検索キーワード： 著者 "Hunter Thompson" すべてのカテゴリー

In Las Vegas to cover a motorcycle race, Raoul Duke (Thompson) and his attorney Dr. Gonzo (inspired by a friend of Thompson) are quickly diverted to search for the American dream. Their quest is fueled by nearly every drug imaginable and quickly becomes a surreal experience that blurs the line between reality and fantasy. But there is more to this hilarious tale than reckless behavior, for underneath the hallucinogenic facade is a stinging criticism of American greed and consumerism.

Raising capital is the single most sought-after and lucrative skill in the entire real estate sector. It's the one skill that, if truly mastered, can ensure you’ll always have a place in the world of investment real estate. Unfortunately, the pervasive myth that’s perpetuated throughout the real estate sector is that if you have a great deal, the money will just show up. Nothing could be further from the truth.

"Nous avions deux sacoches d'herbe, soixante-quinze pastilles de mescaline, cinq feuilles d'acide-buvard carabiné, une demi-salière de cocaïne, et une galaxie complète et multicolore de remontants, tranquillisants, hurlants, désopilants... sans oublier un litre de tequila, un litre de rhum."

Au début des années soixante, Thompson, alors journaliste à San Francisco, est fasciné par les Hell's Angels. Son article sur ces seigneurs de la route fait sensation, il se lance dans la version longue : un an passé à rouler et à écrire à leurs côtés. Mais l'équipée se termine sauvagement : parce qu'il refuse de partager ses royalties, les Angels abandonnent l'homme de lettres sur une route, à moitié mort et le crâne défoncé à coups de pierres.

With Thompson's trademark insight and passion about the state of American politics and culture, Songs of the Doomed charts the long, strange trip from Kennedy to Quayle in Thompson's freewheeling, inimitable style. Spanning four decades - 1950 to 1990 - Thompson is at the top of his form while fleeing New York for Puerto Rico, riding with the Hell's Angels, investigating Las Vegas sleaze, grappling with the "Dukakis problem", and finally, detailing his infamous lifestyle bust.

Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a brilliantly tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s.

The Rum Diary was begun in 1959 by a then-22-year-old Hunter S. Thompson. It was his first novel and he told his friend, the author William Kennedy, that The Rum Diary would "in a twisted way...do for San Juan what Ernest Hemingway's The Sun Also Rises did for Paris."

La obra más enloquecida de Hunter S. Thompson, figura legendaria del nuevo periodismo. Una acción delirante: así como los caballeros de la Tabla Redonda se lanzaban en pos del Santo Grial envueltos en una armadura de poder sobrenatural, Thompson entró en Las Vegas pertrechado con un arsenal verdaderamente mágico de "nefandas sustancias químicas" en su búsqueda del Sueño Americano.

In sieben Abschweifungen über Hunter S. Thompson macht Bittermann auf weniger bekannte Seiten des bizarren Lebens Hunter S. Thompsons aufmerksam. Über Thompsons legendären Auftritt in der Conan O'Brien-Show, als aus der Talkshow eine absurde Waffenshow wurde, Hunter S. Thompson als hoffnungsloser Romantiker, über sein Fortleben in der populären Kultur, über das Wahlabenteuer in Aspen und die Geburt eines politischen Autors in Chicago im August 1968. Ein ungewöhnlicher, von Sympathie getragener Nachruf auf einen Skeptiker.

Hunter Stockton Thompson (July 18, 1937 - February 20, 2005) was an American journalist and author who founded the gonzo journalism movement, a style in which the writer becomes a central figure and participant in the events of the narrative. He rose to prominence with the publication of Hell's Angels (1967) and Fear and Loathing in Las Vegas (1972). The following is from a 1975 interview on gonzo journalism.