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Connor Towne O’Neill’s journey onto the battlefield of white supremacy began with a visit to Selma, Alabama, in 2015. There he had a chance encounter with a group of people preparing to erect a statue to celebrate the memory of Nathan Bedford Forrest, one of the most notorious Confederate generals, a man whom Union general William Tecumseh Sherman referred to as “that devil.” After that day in Selma, O’Neill, a white Northerner transplanted to the South, decided to dig deeply into the history of Forrest and other monuments to him throughout the South.

Inspired by the incredibly successful Talking Sopranos podcast, The Sopranos stars Michael Imperioli (Christopher Moltisanti) and Steve Schirripa (Bobby Baccalieri) finally reveal all the Soprano family secrets in a surprising, funny and honest new book. Woke Up This Morning is the definitive behind-the-scenes history of the groundbreaking HBO series that became a worldwide cultural phenomenon, ushered in a new Golden Age of Television and to this day continues to be one of the most binged shows of all time.

The stories in Paul Alan Ruben's Terms of Engagement explore father and son as intimate enemies, each yearning to be understood, acknowledged, and validated by the other. Raw and gripping as delivered by a cast of incredible narrators, these nine stories take place in collision territory - where father and son engage in trying to repair their alienation.

Preparation is easy to praise but very hard to master. No modern coach, in any sport, understands that better than NFL veteran Tom Coughlin. He led the New York Giants to two Super Bowl victories with his system of relentless preparation and old-school tough-mindedness. He teaches his players that you can never guarantee a win, but you can always earn the right to win - with focus, consistency, hard work, and anticipation of obstacles. And if you’ve earned the right to win, you can sleep soundly before a big game....

Early in his career, A.J. Jacobs put his Ivy League education to work at Entertainment Weekly. He emerged five years later knowing which stars have fake boobs, which stars have toupees, which have both, and not much else. This realization led Jacobs on a life-changing quest: to read the entire contents of the Encyclopedia Britannica, all 33,000 pages, all 44 million words.

From America's most inventive novelist, Jonathan Lethem, comes this compelling and compulsive riff on the classic detective novel. Lionel Essrog is Brooklyn's very own Human Freakshow, an orphan whose Tourettic impulses drive him to bark, count, and rip apart language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank, the charismatic King of Brooklyn, would be unimaginable.

In the latter half of the 19th century Laskin's great-great-grandfather, a Torah scribe named Shimon Dov HaKohen, raised six children with his wife, Beyle, at the western fringe of the Russian empire. The HaKohen family split off into three branches. One branch emigrated to America and founded the fabulously successful Maidenform Bra Company; one branch went to Palestine as pioneers and participated in the contentious birth of the state of Israel; and the third branch remained in Europe and suffered the Holocaust.

Paris in the 1920s: It is a city of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol, and the caustic American writer Lionel Maine.

On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and laws; those who award this neighborhood its name. The rules appear obvious at first. But in memory’s prism, criminals and victims may seem to trade places.