検索キーワード： ナレーター "Andrew Rannells" すべてのカテゴリー

When Andrew Rannells left Nebraska for New York City in 1997, he, like many young hopefuls, saw the city as a chance to break free. To start over. To transform the fiercely ambitious but sexually confused teenager he saw in the mirror into the Broadway leading man of his dreams. In Too Much Is Not Enough, Rannells takes us on the journey of a 20-something hungry to experience everything New York has to offer: new friends, wild nights, great art, standing ovations.

It's every brother's worst fear: As Aiden and his sister, Meg, are walking home from school one day, a van pulls over and Meg is kidnapped. Aiden is the only witness to his sister's disappearance. Why has Meg been kidnapped? As a vendetta against Meg and Aiden's parents? Or is there an even bigger conspiracy at work? While Meg fends off her kidnappers and plans an escape, Aiden must team up with the FBI to find her - tracking down clues only a brother could recognize.

Where is Meg Falconer? Everybody wants to know. Her brother, Aiden, who saw her kidnapped and is now trying to track her down, wants to know. The FBI, led by the very serious Agent Harris, wants to know. Her parents, who fear their pasts have something to do with why Meg was taken, want to know. Even Meg's kidnappers want to know, because catching her doesn't always mean keeping her.

Of all the essentials for survival: oxygen, water, sleep, and food, only food is a vast treasure trove of memory and of sensory experience. Food is a portal to culture, to times past, to disgust, to comfort, to love: no matter one's feelings about a particular dish, they are hardly ever neutral.

In Uncle of the Year, Andrew Rannells wonders: If he, now in his forties, has everything he’s supposed to need to be an adult—a career, property, a well-tailored suit—why does he still feel like an anxious twenty-year-old climbing his way toward solid ground? In deeply personal essays, Rannells argues that we all pretend—for friends, partners, parents, and others—that we are constantly succeeding in the process known as “adulting.” But if this acting is leaving us unfulfilled, then we need new markers of time, new milestones, new expectations of what adulthood is and can be.