検索キーワード： ナレーター "Tamala Shelton" すべてのカテゴリー

For perhaps the first time in novel form, Benevolence presents an important era in Australia’s history from an Aboriginal perspective. Told through the fictional characterisation of Darug woman Muraging (Mary James), Benevolence is a compelling story of first contact. Born around 1813, Muraging is among the earliest Darug generations to experience the impact of British colonisation - a time of cataclysmic change and violence, but also remarkable survival and resistance.

What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart - sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect.

It’s Broome, 2010. Nyikina man Wayne Bergmann has just received a death threat. His wife has watched a friend cross the road to avoid speaking with her. His children are subject to intense schoolyard bullying. Bergmann, a boilermaker by trade, and lawyer, is chief executive of the Kimberley Land Council during the controversial James Price Point gas hub negotiations. It’s an event that will tear the Broome community apart. Wayne’s story starts on Nyikina country and encompasses backbreaking station work, buried treasure, a Swedish bone thief and traditional magic love songs.

How quickly the ground shifts beneath our feet. We make choices—in the face of love, or violence, or necessity—and the effects ripple outward. In these moving short stories, acclaimed authors examine the foundations of the past, uncovering the irreversible decisions and life-changing encounters that mark the turning point between before and after.

When Alison Strange receives a debt claim she can’t afford to pay from the Australian government’s unemployment office, she’s caught completely off-balance. As she wrestles with a slippery bureaucracy, her history-loving grandfather bolsters her resolve with the story of their ancestor John Strange, an English cobbler who was banished to Australia for his part in a political movement. Drawing inspiration from John’s life, Alison finds her own unique way to demand a future that’s fair for all.

In a futuristic and dystopian Australia, industrialisation and capitalism have overwhelmed and smothered human rights and sanity. Meet Mirii, a young orphan caught in a system that's hell bent on keeping her down. When she finds unexpected allies, friends and love, will it be enough to see her through this nightmarish world? Or is it only the beginning of the troubles she will have to face?

A story of homecoming, this engrossing novel opens with a young, city-based lawyer setting out on her first visit to ancestral country. Candice arrives at ‘the place where the rivers meet’, the camp of the Eualeyai where in 1918 her grandmother Garibooli was abducted. As Garibooli takes up the story of Candice’s Aboriginal family, the twentieth century falls away. Garibooli, now renamed Elizabeth, is sent to work as a housemaid, but marriage soon offers escape from the terror of the master’s night-time visits.

Lenny has always known that his wife, Claire, is the love of his life. But somehow his marriage is in shambles, he’s struggling with the kids, and a string of anonymous text messages are tormenting him, insisting that Claire is a liar. Claire knows Lenny is a good man, but there’s a lot she hasn’t told him about her past. Now she’s terrified that the horrors that haunt her are about to put her entire family in danger. Strange new neighbours, insidious clients and schoolyard scandal begin to fracture Claire and Lenny’s happy families façade.

Growing Up in Country Australia is a fresh, modern look at country Australia. There are stories of joy, adventure, nostalgia, connection to nature and freedom, but also more grim tales - of drought, fires, mouse plagues and isolation. From the politics of the country school bus to the class divides between locals, from shooting foxes with Dad to giving up meat as an adult, from working on the family farm to selling up and moving to the city, the picture painted is diverse and unexpected. This is country Australia as you've never seen it before.

If you asked eleven-year-old Fred to draw a map of her family, it would be a bit confusing. Her birth father was never in the picture, her mom died years ago, and her stepfather, Luca, is now expecting a baby with his new girlfriend. According to Fred’s teacher, maps don’t always give the full picture of our history, but more and more it feels like Fred’s family is redrawing the line of their story . . . and Fred is feeling left off the map.

Evie has been raised in the heart of Aboriginal Redfern, by a proud trailblazing Wiradjuri family. She remembers so much about the previous world – the Dreamtime, the ancestors, and the knowing – but she also harbours a dark pain that is becoming almost too much to bear. And then Evie meets James, a young man radiating pure love who fills her life with light. On the cusp of adulthood, with their whole lives ahead of them, they travel to Evie’s beloved country, the central west of New South Wales and the Riverina regions.

Blending the mythical power of Téa Obreht and the epic scope of Min Jin Lee, a searing historical novel that tells a story of colonization, survival, and resistance in a way never done before—a beautiful, brilliant, and brutal reimagining of the first contact between Indigenous people and white British settlers and the far-reaching consequences for one Aboriginal girl coming of age in an unsteady and dangerous world.

Rosie and Nona are sisters. Yapas. They are also best friends. It doesn’t matter that Rosie is white and Nona is Aboriginal - their family connections tie them together for life. The girls are inseparable until Nona moves away at the age of nine. By the time she returns, they’re in Year 10 and things have changed. Rosie prefers to hang out in the nearby mining town, where she goes to school with the glamorous Selena and her gorgeous older brother, Nick.

A proud Gunai/Kurnai woman, Veronica Gorrie grew up dauntless, full of cheek and a fierce sense of justice. After watching her friends and family suffer under a deeply compromised law-enforcement system, Gorrie signed up for training to become one of a rare few Aboriginal police officers in Australia. In her 10 years in the force, she witnessed appalling institutional racism and sexism and fought past those things to provide courageous and compassionate service to civilians in need, many Aboriginal themselves.

From Manuka to Manhattan, Lauren’s going all the way! Lauren is a curator at the National Aboriginal Gallery in Canberra. She's good at her job, passionate about the arts and focused on her work - that is, when she's not focusing on Adam. But Adam is a player, on and off the field. Lauren knows he's the one, but he doesn't seem to feel the same way about her. If she just waits long enough, though, surely he'll realise how much he needs her? Then her boss offers her the chance of a lifetime - a fellowship at the Smithsonian in New York.

Gundagai, 1852. The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai.

Running from a bad relationship, journalist Jo Sharpe heads home to Arthurville, the drought-stricken town she turned her back on years earlier. While some things have changed - her relationship with her ailing, crotchety father, her new job at the community newspaper - Jo finds that her return has rekindled the grief and uncertainty she experienced during her childhood following the inexplicable disappearance of her mother and baby sister.

Wisecracking Kerry Salter has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying, and she’s an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border. She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river.

Melbourne, Australia. As bushfires rage outside the city, three women watch a performance of a Beckett play. Margot is a successful professor, preoccupied by her fraught relationship with her ailing husband. Ivy is a philanthropist with a troubled past, distracted by the snoring man beside her. Summer is a young theatre usher, anxious about the safety of her girlfriend in the fire zone. As the performance unfolds, so does each woman's story. By the time the curtain falls, they will all have a new understanding of the world beyond the stage.

Dark as Last Night confirms, once again, that Tony Birch is a master of the short story. These exceptional stories capture the importance of human connection at pivotal moments in our lives, whether those occur because of the loss of a loved one or the uncertainties of childhood. In this collection, we witness a young girl struggling to protect her mother from her father’s violence, two teenagers clumsily getting to know one another by way of a shared love of music, and a man mourning the death of his younger brother, while beset by memories and regrets from their past.