach, they discover that America’s most disadvantaged communities are not the big cities that get the most notice. Instead, nearly all are rural. Little if any attention has been paid to these places or to the people who make their lives there.

In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman’s Narrative, was first published in 2002 to great acclaim, but the author’s identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author’s name and, in The Life and Times of Hannah Crafts, he finally tells her story.

In 1993, Jacqueline Tobin visited the Old Market Building in the historic district of Charleston, South Carolina, where craftspeople sell their wares. Amid piles of beautiful handmade quilts, Tobin met African American quilter Ozella Williams and the two struck up a conversation. With the admonition to "write this down," Williams began to tell a fascinating story that had been handed down from her mother and grandmother before her. As Tobin sat in rapt attention, Williams began to describe how slaves made coded quilts and then used them to navigate their escape on the Underground Railroad.

Imagination: A Manifesto offers visionary examples and tactics to push beyond the constraints of what we think, and are told, is possible. This book is for anyone who is ready to take to heart Toni Morrison's instruction: "Dream a little before you think."

For lovers of both Barbie and Gloria Steinem, The Movement is the first oral history of the decade that built the modern feminist movement. Through the captivating individual voices of the people who lived it, The Movement tells the intimate inside story of what it felt like to be at the forefront of the modern feminist crusade, when women rejected thousands of years of custom and demanded the freedom to be who they wanted and needed to be.

In the 1910s, as the birth control movement was born, two leaders emerged: Margaret Sanger and Mary Dennett. Sanger would go on to found Planned Parenthood, while Dennett’s name has largely faded from public awareness. Each held a radically different vision for what reproductive autonomy and birth control access should look like in America. Few are aware of the fierce personal and political rivalry that played out between Sanger and Dennett over decades—a battle that had a profound impact on the lives of American women.

For seven seasons, Leslie Knope and the Parks and Recreation gang charmed millions of viewers with their quirky antics and unwavering positivity. The sitcom continues to be a fan-favorite for streaming services today, nearly a decade after its finale. Now for the first time, Jim O’Heir, who played the lovable Jerry (or, well, Garry/Larry/Terry/Barry, depending on the episode), invites listeners back to Pawnee for an exclusive look behind the scenes.

One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charlie Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old left behind by her white mother and step-family.

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.

Before she became a warrior, Ida B. Wells was an incomparable flirt with a quick wit and a dream of becoming a renowned writer. The first child of newly freed parents who thrived in a community that pulsated with hope and possibility after the Civil War, Ida had a big heart, big ambitions, and even bigger questions: How to be a good big sister when her beloved parents perish in a yellow fever epidemic?