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Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

First published in 1881, the subtitle of this book tells us that it was written “for children and those who love children”. Heidi, a 5-year-old orphan, is handed off by her young Aunt Dete to live with her grandfather in the Swiss Alps. Though her new life is foreign, Heidi soon falls in love with her grandfather, and he with her. They share a contented life of goat-herding. But when Grandfather refuses to allow Heidi to attend school in the small village below, quarrels ensue.

Presenting an audio anthology of Victorian ghost stories to chill you to the bone this holiday season.

A Gallery of Children is A. A. Milne's first published book of prose. It was released after his poetry collection, When We Were Very Young, and prior to Winnie the Pooh. With his characteristic blend of nonsense, wit and warmth, Milne offers 12 short stories of childish endeavour and mishap. They will delight and amuse listeners both young and not-so-young.

A collection of one-acts by the Pulitzer-winning playwright, including Close the Book, Suppressed Desires, Tickless Time, Woman's Honor, The People, and Trifles.

One woman learns the consequences of having a PlaceNook account when all her "friends" show up on her doorstep unannounced.

Desperate to escape her stepfather and false criminal charges, Elliana Cage needed a way out fast. It made perfect sense to sneak onboard the first ship departing her home world. When her path crosses with a handsome stranger, she's in for the surprise of her life.

He calls her Honey. She calls him Buddy. Together they try to survive in a world overrun with the undead. By day, they kick zombie ass. By night, they seek an escape from the terrifying world in each other's arms. Honey knows she can't afford to start caring for the sexy American. Sex is sex, but love is dangerous. Love can make you do stupid things, and stupid things are a no-no in this new Dark Age.

Lindsey Ferra signed up for Earth's Singles Program wanting love, marriage and happiness. She found the first two but the third required a bit of work. Fighting aliens, running from aliens and making friends with aliens all seem to be on the agenda for the day. Her only question now is can she find her way back and will happiness be on the schedule this time.

Just lovers. That was the unspoken agreement between them, but what they shared wasn't enough for him anymore. Commander Jaxon Brom wages a war for the heart of the woman he loves. It may prove to be his toughest battle ever, but one he doesn't plan to lose. Cellimina Manx is a guard for the royal Queen of Zephyl. Her heart belongs to one man, but her past keeps her from reaching for what she wants. When a sudden attack throws her closer to her lover, Cellie must decide if risking it all is worth it.

No prison can keep me from seeking revenge. Especially when it comes to her. She, the woman who put me in jail. I swore that I'd come for her, to claim what belongs to me: her life. I'm not a good man. On the contrary, I love to be bad. It's in my veins. Just like it's in my veins to ruin her. She's an actress, pretending to be a saint, but we both know that isn't true. One way or another, she'll pay for what she did.

When Brianna Storm discovers her illegitimacy, she abandons everything dear to her. Where she once took pride in her work, she now turns a blind eye to the thefts and destruction at the Brazilian project she manages. Jake Cooper, her former bodyguard, arrives in Brazil to fix whatever's wrong with Brianna and get the project back on track. To do that he must take on a new role, that of her lover - something he's reluctant to do.

Despite its patina of humor, the work is a merciless exposé of the commercial middle class dishonesty, and the convenient immorality hiding behind social conventions, which are characteristic of a developing urban society. The most noble character, Serafima, is a compelling mixture of naïveté, whimsicality, sentimentality, and obstinate practicality - one of the finest character portraits in Russian drama.