検索キーワード： ナレーター "Morven Christie" すべてのカテゴリー

The Birling family are spending a happy evening celebrating the engagement of Sheila Birling to Gerald Croft - a marriage that will result in the merging of two successful local businesses. Yet, just when everything seems to be going so well, they receive a surprise visit from an Inspector Goole who is investigating the suicide of a young girl.

A British spy plane crashes in Nazi-occupied France. Its pilot and passenger are best friends. But just one of the girls has a chance at survival. Arrested by the Gestapo, 'Verity' is given a choice: reveal her mission or face a grisly execution. They’ll get the truth out of her. Only, it won’t be what they expect.

They rarely speak to each other, but they take notice - watching from the safety of their cabins, peering into the half-lit drizzle of a Scottish summer day, making judgments from what little they know of their temporary neighbors. On the longest day of the year, the hours pass nearly imperceptibly as twelve people go from being strangers to bystanders to allies, their attention forced into action as tragedy sneaks into their lives.

Agnes is sent to wait out her final months on the farm of district officer Jón Jónsson, his wife and their two daughters. Horrified to have a convicted murderer in their midst, the family avoid contact with Agnes. Only Tóti, the young assistant priest appointed Agnes’s spiritual guardian, is compelled to try to understand her. As the year progresses and the hardships of rural life force the household to work side by side, Agnes’s story begins to emerge and with it the family’s terrible realization that all is not as they had assumed.

Code Name Verity is a compelling, emotionally rich story with universal themes of friendship and loyalty, heroism and bravery. Two young women from totally different backgrounds are thrown together during World War II: one a working-class girl from Manchester, the other a Scottish aristocrat, one a pilot, the other a wireless operator. Yet whenever their paths cross, they complement each other perfectly and before long become devoted friends. But then a vital mission goes wrong....

It starts with a holiday. A three-year-old boy on a beach, and the hero who saves his life.But nothing is ever that simple.Tessa and Marcus know they owe Dave Jepsom more than they can ever repay.Yet even as he is walking from the sea with their son in his arms, there is something about him that makes them uneasy. He is not like other people that they know. Being with him makes them confront truths about themselves they would rather not see. The shock of that moment will change everything. And it's not how things start that matter. But how they end....

On the longest day of the summer, 12 people sit cooped up with their families in a faded Scottish cabin park. The endless rain leaves them with little to do but watch the other residents. A woman goes running up the Ben as if fleeing; a retired couple reminisces about neighbours long since moved on; a teenage boy braves the dark waters of the loch in his red kayak. Each person is wrapped in their own cares but increasingly alert to the makeshift community around them.

On a cold, windswept night, Fiona arrives on a tiny, isolated island in Orkney. She accepted her old friend's invitation with some trepidation - her relationship with Madison has never been plain sailing. But as she approaches Madison's cottage, she sees that the windows are dark. The place has been stripped bare. No one knows where Madison has gone. As Fiona tries to find out where Madison has vanished to, she begins to unravel a web of lies. Madison didn't live the life she claimed to, and now Fiona's own life is in danger.

A brilliant literary debut, inspired by a true story: the final days of a young woman accused of murder in Iceland in 1829. Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her.

A girl must watch her figure but never be vain. She must be intelligent but never a know-it-all. She must be ambitious, if she is clever, but not in a way that shows. She must cook and sew and make do and mend. She must know (but never say) that these skills are, in some fundamental way, flawed and frivolous—feminine. Girls must stay small, even as they grow. Women must show restraint. And yet. In books, in the landscape of imagination, a girl can run free.

My Good Bright Wolf is a memoir about thinking and reading, eating and not eating, about privilege and scarcity, about the relationships that form us and the long tentacles of childhood. Sarah confronts all of this in a book that pushes at the boundaries of memoir-writing. Opening in the second person, it narrates contested memories of girlhood at the hands of embattled, distracted parents in a time of disastrous attitudes towards eating and female discipline.