検索キーワード： ナレーター "Billie Fulford-Brown" すべてのカテゴリー

Blood-red lights have appeared in the sky over the frozen island of Skane, causing a cloak of fear and suspicion to fall over the village like a blanket of snow. In a desperate attempt to keep out the plague, the village elders barricade its borders - no-one, no matter how in need of help, will be permitted to enter in case they bring infection with them. Teenager Janna refuses to turn her back on people seeking refuge and is banished to the swirling snow and lurking darkness beyond the village. Can she survive?

Oxford, 1836. The city of dreaming spires. It is the centre of all knowledge and progress in the world. And at its centre is Babel, the Royal Institute of Translation. The tower from which all the power of the Empire flows. Orphaned in Canton and brought to England by a mysterious guardian, Babel seemed like paradise to Robin Swift. Until it became a prison. But can a student stand against an empire?

Drizella and Anastasia only know one thing for certain: they never want to end up like their mother, Lady Tremaine. When their father left them as young girls, he took their family fortune and their mother’s dignity with him. A few years and one deceased stepfather later, Drizella and Anastasia only know their mother as the bitter and cruel head of the house. But the sisters promise each other that they'll chase their dreams and never let their hearts go cold.

It’s a familiar tale: A kind and beautiful young girl, reeling from loss. A doting father, frantic to bring a mother’s love back into his daughter’s life. And the selfish, cruel woman who insinuates herself into that family—a woman so unfeeling, so cold hearted, that when her new husband dies, she makes the girl a servant in her own home. But who is that evil stepmother, that icy lady of the house?

What do Christians hope for? To leave this wicked world and go to 'heaven'? For the 'kingdom of God' to grow gradually on earth? What do we mean by the 'resurrection of the body'? And how does all this affect the way we live in the here and now? Tom Wright addresses these questions in this lively and thoroughly biblical book. He describes the persistent confusion about 'the last things' in both Church and world.

1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.

Raised his entire life for the sole purpose of defending his clan, Khalvir serves the chief who saved him from certain death. A death at the hands of the hated elves; a people who see him only as an abomination to be destroyed. Now a captive in his enemy’s clutches, Khalvir must find a way to escape the mysterious elf witch who holds him. An elf whose motives remain shrouded but whose very presence calls to his soul, threatening to turn every truth he has ever known into a lie.

Living deep within the mysterious southern forests, the spiritual Ninkuraaja people are being hunted to the brink of extinction by bloodthirsty raiders known only as Woves. Nobody knows better than a Ninkuraa that a Wove deserves only death.

To become a Queen, Freya has to give up everything.There's only one way to become an immortal, and that is to take up the mantle of everything that she is not. To become fae. To lead a court. To become the Autumn Thief herself.

Freya saw her father in the depths of the werewolf's eyes. She knows he's still in there, but the only way to save him is to convince the Summer Lord to work with them...and the Summer Lord hates both her and Eldridge with a burning passion. Once there, Freya realizes she has to manage more than just curing her father. The Goblin King is acting strange himself, and she fears this might be because of an old flame who arrives to help them. A faerie woman who is more beautiful than the sun.

Freya has made a name for herself as the Queen Killer; the woman who defeated the Goblin King, then killed the Goblin Queen. Now, she has a new task, one that is much more personal. Her mother is alive, trapped somewhere in the realms of the fae, and she will stop at nothing to get her back. With the Goblin King at her side, she must face an old enemy. The kingdom they are sent to is filled with beautiful pixies, each one more dangerous than the last. To find her mother, Freya must not only survive this dangerous Court, but also seek out the magic within herself....

Freya couldn't have known she would destroy the entire faerie court by beating the Goblin King. All she wanted was her sister back, not to imprison the king. But with her sister refusing to return home, Freya is left trapped in her own mess. She has to fix what she broke or the faerie realm will get infinitely more dangerous. Bring the Goblin King back. Save the people she harmed. And do her best to avoid the temptation of falling into the Goblin King's arms.

The world is on the brink of war when Elizabeth Mowbray breaks her engagement with a tea planter in India and returns home to the English countryside. Desperate to escape a stifling life under her parents’ roof, she moves to London seeking adventure and excitement.

Charlotte Sauvin has always seen the world differently. At home on 33 Place Brugmann, in the heart of Brussels, her father and her closest friends and neighbours – the Raphaëls from the fourth floor, and Masha from the fifth – have ensured her secret is safe. But when the Nazis invade Belgium, and Masha and the Raphaëls disappear, Charlotte must navigate her new world alone.

Since the day she married her husband, Lo Harper has watched her happy ever after slip away before her eyes. Feeling lost and alone, she’s stumbling through life, each day getting longer, harder, and more hopeless. She doesn’t know how much longer she can hold on. Until she meets a stranger who ironically becomes a lifeline after he nearly runs her down. He’s charming, kind, and he doesn’t pry. He’s just there, making Lo smile, distracting her, if only briefly. Because she will always return to the pain. To the heartbreak. To the unshakable guilt.

Alethea, Kayla and Rustus are the only ones standing in the way of the evil Professor Penn, who is raising an army of beasts. Desperate to protect their home, they split up to find a way to defeat the professor. Kayla tries to uncover Penn's plans in the ruthless Southlands, as Rustus hunts for prophecies within the hidden Crystal Caves. Meanwhile, Alethea must journey to a new realm to unite the people against the danger ahead.

Lauren and her family—lucky bastards—have been granted the use of a spectacular brownstone, teeming with history and dizzyingly unattractive '70s wallpaper. Adding to the home’s bohemian, grungy splendor is the bar occupying the basement, a (mostly) beloved dive called The Sweet Spot. Within days of moving in, Lauren discovers that she has already made an enemy in the neighborhood by inadvertently sparking the divorce of a couple she has never actually met.

When the vicious fae king catches Tessa stealing his powerful gemstones, he demands a cruel punishment. She must leave her family and friends behind and become his future human bride. Tessa has never stepped foot inside the glittering fae city until now—and no mortal is allowed. There, things are far more monstrous than she ever dreamed. King Oberon humiliates her, terrorizes her, and threatens those she loves. But when she escapes, someone far worse finds her.

In 1960s Glasgow, anti-nuclear activists Judith and Jimmy fall in love. But their future hopes are dashed when their protestors’ squat is raided and many, including Jimmy, are sent to prison. Pregnant and with no word from Jimmy, Judith is forced to enter an unmarried mothers’ home, give up their baby and learn to live with her grief.

From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous? Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown . . . and unimaginable.