検索キーワード： 著者 "Aphra Behn" すべてのカテゴリー

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. From their pens to your your ears.

Oroonoko: or, the Royal Slave is a short work of prose fiction by Aphra Behn (1640-1689), published in 1688 by William Canning and reissued with two other fictions later that year. It was also adapted into a play. The eponymous hero is an African prince from Coramantien who is tricked into slavery and sold to British colonists in Surinam where he meets the narrator. Behn's text is a first-person account of his life, love, rebellion, and execution.

Aphra Behn (1640-1689) was an English playwright, poet, translator, and fiction writer from the Restoration era. Oroonoko (1688) is a unique early example of the novel genre. It employs a first-person narrative from a female perspective and addresses some of the controversial political, economic, and social issues of the time. The injustices of the slave trade are exposed through the author’s graphic account of the cruel realities of life in the English colonies.

Oroonoko, the grandson of an African king, is madly in love with Imoinda, the daughter of the king's general. When the king - who is also in love with Imoinda - catches wind of their affair, he sells Imoinda as a slave. This betrayal sets off a chain of events that carries unforeseen consequences for everybody involved. Aphra Behn's Oroonoko has been hailed as one of the first great English novels and remains a classic of historical fiction.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

For much of history women have been seen rather than heard. Their thoughts, their views have lain too long in the shadows of our culture. Whilst this traditional view has some merit, it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses, often protest otherwise.

A vivid love story and adventure tale, Oroonoko is a heroic slave narrative about a royal prince and his fight for freedom. The eponymous hero, Oroonoko, deemed royalty in one world and slave in another, is torn from his noble status and betrayed into slavery in Surinam, where he is reduced to chains, fetters, and shackles. But his high spirit and admirable character will not be suppressed.

When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as noble savages in 'the first state of innocence, before man knew how to sin'.

Raunchy, risqué and rebellious, early Restoration comedies were a breath of fresh air for 17th century theatregoers. With Charles II restored to the throne in 1660, Oliver Cromwell's ban on stage performances was rescinded, and for the first time, women were invited to tread the boards as actresses. Playwrights developed a new style of social comedy, packed with amorous escapades, bawdy humour, wicked wit and sexual innuendo. This scintillating anthology showcases six leading lights of early Restoration drama.

England's 'Glorious Revolution' of 1688 and the reign of new monarchs William and Mary signified a turning point for Restoration comedy with laws being passed to restrict playwrights' freedoms. The latter years are marked by a shift towards more moral storylines, mixing humour with social and political issues, alongside the lighthearted 'comedy of manners'. The works in this collection bring together these complementary styles, full of humour while also focusing on hard hitting themes.

Aphra Behn was a prolific and well-established poet and playwright but facts about her life remain scant and difficult to confirm. What can safely be said is that Aphra Behn is regarded as a key English playwright and a major figure in Restoration theatre. Her poetry is now far more appreciated and seen as a breakthrough for women of the 17th Century and beyond. Her first play, ‘The Forc’d Marriage’, was staged in 1670, and thereafter many followed, including her later comic works, which were more commercially successful.