検索キーワード： ナレーター "Thomas Sadoski" すべてのカテゴリー

The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is “one of those tech demi-gods with whom we’re all on a first name basis.” Bix is forty, with four kids, restless, and desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. Within a decade, Bix’s new technology, “Own Your Unconscious”—which allows you access to every memory you’ve ever had, and to share your memories in exchange for access to the memories of others—has seduced multitudes.

It's 2010. Staggeringly successful and brilliant tech entrepreneur Bix Bouton is desperate for a new idea. He's 40, with four kids, and restless when he stumbles into a conversation with mostly Columbia professors, one of whom is experimenting with downloading or 'externalising' memory. Within a decade, Bix's new technology, Own Your Unconscious—that allows you access to every memory you've ever had, and to share every memory in exchange for access to the memories of others—has seduced multitudes. But not everyone.

At Mile 81 on the Maine turnpike is a boarded up rest stop, a place where high school kids drink and get into the kind of trouble high school kids have always gotten into. It’s the place where Pete Simmons goes when his older brother, who’s supposed to be looking out for him, heads off to the gravel pit to play “paratroopers over the side”. Pete, armed only with the magnifying glass he got for his 10th birthday, finds a discarded bottle of vodka in the boarded up burger shack and drinks enough to pass out.

Bill Blair finds the land by accident - three wooded acres in a rustic community south of San Francisco. The year is 1954, long before anyone will call this area Silicon Valley. Struck by a vision of the family he has yet to create, Bill buys the property on a whim. In Penny Greenway he finds a suitable wife, a woman whose yearning attitude toward life seems compelling and answerable, and they marry and have four children. Yet Penny is a mercurial housewife at a time when women chafed at the conventions imposed on them.

In the sequel to Reasons to Be Pretty, Greg, Steph, Carly, and Kent return a little older, but not necessarily wiser. And don’t worry if you haven’t met them before - there’s more than enough humor and humanity to usher you into the second act of their lives. Includes a backstage conversation with Neil LaBute and the cast. An L.A. Theatre Works full-cast production featuring Jenna Fischer, Thomas Sadoski, Gia Crovatin, and Josh Stamberg. Written and directed by Neil LaBute. Recorded by L.A. Theatre Works before a live audience.

What does it mean to be pretty? Do you really need someone to validate your appearance? Neil LaBute tackles our obsession with physical beauty head-on in a work nominated for multiple Tony and Drama Desk Awards. Our production, directed by the playwright, includes original Broadway cast member Thomas Sadoski, whose acclaimed performance also earned aTony nomination. Includes a backstage conversation with Neil LaBute and the cast. An L.A. Theatre Works full-cast production.

Jeffrey Lockhart's father, Ross, is a billionaire in his 60s, with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to a life of transcendent promise. Jeff joins Ross and Artis at the compound to say an uncertain farewell to her as she surrenders her body.

Jeffrey Lockhart's father, Ross, is a billionaire in his 60s with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to lives of transcendent promise. Jeff joins Ross and Artis at the compound to say "an uncertain farewell" to her as she surrenders her body.