検索キーワード： マジックリアリズム

The year is 1984 and the city is Tokyo.

A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question....

After the loss of her mother and her own battle with breast cancer, Joanna Teale returns to her graduate research on nesting birds in rural Illinois, determined to prove that her recent hardships have not broken her. She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot and covered in bruises. The girl calls herself Ursa, and she claims to have been sent from the stars to witness five miracles.

Nora's life has been going from bad to worse. Then at the stroke of midnight on her last day on earth she finds herself transported to a library. There she is given the chance to undo her regrets and try out each of the other lives she might have lived. Which raises the ultimate question: with infinite choices, what is the best way to live?

Information is everything in "Hard-Boiled Wonderland". A specialist encrypter is attacked by thugs with orders from an unknown source, is chased by invisible predators, and dates an insatiably hungry librarian who never puts on weight. In "The End of the World" a new arrival is learning his role as dream-reader. But there is something eerily disquieting about the changeless nature of the town and its fable-like inhabitants. Told in alternate chapters, the two stories converge and combine.

In a Tokyo suburb, a young man named Toru Okada searches for his wife’s missing cat—and then for his wife as well—in a netherworld beneath the city’s placid surface. As these searches intersect, he encounters a bizarre group of allies and antagonists. Gripping, prophetic, and suffused with comedy and menace, this is one of Haruki Murakami’s most acclaimed and beloved novels.

A 30-something painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home and an underworld haunted by Double Metaphors.

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women, Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.

The new novel - a book that sold more than a million copies the first week it went on sale in Japan - from the internationally acclaimed author, his first since IQ84. Here he gives us the remarkable story of Tsukuru Tazaki, a young man haunted by a great loss; of dreams and nightmares that have unintended consequences for the world around us; and of a journey into the past that is necessary to mend the present. It is a story of love, friendship, and heartbreak for the ages.

An advertising executive receives a postcard from a friend and casually appropriates the image for an advertisement. What he doesn’t realize is that included in the scene is a mutant sheep with a star on its back, and in using this photo he has unwittingly captured the attention of a man who offers a menacing ultimatum: find the sheep or face dire consequences.

With the same deadpan mania and genius for dislocation that he brought to his internationally acclaimed novels A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, Haruki Murakami makes this collection of stories a determined assault on the normal. A man sees his favorite elephant vanish into thin air; a newlywed couple suffers attacks of hunger that drive them to hold up a McDonald's in the middle of the night; and a young woman discovers that she has become irresistible to a little green monster who burrows up through her backyard.

Kafka Tamura runs away from home at 15, under the shadow of his father's dark prophesy. The ageing Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his pleasantly simplified life suddenly turned upside down. As their parallel odysseys unravel, cats converse with people, fish tumble from the sky, a ghost-like pimp deploys a Hegel-spouting girl of the night, a forest harbours soldiers apparently un-aged since World War II.

Alexis Spencer thinks she has it all figured out. Even when life gets her down, she’s never too far away from another inspirational quote to rationalize her failures and ignore all her problems. Her boyfriend breaks it off, she loses her job, her closest friends are a distant memory, and her college debt is still as high as the day she left. In typical fashion, she blames the world for her problems, including her 18-year-old self who should have just tried harder and put their life on a better track.

In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.

We begin with a nameless young couple: a boy and a girl, teenagers in love. One day, she disappears . . . and her absence haunts him for the rest of his life. Thus begins a search for this lost love that takes the man into middle age and on a journey between the real world and an other world—a mysterious, perhaps imaginary, walled town where unicorns roam, where a Gatekeeper determines who can enter and who must remain behind, and where shadows become untethered from their selves.

As a child, Natsuki doesn’t fit into her family. Her parents favor her sister, and her best friend is a plush toy hedgehog named Piyyut who has explained to her that he has come from the planet Popinpobopia on a special quest to help her save the Earth.

With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.

Open twenty-four hours a day, at first glance The Wizard's Bakery seems like any ordinary bakery where you can buy bread, cakes, and cookies, with a somewhat grumpy man behind the counter. At first glance, that is. Because when the young boy who is our protagonist chooses it as a refuge to escape a difficult family situation, the reality he finds is quite different. Baked with the help of a mysterious blue-haired shop assistant, are sweets and pastries with immense powers, capable of changing lives.

Ebey’s End is a small town on an island off the Pacific coast, reachable only by ferry (assuming the gods are with you and it’s not a Tuesday). It’s a comfortable, familiar (but okay, fine, sometimes lonely) life for its resident grocer Anita Odom. That is, until fourteen-year-old July shows up on her doorstep. Taking in the recently orphaned daughter of an estranged cousin had not been on Anita’s to-do list. In fact, it’s a terrible idea. Anita is ill-suited, ill-prepared, and absolutely certain the entire enterprise will end in disaster—for both of them.

Wenn ich denke, es könnte in meinem Leben nicht schlimmer kommen, erscheint ein verrückter Kerl, der sich für einen nordischen Gott hält und mich nach Asgard bringt. Jedenfalls in die Nähe der sagenumwobenen Götterwelt. Den Weg dorthin muss ich selbst finden, um meinen Wert zu beweisen. Denn ich soll die nächste Frau Holle werden, die nicht nur eine Märchenfigur ist, sondern eine mächtige Göttin und Gefährtin Odins. Als ich allerdings erfahre, dass ich dazu in wenigen Wochen einen der drei Prinzen des Reichs heiraten soll, habe ich nur einen Gedanken: Flucht.

What makes a family? How is it defined and by whom? Is freedom for everyone? In Necessary Fiction, Eloghosa Osunde poses these provocative questions and many more while exploring the paths and dreams, hopes and fears of more than two dozen characters who are staking out lives for themselves in contemporary Nigeria.