検索キーワード： ナレーター "Maggie Ollerenshaw" すべてのカテゴリー

I thought moving to this quiet cul-de-sac was the fresh start my husband and I needed, escaping the noise of our cramped flat in Hounslow. I left India and all that was familiar for a new life with him in England. But my husband works all hours, leaving me alone in a house that doesn’t feel like a home. Our neighbours notice the bruises on my arms. They draw the obvious conclusions. They seem kind, but they’re hiding something. I just can’t shake the feeling that someone is always watching me . . . waiting. My husband’s working late. Again. That’s when I see it.

In these days of pandemic, war and political turbulence, hope can seem to be in short supply. But hope is one of the theological virtues, and it is far more profound than mere optimism. Teresa White in this Lent Book draws on inspiration from writers as diverse as Julian of Norwich and Karl Rahner, Elizabeth Barrett-Browning and Henri Nouwen, but throughout the audiobook there is strong scriptural underpinning that the author uses to great effect.

In January 1972, a peaceful civil rights march in Northern Ireland ended in bloodshed. Troops from Britain's 1st Battalion Parachute Regiment opened fire on marchers, leaving 13 dead and 15 wounded. Seven of those killed were teenage boys. The day became known as 'Bloody Sunday'. The events occurred in broad daylight and in the full glare of the press. Within hours, the British military informed the world that they had won an 'IRA gun battle'. This became the official narrative for decades until a family-led campaign instigated one of the most complex inquiries in history.

Coronary heart disease remains the single biggest killer of women worldwide, yet it is still not seen as a woman's problem. Every day the female heart patient is measured by male standards, which leads to confusion, unclear diagnosis and often the wrong treatment.

The season of 1939 brought all those 'in Society' to London. The young debutante daughters of the upper classes were presented to the king and queen to mark their acceptance into the new adult world of their parents. They sparkled their way through a succession of balls and parties and sporting events. As the hot summer drew on, the newspapers filled with ever more ominous reports of the relentless progress towards war. There was nothing to do but wait - and dance.

The lives of the three daughters of Lord Curzon: glamorous, rich, independent and wilful. Irene (born 1896), Cynthia (b. 1898) and Alexandria (b.1904) were the three daughters of Lord Curzon, Viceroy of India 1898-1905 and probably the grandest and most self-confident imperial servant Britain ever possessed. After the death of his fabulously rich American wife in 1906, Curzon's determination to control every aspect of his daughters' lives, including the money that was rightfully theirs, led them one by one into revolt against their father.

When Joan Bakewell, Labour Peer, author and famous champion of the older people's right to a good and fruitful life, decided that she could no longer remain in her old home, she had to confront what she calls 'the next segment of life'. Disposing of things accumulated during a long life, saying goodbye to her home and the memories of more than fifty years, thinking about what is needed for downsizing - all suddenly became urgent and emotional tasks. And then there was managing family expectations.

Rose has always been close to her father. Her mother died soon after she was born, so it’s been just the two of them for as long as she can remember. But a chance encounter days before she's due to get married leaves Rose questioning everything she has ever known. The man she trusts most in the world has been keeping a secret from her. And the truth will leave her with an impossible choice.

When Laura Thyme goes to Baffington to visit her cousin's recently-ordained son, she witnesses a sudden death. A year later, Rosemary and Laura return to help with an ambitious Medieval Fayre, organised by the local celebrity, Franklin Danvers. Their task is to refurbish the neglected churchyard, but on their first morning they discover a body, pierced through the heart with an arrow. Unfortunately, most of the villagers have just received tuition in archery, and several have proved excellent shots!

There are stark differences between rich and poor in the Manchester of Elizabeth Gaskell’s novel, Mary Barton. Factory owners such as Mr Carson, do not understand the anger of their poverty stricken workers, and care little for their welfare. For the mill-workers, employment means food on the table and being one step away from starvation, but trying to gain any political power means risking a loss of livelihood.

After just a year of close, loving marriage, Ruth has been widowed. Her beloved husband, Ben, has been killed in a tragic accident, and Ruth is left suddenly and totally bereft. Unable to share her sorrow and grief with Ben's family, who are dealing with their pain in their own way, Ruth becomes increasingly isolated, burying herself in her cottage in the countryside as the seasons change around her. Only Ben's young brother, Jo, is able to reach out beyond his own grief to offer Ruth the compassion which might reclaim her from her own devastating unhappiness.

In the Prince of Wales Hotel and the shabby terraces and tearooms of Westbourne, retired lives run their course - all, in their different ways, anticipating crisis.

Early one autumn afternoon in pursuit of an elusive book on her shelves, Susan Hill encountered dozens of others that she had never read, or forgotten she owned, or wanted to read for a second time. The discovery inspired her to embark on a year-long voyage through her books, forsaking new purchases in order to get to know her own collection again. A book which is left on a shelf for a decade is a dead thing, but it is also a chrysalis, packed with the potential to burst into new life.

Five immaculate short stories dealing with the tentative-to-frantic strategies of isolated beings distanced from unresponsive societies.

Sixty is the new 40, we're constantly told. Or is it that 70 is the new 50? Either way, there's nothing middle of the road about middle age. From coping with bodies that are 'heading south' to rampant ageism in the workplace, this time in our lives, in the words of Bette Davis, is 'no place for sissies'.

Part social satire, part police procedural, Bill James returns with the stunning prequel to Tip Top - In the drug-ridden Whitsun and Temperate housing estates a connection, once made, is only ever one thing: trouble. Trouble for the journalist whose investigation into the estates leads to his murder; trouble for policewoman Esther Davidson, whose job it is to arrest the killer; and trouble for TV producer Larry Edgehill, who becomes more involved with a Romeo and Juliet-esque cross-estate romance than he ever would have wanted.

A fascinating biography of Freda Bedi, an English woman who broke all the rules of gender, race, and religious background to become both a revolutionary in the fight for Indian independence and then a Buddhist icon. She was the first Western woman to become a Tibetan Buddhist nun - but that pioneering ordination was really just one in a life full of revolutionary acts. Freda Bedi broke the rules of gender, race, and religion - in many cases before it was thought that the rules were ready to be challenged.

Pauline first became ill when she was 15. What seemed to be a urinary infection became joint pain, then life-threatening appendicitis. After a routine operation, Pauline lost all the strength in her legs. Shortly afterwards, convulsions started. But Pauline's tests are normal: her symptoms seem to have no physical cause whatsoever. This may be an extreme case, but Pauline is not alone. As many as a third of people visiting their GPs have symptoms that are medically unexplained.

Susan Frobisher and Julie Wickham are turning 60. They live in a small Dorset town and have been friends since school. On the surface Susan has it all - a lovely house and a long marriage to accountant Barry. Life has not been so kind to Julie, but now, with several failed businesses and bad relationships behind her, she has found stability: living in a council flat and working in an old people's home.

Victoria Macara is 27 and lives alone in the old house on the corner that was once home to the family removal business. When the land is sold, she finds herself surrounded by a small estate of new properties called Victoria Square. The newcomers who move in around her bring with them their own dramas.