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With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War, she warily makes her way to her new home.

As German bombs fall over London in 1940, working-class parents Millie and Reginald Thompson make an impossible choice: they decide to send their eleven-year-old daughter, Beatrix, to America. There, she’ll live with another family for the duration of the war, where they hope she’ll stay safe. Scared and angry, feeling lonely and displaced, Bea arrives in Boston to meet the Gregorys. Mr. and Mrs. G, and their sons William and Gerald, fold Bea seamlessly into their world. She becomes part of this family, learning their ways and their stories, adjusting to their affluent lifestyle.

Isobel's life is small: just her, her mum, and her pet chinchilla, Abigail, in their council flat on the Kentish coast. After mental health troubles in her teens, Issy, now twenty-eight, has kept things that way on purpose, only deviating from routine when her part-time job at a paint-your-own pottery studio demands it, or when she's inspired to create art of Abigail: knitted Abigails, sculptural Abigails, delicately rendered paintings of Abigail. When the Abigails earn the attention of famous artist and reality TV star Elizabeth Staggs, Issy is awestruck and a little alarmed.

Victorian London was notorious for its pickpockets. But in the country houses of the elite, gentleman burglars, art thieves and con men preyed on the rich and titled. Wealthy victims—with their pride and reputation at stake—would never go to the police. What they needed was a society insider, one of their own, a person of discretion and finely tuned powers of observation.

Geneva Castle honed her skills for survival as a prison nurse by day and a stripper by night. Her world takes a tumultuous turn when Dominick LaRocca, who knows only the treacherous ways of the Mafia, emerges on her horizon. The moment Dominick abducts her, their lives become a twisted web of complexity. Geneva grapples with her own moral code, teetering on the edge of losing her nursing license if she succumbs to Dominick's demands. Or worse, if she doesn't comply.

Serena and Beth are best friends who couldn’t be more different—Beth is an avowed demisexual, who lacks confidence in her career and in her chances at a happy relationship due to her sexual orientation. Serena is a free spirit who oozes with confidence, both in her job and her sexual proclivities. And yet, since the moment they met, they knew they were platonic soulmates. So, when Beth decides that she officially wants to take charge of her sex life and explore the things that scare her the most, Serena is more than happy to help.

We were always The Four. From our very first day at High Realms. The four scholarship pupils. Outsiders in a world of power and privilege. And, according to everyone else, we were dangerous. It would have made our lives a lot easier if Marta had simply pushed our prefect Genevieve out of our bedroom window that day. Certainly, it would have been tragic. She would have died instantly. But Marta didn’t push her then, or–if you choose to believe me–at any other time. If she had, all of what we went through would not have happened.

A lesbian in a lavender marriage, Jo Smith cuts a dashing figure in pin-striped trousers, working in her bookshop and keeping impolite company. But her hard-earned stability is about to be upended thanks to her husband’s pregnant paramour, who needs medical attention that no reputable doctor will provide.

Serial monogamist Fran has waited years for her chance to be single, and now’s her time to shine. She wants to date as much as she can. She’s got Big Date Energy. But her Mum has other ideas. She’s desperate for Fran to find real love and nominates her for a new TV dating show, The Meet-Cute, which promises to pair people with their perfect match. And when Fran walks onto the set, hoping for a bit of a laugh and a story to tell, she’s confronted with Ivy. Her first love, her high school romance. And the one that got away.

Scotland, the 11th Century. Born in a noble household and granddaughter of a forgotten Scottish king, a young girl carries the guilt of her mother’s death and the weight of an unknowable prophecy. When she is married, at fifteen, to the Mormaer of Moray, she experiences firsthand the violence of a sadistic husband and a kingdom constantly at war. To survive with her young son in a superstitious realm, she must rely on her own cunning and wit, especially when her husband’s downfall inadvertently sets them free.

We were always The Four. From our very first day at High Realms. The four scholarship pupils. Outsiders in a world of power and privilege. It would have made our lives a lot easier if Marta had simply pushed Genevieve out of our bedroom window that day. Certainly, it would have been tragic. She would have died instantly. But Marta didn’t push her then, or – if you choose to believe me – at any other time. If she had, all of what we went through would not have happened.

