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Seahouses is the first collection of poetry from cultural historian Richard Barnett. Those familiar with Barnett’s non-fiction will be unsurprised to discover he is also a formidable poet, with a distinctly English approach that is at once fluid, precise, cynical, and tender. Not a single word in this volume is wasted; least of all in the award-winning title sequence, where the sea sifts and rolls through the dreams of an old man asleep in a deckchair, conjuring a vision of history, and our human crossings.

Spring 1916: Ludwig Wittgenstein is on his way to the Eastern Front. Wittgenstein's Tractatus Logico Philosophicus, the terse, gnomic masterpiece of modern philosophy, is also a war poem. Wherever We Are When We Come to the End digs into the form and the language of the Tractatus, following Wittgenstein through the war and his own conflicts with words and silence, violence and grief, time and eternity. The result is a highly original formal experiment and a poetic fantasia on logic, love, and war.

This gripping fictional true crime podcast delves into the story of the enigmatic Dorian Gray, a vigilante who changed the world, rewriting history in the blood of her victims. Her targets were the titans of their era—billionaires, movie stars, politicians. Dorian said they had one thing in common: they had all committed crimes against women. They were rapists, abusers, master manipulators. Dorian left evidence of their heinous offenses with their bodies, and then she vanished without a trace.