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"Sir Gawain and the Green Knight" is a late 14th-century chivalric romance in Middle English. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game, and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel; it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition.

Parzival is a romantic poem written by Wolfram von Eschenbach in Middle High German. Regarded as one of the masterpieces of the Middle Ages, the romance was the most popular vernacular verse narrative in medieval Germany. Dated to the first quarter of the 13th century, the poem tells the story of the Arthurian hero Parzival and his quest for the Holy Grail. The most notable elements of the work are an emphasis on the importance of humility, compassion, and sympathy. Richard Wagner based his famous opera Parsifal on Parzival.

This is the classic tale of a knight from King Arthur's Round Table who makes a dangerous deal with a mysterious visitor. The production is based on Jessie L. Weston's 1900 prose edition of a 14th-century poem.

One of the best-known Arthurian stories—adapted many times into verse, prose, games, and film. It recounts an adventure undertaken by King Arthur’s famous nephew, Sir Gawain, who is brave and the model of knightly grace. When a mysterious knight in green armor issues a challenge to the Round Table, the gallant Gawain volunteers to do battle for his king, beginning an adventure that explores chivalric tradition, loyalty, and the virtue of forgiveness, as well as alchemical symbolism and the psychological process of individuation.

In From Ritual to Romance, medievalist Jessie L. Weston proposes a radical understanding of the Holy Grail legends. She argues that ancient pagan rituals, brought to England by the Romans, were secretly kept alive through the tales of King Arthur and his Knights.