Emily Wilde is a genius scholar of faerie folklore, and has catalogued many secrets of the Hidden Folk in her encyclopaedia with her infuriatingly charming fellow scholar, Wendell Bambleby, by her side. But Bambleby is more than just a brilliant and unbearably handsome scholar. He's an exiled faerie king on the run from his murderous mother, in search of a door back to his realm. By lucky happenstance, Emily's new project, a map of the realms of faerie, will take them on an adventure to the picturesque Austrian Alps.

Growing up in the care of her grandparents on Belhaven farm, Lizzie Craig discovers as a small child that she can see into the future. But her gift is selective—she doesn’t, for instance, see that she has an older sister who will come to join the family. As her “pictures” foretell various incidents and accidents, she begins to realize a painful truth: she may glimpse the future, but she can seldom change it. Nor can Lizzie change the feelings that come when a young man named Louis, visiting Belhaven for the harvest, begins to court her.

Penniless and stranded in France after a bid to escape her cruel uncle goes awry, Cornelia Shaw is far from the Parisian life of leisure she imagined. Desperate and out of options, she allows herself to be recruited to Napoleon’s Grande Armée. As a naturalist, her mysterious ability to heal any wound with herbal mixtures invites awe amongst the soldiers…and suspicion.

Emily Laurence is a liar. She is not polite, she's not polished, and she has never taught a child in her life. This position was meant to be her sister's—brilliant, kind Amy, who isn't perpetually angry, dangerously reckless, and who does (inexplicably) like children. But Amy is unwell and needs a doctor, and their father is gone and their mother is useless, so here Emily is, pretending to be something she's not. If she can get away with her deception for long enough to earn a few month's wages and slip some expensive trinkets into her pockets along the way, perhaps they'll be all right.

Emily Wilde is a genius scholar of faerie folklore who just wrote the world’s first comprehensive encyclopedia of faeries. She’s learned many of the secrets of the Hidden Ones on her adventures . . . and also from her fellow scholar and former rival Wendell Bambleby. Because Bambleby is more than infuriatingly charming. He’s an exiled faerie king on the run from his murderous mother and in search of a door back to his realm.

Switzerland, 1816. A volcanic eruption in Indonesia envelopes the whole of Europe in ash and cloud. Amid this “year without a summer,” eighteen-year-old Mary Shelley and her lover Percy Bysshe Shelley arrive at Lake Geneva to visit Lord Byron and his companion John Polidori. Anguished by the recent loss of her child, Mary spends her days in strife. But come nightfall, the friends while away rainy wine-soaked evenings gathered around the fireplace, exchanging stories. One famous evening, Byron issues a challenge to write the best ghost story.

Emily Laurence is a liar. She is not polite, she's not polished, and she has never taught a child in her life. This position was meant to be her sister's - brilliant, kind Amy, who isn't perpetually angry, dangerously reckless, and who does like children. But Amy is unwell and needs a doctor, their father is gone and their mother is useless, so here Emily is, pretending to be something she's not. If she can get away with her deception for long enough to earn a few month's wages and slip some expensive trinkets into her pockets along the way, perhaps they'll be all right.

Fifteen years ago, a serial killer was on a rampage murdering young women in Middlehampton. Then, suddenly, the killings stopped, and the murderer was never found… So when the body of another young woman is found bearing the twisted killer’s unique hallmark—the overpowering stench of lavender and an origami heart—DS Kat Ballantyne knows this can only mean one thing: the killer is back.

From 2018 to 2021, writer and researcher Theodore Ell accompanied his wife on her diplomatic posting to Lebanon and unexpectedly found himself a witness to a country on the brink of collapse. In 2019, facing economic meltdown, the people of Lebanon rose up, united in a revolution of hope. With the country on the precipice of war, COVID-19 then swept in and the eerie quiet of lockdowns descended—a silence tragically shattered in August 2020, when Ell narrowly survived the largest ever non-nuclear peacetime explosion, which destroyed half of Beirut.