検索キーワード： ナレーター "Peter Giles" すべてのカテゴリー

Described by Michael Mann as both a prequel and sequel to the renowned, critically acclaimed film of the same name, Heat 2 covers the formative years of homicide detective Vincent Hanna (Oscar winner Al Pacino) and elite criminals Neil McCauley (Oscar winner Robert De Niro), Chris Shiherlis (Val Kilmer) and Nate (Oscar winner Jon Voight), and features the same extraordinary ambition, scope, rich characterisations and attention to detail as the epic film.

An activist attorney is killed in a cute little L.A. trolley called Angels Flight, far from Harry Bosch's Hollywood turf. But the case is so explosive - and the dead man's enemies inside the LAPD are so numerous - that it falls to Harry to solve it. Now the streets are super heating. Harry's year-old Vegas marriage is unraveling. And the hunt for a killer is leading Harry to another high-profile L.A. murder case, one where every cop had a motive. The question is, did any have the guts?

Heading home after winning his latest case, Defence Attorney Mickey Haller - the Lincoln Lawyer - is pulled over by the police. They open the trunk of his car to find the body of a former client. Haller knows the law inside out. He will be charged with murder. He will have to build his case from behind bars. And the trial will be the trial of his life. Because Mickey Haller will defend himself in court.

Defense attorney Mickey Haller is back, taking the long shot cases, where the chances of winning are one in a million. He agrees to represent a woman in prison for killing her husband, a sheriff’s deputy. Despite her conviction four years earlier, she still maintains her innocence. Haller enlists his half brother, retired LAPD Detective Harry Bosch, as investigator. Reviewing the case, Bosch sees something that doesn’t add up, and a sheriff’s department intent on bringing a quick search for justice in the killing of one of its own.

A year has passed since LAPD detective Renée Ballard quit the force in the face of misogyny, demoralization, and endless red tape. But after the chief of police himself tells her she can write her own ticket within the department, Ballard takes back her badge, leaving “the Late Show” to rebuild and lead the cold case unit at the elite Robbery-Homicide Division.

Forced out of the Los Angeles Times amid the latest budget cuts, newspaperman Jack McEvoy decides to go out with a bang, using his final days at the paper to write the definitive murder story of his career. He focuses on Alonzo Winslow, a 16-year-old drug dealer in jail after confessing to a brutal murder. But as he delves into the story, Jack realizes that Winslow's so-called confession is bogus. The kid might actually be innocent.

Harry Bosch finds himself yet again in charge of a case that no one else will touch. This time his job is to nail the killer of hot shot black lawyer Howard Elias. Elias has been found murdered on the eve of going to court on behalf of Michael Harris, a man the LAPD believes guilty of the rape and murder of a twelve-year-old girl. Elias had let it be known that the aim of his civil case was not only to reveal the real killer but to target and bring down the racist cops who beat up his client during a violent interrogation.

On the night he celebrates a big win, defense attorney Mickey Haller is pulled over by police, who find the body of a former client in the trunk of his Lincoln. Haller is immediately charged with murder but can’t post the exorbitant $5 million bail slapped on him by a vindictive judge. Mickey elects to represent himself and is forced to mount his defense from his jail cell in the Twin Towers Correctional Center in downtown Los Angeles.

An airport killer targeting pilots expands his scope. Alex Cross Must Die. “Drop whatever you’re doing, Detective Cross, and head to Reagan Airport,” DC Metro Police dispatch says. “A jet just crashed and exploded on the runway. The chief and the FBI want you and John Sampson there pronto.” Cross and Sampson race to the crash site. The plane didn’t fail—it was shot down by a stolen Vietnam War–era machine gun.

Jack McEvoy is at the end of the line as a crime reporter. Forced to take a buy-out from the LA Times as the newspaper grapples with dwindling readership and revenues, he's got 30 days left on the job. His last assignment? Training his replacement, a low-cost reporter just out of J-school who couldn't find the police station if it was right next door to the Times, which it is.

Mickey Haller gets the text, "Call me ASAP - 187," and the California penal code for murder immediately gets his attention. Murder cases have the highest stakes and the biggest paydays, and they always mean Haller has to be at the top of his game. When Mickey learns that the victim was his own former client, a prostitute he thought he had rescued and put on the straight and narrow path, he knows he is on the hook for this one. He soon finds out that she was back in LA and back in the life. Far from saving her, Mickey may have been the one who put her in danger.

When Mickey Haller is invited by the Los Angeles County District Attorney to prosecute a case for him, he knows something strange is going on. Mickey's a defense lawyer, one of the best in the business, and to switch sides like this would be akin to asking a fox to guard the hen-house. But the high-profile case of Jason Jessup, a convicted child-killer who spent almost 25 years on death row before DNA evidence freed him, is an intriguing one.

In tough times, crime is one of the few things that still pay, but if defence attorney Mickey Haller was expecting an uptick in business during the economic downturn, the reality is a different story. Even people needing legal representation to keep them out of jail have to make cut-backs, it seems.

Michael Mann, four-time-Oscar-nominated writer-director of The Last of the Mohicans, The Insider, Ali, Miami Vice, Collateral, and Heat teams up with Edgar Award–winning author Meg Gardiner to deliver Mann’s first novel, an explosive return to the universe and characters of his classic crime film—with an all-new story unfolding in the years before and after the iconic movie.

Attorney Rhonda Bird returns home after a long estrangement when she learns her father has died. There she makes two important discoveries: Her father stopped being an accountant and had opened up a private detective agency, and she has a teenage half sister named Baby. Baby brings in a client to the detective agency, a young man who claims he was abducted.

Mickey Haller gets the text, "Call me ASAP—187," and the California penal code for murder immediately gets his attention. Murder cases have the highest stakes and the biggest paydays, and they always mean Haller has to be at the top of his game. When Mickey learns that the victim was his own former client, a prostitute he thought he had rescued and put on the straight and narrow path, he knows he is on the hook for this one. He soon finds out that she was back in LA and back in the life. Far from saving her, Mickey may have been the one who put her in danger.

Things are finally looking up for defense attorney Mickey Haller. After two years of wrong turns, Haller is back in the courtroom. When Hollywood lawyer Jerry Vincent is murdered, Haller inherits his biggest case yet: the defense of Walter Elliott, a prominent studio executive accused of murdering his wife and her lover. But as Haller prepares for the case that could launch him into the big time, he learns that Vincent's killer may be coming for him next.

Mickey Haller has fallen on tough times. He expands his business into foreclosure defense, only to see one of his clients accused of killing the banker she blames for trying to take away her home. Mickey puts his team into high gear to exonerate Lisa Trammel, even though the evidence and his own suspicions tell him his client is guilty. Soon after he learns that the victim had black market dealings of his own, Haller is assaulted, too - and he's certain he's on the right trail. Despite the danger and uncertainty, Haller mounts the best defense of his career in a trial where the last surprise comes after the verdict is in.

Longtime defense attorney Mickey Haller is recruited to change stripes and prosecute the high-profile retrial of a brutal child murder. After 24 years in prison, convicted killer Jason Jessup has been exonerated by new DNA evidence. Haller is convinced Jessup is guilty, and he takes the case on the condition that he gets to choose his investigator, LAPD Detective Harry Bosch.

Mickey Haller has fallen on tough times. He expands his business into foreclosure defense, only to see one of his clients accused of killing the banker she blames for trying to take away her home. Mickey puts his team into high gear to exonerate Lisa Trammel, even though the evidence and his own suspicions tell him his client is guilty. Soon after he learns that the victim had black market dealings of his own, Haller is assaulted, too—and he's certain he's on the right trail.