検索キーワード： ナレーター "Nathalie Toriel" すべてのカテゴリー

Inequality is up. Decent work is down. Free market fundamentalism has been exposed as a tragic failure. In a job market upended by COVID-19—with Canadians caught in the grip of precarious labour, stagnant wages, a climate crisis, and the steady creep of automation—an ever-louder chorus of voices calls for a liveable and obligation-free basic income.

In the second edition of About Canada: Disability Rights, Deborah Stienstra explores the historical and current experiences of people with disabilities in Canada, as well as the policy and advocacy responses to these experiences. Stienstra demonstrates that disability rights enable people with disabilities to make decisions about their lives and future, claim rights on their own behalf, and participate actively in all areas of Canadian society.

Feminist City: A Field Guide combines memoir, feminist theory, pop culture, and geography to expose what is hidden in plain sight: the social inequalities built right into our cities, homes, and neighbourhoods. Focusing on gendered experiences of the city, the books grapples with the challenge of claiming urban space amongst barriers designed to keep women “in their place”. From the geography of rape culture to the politics of snow removal, the city is an ongoing site of gendered struggle. Yet the city is perhaps also our best hope for shaping new social relations....

Picking up her story in the late '60s at age 21, Cathy whisks through seven years and three countries. Whether reciting verse in the classrooms of the University of Oxford, arranging a date with Jimi Hendrix, teaching inner-city kids literature, rooming with a major drug dealer, falling in love, or working in a psychiatric hospital, Cathy determinedly blazes her own trail through all the passion and uncertainty that comes with the cusp of adulthood.

In What’s Yours Is Mine, internationally acclaimed technologist Tom Slee argues the so-called sharing economy damages development, extends harsh free-market practices into previously protected areas of our lives, and presents the opportunity for a few people to make fortunes by damaging communities and pushing vulnerable individuals to take on unsustainable risk.

As Daphné B. obsessively watches YouTube makeup tutorials and haunts Sephora’s website, she’s increasingly troubled by the ways in which this obsession contradicts her anti-capitalist and intersectional feminist politics. In this poetic treatise, she rejects the false binaries of traditional beauty standards and delves into the celebrities and influencers who have shaped the reflection she sees in the mirror. At once confessional and essayistic, Made-Up is a meditation on the makeup that colors, that obscures, that highlights who we are and who we wish we could be.

When the curtain rises on Malmaison, it reveals a once-enchanting estate, quietly falling into darkness and ruin, and at the heart of it, a father, one of a long line of fathers who have flourished at the expense of those around them. The silence seems peaceful, but lurking under it is a deep malevolence, scores of ugly and violent secrets kept by cast-off mistresses and abandoned daughters.

Fleeing the city at the beginning of the pandemic, two families are cramped together in a small century-old country house. Winter seeps through the walls, the wallpaper is peeling, and mice make their nest in the piano. Without phones or internet, they turn to the outdoors, where a new language unfolds, a language of fireflies and clover. The five children explore nature and its treasures, while our narrator, Anaïs, turns to the eccentric neighbours and her own family history to find peace and meaning in the middle of her life.