検索キーワード： ナレーター "Martina Laird" すべてのカテゴリー

Popo is brilliant, vulnerable and stuck - but despite those who want to own her, she is determined to free herself from the traps of her past, whatever the cost. Mana Lala is equally as focussed on her little boy who connects her to the man she loves, and she will do anything to keep them both close. For Doris, life is an opportunity she will grab with all her might - hers is another iron will constrained by the truths of being a woman in 1930s Trinidad. And then there is Rosie, pouring her soul into her business, her lover Etty and her store.

One day, Ava is asked to dress as an inspirational figure for assembly at school, but who should she choose? Granny suggests famous familiar figures such as Winifred Atwell, Mary Seacole and Rosa Parks, and tells Ava all about their fascinating histories, but Ava’s classmates have got there first—and she must choose someone else. But who? And then Ava finds a mysterious old suitcase—Granny’s 'grip'—and Granny begins to share her own history, and how she came to England on the Empire Windrush many years ago.

Amryl Johnson came to England from Trinidad when she was 11. As an adult in 1983, ready for a homecoming, she embarks on a journey through the Caribbean searching for home, searching for herself. Landing in Trinidad as carnival begins, she instantly surrenders to the collective, pulsating rhythm of the crowd, euphoric in her total freedom. This elation is shattered when she finds the house where she was born has been destroyed. She cannot escape - nor does she want to - from the inheritance of colonialism.

Early one morning, at the close of St Colibri’s carnival, a young female steel pan player is found dead beneath a cannonball tree. It is a discovery that will transform the lives of everyone on this small island.

This is the tale of four women. Four lives, connected and controlled by one man: the notorious, charismatic gangster Boysie Singh. Pull up a chair and let these women tell of the man they believed could love, help or free them, and how some of them survived to tell a tale at all.

The quiet calm of Ash Wednesday morning. Carnival is over. Everyone on the small island of St. Colibri is sleeping peacefully. Everyone except Sora Tanaka, a young pan player lying under the cannonball tree. Sora, a professional musician, had been visiting St. Colibri to take part in the island’s famous steel pan competition. But Sora isn’t asleep; she’s dead: brutally murdered, and still in her costume. And as the women of this island know all too well, Sora is far from the first woman to be killed, and she probably won’t be the last, either.