検索キーワード： ナレーター "Ray Sawyer" すべてのカテゴリー

Things have been going pretty badly for Theo Bernstein. An unfortunate accident at work has lost him his job (and his work involved a Very Very Large Hadron Collider, so he's unlikely to get it back). His wife has left him. And he doesn't have any money. Before Theo has time to fully appreciate the pointlessness of his own miserable existence, news arrives that his good friend, a renowned physicist and Nobel laureate, has died. By leaving the apparently worthless contents of his safety deposit box to Theo, however, the professor has set him on a quest of epic proportions.

On a beautifully restored barge on the Seine, Jean Perdu runs a bookshop - or, rather, a 'literary apothecary', for this bookseller possesses a rare gift for sensing which books will soothe the troubled souls of his customers. The only person he is unable to cure, it seems, is himself. He has nursed a broken heart ever since the night, twenty-one years ago, when the love of his life fled Paris, leaving behind a handwritten letter that he has never dared read.

This is the true story of Aemilius Felix Boioannes the younger, the intended and unintended consequence of his life, the bad stuff he did on purpose and the good stuff that happened in spite of him.

When the Supreme Being and his son decide that being supreme isn't for them anymore, it's inevitable that things get a bit of a shake-up. It soon becomes apparent that our new owners, the Venturi brothers, have a very different perspective on all sorts of things. Take good and evil, for example. For them, it's an outdated concept that never worked particularly well in the first place.

A happy workforce is a productive workforce. At the moment, the Wizard's employees are neither. The goblins are upset with their working conditions, the dragonslayer has thrown a hissy fit over his medical insurance (or lack thereof) and everyone is upset about the terrible canteen coffee. Yet the Wizard hasn't got time to worry about revolution in the workplace - he's about to see his brilliant business plan (based on entrepreneurial flair and involving one or two parallel worlds) disrupted by a clueless young man.

Ever been offered a promotion that seems too good to be true? You know - the sort they'd be insane to be offering to someone like you. The kind where you snap their arm off to accept, then wonder why all your long-serving colleagues look secretly relieved, as if they're off some strange and unpleasant hook...It's the kind of trick that deeply sinister companies like J.W. Wells & Co. pull all the time. Especially with employees who are too busy mooning over the office intern to think about what they're getting into.

New Evil. Same as the Old Evil but with better PR. Mordak isn't bad as far as goblin kings go, but when someone or something starts pumping gold into the human kingdoms, it puts his rule into serious jeopardy. Suddenly he's locked in an arms race with a species whose arms he once considered merely part of a healthy breakfast.

Maurice has just killed a dragon with a breadknife. And had his destiny foretold...and had his true love spirited away. That's precisely the sort of stuff that'd bring out the latent heroism in anyone. Unfortunately, Maurice is pretty sure he hasn't got any latent heroism. Meanwhile, a man wakes up in a jar in a different kind of pickle (figuratively speaking).

This is the history of how the City was saved, by Notker the professional liar, written down because eventually the truth always seeps through.

A siege is approaching, and the city has little time to prepare. The people have no food and no weapons, and the enemy has sworn to slaughter them all. To save the city will take a miracle, but what it has is Orhan. A colonel of engineers, Orhan has far more experience with bridge-building than battles, is a cheat and a liar, and has a serious problem with authority. He is, in other words, perfect for the job. Sixteen Ways To Defend a Walled City is the story of Orhan, son of Siyyah Doctus Felix Praeclarissimus, and his history of the Great Siege.

Being the Dark Lord and Prince of Evil is not as much fun as it sounds, particularly if you are a basically decent person. King Mordak is just such a person. Technically he's more goblin than person, but the point is that he is really keen to be a lot less despicable than his predecessors. Not that the other goblins appreciate Mordak's attempts to redefine the role. Why should they when his new healthcare program seems designed to actually extend life expectancy, and his efforts to end a perfectly reasonable war with the dwarves appear to have become an obsession?

A siege is approaching, and the city has little time to prepare. The people have no food and no weapons, and the enemy has sworn to slaughter them all. To save the city will take a miracle, but what it has is Orhan. A colonel of engineers, Orhan has far more experience with bridge building than battles, is a cheat and a liar, and has a serious problem with authority. He is, in other words, perfect for the job.

The doughnut is a thing of beauty, a circle of fried, doughy perfection - a source of comfort in trying times, perhaps. For Theo Bernstein it is far, far more. An accident at work lost Theo his job (and his work involved preventing a Very, Very Large Hadron Collider from blowing up, so he's unlikely to get it back). His wife has left him; he doesn't have any money; and news arrives that his good friend, Professor Pieter van Goyen, renowned physicist and Nobel laureate, has died.

Starting a new job is always stressful (especially when you don't particularly want one), but when Paul Carpenter arrives at the office of J. W. Wells he has no idea what trouble lies in store. Because he is about to discover that the apparently respectable establishment now paying his salary is in fact a front for a deeply sinister organisation that has a mighty peculiar agenda. It seems that half the time his bosses are away with the fairies. But they're not, of course. They're away with the goblins.

J.W. Wells seemed to be a respectable establishment, but the company now paying Paul Carpenter's salary is in fact a deeply sinister organisation with a mighty peculiar management team. Paul thought he was getting the hang of it (particularly when he fell head over heels for his colleague Sophie), but death is never far away when you work at J.W. Wells, unlike the stapler - that's always going AWOL. Our love-struck hero is about to discover that custard is definitely in the eye of the beholder. And that it really stings.

Monsters are roaming the streets of London. Of course, some monsters are scarier than others: Unicorns? No bother. Vampires? Big deal. Werewolves? Ho hum. Lawyers? … Aaargh! Duncan's boss doesn't think that he's cut out to be a lawyer. He isn’t a pack animal. He lacks the killer instinct. But when his best friend from school barges his way back into Duncan’s life, with a full supporting cast of lawyers, ex-wives, zombies and snow-white unicorns, it’s not long before things become distinctly unsettling.

Mordak isn't bad as far as goblin kings go, but when someone - or something - starts pumping gold into the human kingdoms, it puts his rule in serious jeopardy. Suddenly he's locked in an arms race with a species whose arms he once considered merely part of a calorie-controlled diet. Helped by an elf with a background in journalism and a master's degree in being really pleased with herself, Mordak sets out to discover what on Earth (if indeed, that's where he is) is going on.

Maurice has just killed a dragon with a bread knife. And had his destiny foretold…and had his true love spirited away. That's precisely the sort of stuff that'd bring out the latent heroism in anyone. Unfortunately, Maurice is pretty sure he hasn't got any latent heroism. Meanwhile, a man wakes up in a jar in a different kind of pickle (figuratively speaking). He can't get out, of course, but neither can he remember his name, or what gravity is, or what those things on the ends of his legs are called…and every time he starts working it all out, someone makes him forget again.