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Sam McGee is one of the many gold miners of the Klondike Gold Rush. The freezing-cold and harsh winter of Yukon is about to take his next victim in the face of McGee. The poor man freezes to death on the trail. The night before he passed away, McGee had asked his friend, the narrator of the story, to cremate his remains, saying that he did not want to be buried in the frozen ground. However, after the man is cremated some strange things begin to happen.

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Rhymes of a Rolling Stone is the final installment in Service's trilogy of Yukon verse. Conceived while returning to the Yukon via the daunting Edmonton Trail, and completed in his little cabin in Dawson City, this volume contains 50 new poems of life, love, and hardship in the North.

This new audiobook features a collection of Service's very best and most beloved verses from his time living in and writing about the Klondike.

Cap the narrator makes a deal with his pal Sam McGee that he will cremate him when he dies. Now the problem is where to do this deed in the frozen Yukon.

This book pays tribute to one of the North Country’s most beloved poets and shares his first published collection of poems that debuted in 1907. Even though he never lived in Alaska, Robert W. Service helped put it on the map for most people with ballads like “The Shooting of Dan McGrew”, “The Cremation of Sam McGee”, and “The Call of the Wild”.

Ballads of a Cheechako is the sophomore volume of Yukon inspired verse from Scottish/Canadian poet Robert W. Service. Published in 1909, it was an immediate success and catapulted Robert W. Service to a household name around North America. This volume contains 22 verses exploring interesting characters and life in the early days of Canada's last frontier. From the man who staked the northern lights, to the Mounted Police, to hard-luck prospectors, and beyond, this book contains much of the framework for the collective vision we all share when we hear the word Klondike.

Songs of a Sourdough is the first published volume of verse from the man who would become "The Bard of the Yukon", Robert W. Service. This volume contains 33 verses exploring characters, landscapes, and life in the early days on Canada's last frontier. From the hardships to the humanity, and from harlots to the heart, Service's work breaks trail to a new way to look at Klondike.

This is the story of the great stampede of gold seekers to Alaska, written from the eyewitness viewpoint of the author. Not just a spectator, the author was among the first gold seekers who took part in the initial mining activities in the northland.

During the Yukon Gold Rush, a jilted lover returns to settle his score.

Russia has been locked into a winter of authoritarian rule at home and military adventures abroad under Vladimir Putin. In Kremlin Winter, Robert Service, one of our finest historians of Russia, plots the seasonal shifts in events since 2012 and those that may be expected in the immediate future. When Mikhail Gorbachëv introduced perestroika in the mid-1980s, the USSR went through a springtime of growth and release.

In 2001, a group of Portland, ME area theatrical professionals began creating a series of audio theatre programs: Nightmares on Congress Street, "classic horror stories to chill and thrill". These productions have all been broadcast on Maine's NPR station for the past few Halloween Eves.

This new and revised edition of poems about the men and women of the North features the most loved ballads by Robert Service, and is narrated by Michael Puttonen. While living in Whitehorse, Robert Service wrote The Cremation of Sam McGee, and other well-known poems. He wrote and published into his mid-eighties. He was quoted as saying, "I just go for a walk and come back with a poem in my pocket."

In Blood on the Snow, Robert Service returns to the subject that has formed the backbone of his long and distinguished career: the Russian Revolution. For Service, the great unanswered question is how to reconcile the two vital narratives that underpin the extraordinary but troubled events of 1917. One puts the blame squarely on Tsar Nicholas II and on Alexander Kerensky’s provisional government that deposed him. The other is the view from the bottom, that of the workers and peasants who wanted democratic socialism, not the Bolshevik dictatorship imposed by Lenin and his successors.